El primer estudio detallado de un género considerado hasta ahora como la zona desértica de la literatura espanola. Comprueba la existencia de un número apreciable de autobiografías que ofrecen importante información literaria e histórica. El punto de vista adoptado permite nuevas interpretaciones de obras que se han estudiado tradicionalmente fuera de su contexto apropiado, como las de Santa Teresa, Estebanillo González y Torres Villarroel.
Autobiography in Early Modern Spain was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Autobiography in Early Modern Spain Nicholas Spadaccini and Jenaro Talens, Editors Introduction. The Construction of the Self: Notes on Autobiography in Early Modern Spain Nicholas Spadaccini and Jenaro Talens Chapter 1. Narration and Argumentation in Autobiographical Discourse Antonio Gomez-Moriana Chapter 2. A Clown at Court: Francesillo de Zuniga's Cronica burlesca George Mariscal Chapter 3. A Methodological Prolegomenon to a Post-Modernist Reading of Santa Teresa's Autobiography Patrick Dust Chapter 4. Golden Age Autobiography: The Soldiers Margarita Levisi Chapter 5. The Picaresque as Autobiography: Story and History Edward Friedman Chapter 6. The Historical Function of Picaresque Autobiographies: Toward a History of Social Offenders Anthony N. Zahareas Chapter 7. Fortune's Monster and the Monarchy in Las relaciones de Antonio Perez Helen H. Reed Chapter 8. The Woman at the Border: Some Thoughts on Cervantes and Autobiography Ruth El Saffar Chapter 9. Poetry as Autobiography: Theory and Poetic Practice in Cervantes Jenaro Talens Appendix Curriculum vitae Miguel de Cervantes Saavedra
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.
Women’s life writing in general has too often been ignored, dismissed, or relegated to a separate category in those few studies of the genre that include it. The present work addresses these issues and offers a countervailing argument that focuses on the contributions of women writers to the study of autobiography in Spanish during the early modern period. There are, indeed, examples of autobiographical writing by women in Spain and its New World empire, evident as early as the fourteenth-century Memorias penned by Doña Leonor López de Cordóba and continuing through the seventeenth-century Cartas of Sor Juana Inés de la Cruz. What sets these accounts apart, the author shows, are the variety of forms adopted by each woman to tell her life and the circumstances in which she adapts her narrative to satisfy the presence of male critics-whether ecclesiastic or political, actual or imagined-who would dismiss or even alter her life story. Analyzing how each of these women viewed her life and, conversely, how their contemporaries-both male and female-received and sometimes edited her account, Howe reveals the tension in the texts between telling a ’life’ and telling a ’lie’.
Antología de escritoras españolas de la Edad Media y el Siglo de Oro ofrece una selección de obras literarias de ocho escritoras medievales, renacentistas y barrocas. Cada capítulo presenta una extensa introducción sobre la autora y su obra. Esta antología contribuye a mejorar el conocimiento de los estudiantes sobre la lengua, la literatura y la cultura españolas, al igual que ofrece una lectura desde la perspectiva de género de estas escritoras. Acompañada de textos originales modernizados al castellano actual, notas aclaratorias, actividades y una extensa y actualizada bibliografía, Antología de escritoras españolas de la Edad Media y el Siglo de Oro muestra la evolución de voces femeninas a lo largo de estos siglos. Las actividades sugeridas para cada capítulo ayudan a exponer y a reflexionar sobre la relevancia cultural que en la actualidad tienen los argumentos que estas mujeres proponent en sus trabajos. Esta antología será de gran utilidad para estudiantes de literatura y cultura españolas de niveles de grado y graduado e, igualmente, para los estudiantes hispanohablantes de literature comparada y de estudios de género.
A History of the Spanish Novel is the only volume in English that offers comprehensive coverage of the history of the Spanish novel, from the sixteenth century to the present day, with chapters written by some of the world-leading experts in the field.
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.
Exiled to the margins of society and surviving by his wits in the course of his wanderings, the picaro marks a sharp contrast to the high-born characters on whom previous Spanish literature had focused. In this illuminating book, Peter N. Dunn offers a fresh view of the gamut of sixteenth- and seventeenth-century Spanish picaresque fiction.
The Spanish Golden Age saw an unprecedented rise in the production of autobiographical works. Even more so than present-day autobiographies, early modern manifestations of this genre are topics of lively debate, particularly about their generic affiliation and their unique place in literature. As a necessary basis for approaching these questions, this book retrieves and re-evaluates the antecedents of Golden Age autobiography and analyzes its literary and cultural facilitators. With the precepts of genre established, this work proposes new perspectives on the nexus of autobiographical and fictional literature of the Siglo de Oro.
The Spanish mystic Teresa of Avila (1515-82) was the author of one of the most acclaimed early modern autobiographies - "Vida". This text examines the impact of textual models on Teresa's self-construction.
