Kunterbunt und kurz geschrieben is an intermediate-level German reader that can be used as either the main text in a conversation course or a supplementary text in an intermediate grammar review course. James Pfrehm's innovative approach includes text and audio podcasts of German short stories that are distinctly different from canonical texts studied in upper-level courses. Some of the features of the book include topical, engaging, and often humorous modern short stories; a grammar activity in each chapter; and video podcasts of short stories created by Pfrehm. Go to yalebooks.com/kunterbunt to access the media files and exercise resources.
A combined reader/workbook for second-year German, Sammelsurium focuses on cultural awareness while building competence in reading, writing, and speaking, and can be used with equal effectiveness as either a supplementary text or as the main reader in a course. Included are thirty-eight brief yet stimulating readings on a wide range of topics of special significance to German culture, each of which offers intermediate-level grammatical constructions and vocabulary. Many readings incorporate a verb-tense exercise, and each reading is accompanied by a separate set of vocabulary as well as an array of comprehension questions and communicative exercises. From the Brothers Grimm to German film--and from fashion to the nightlife of Berlin--Sammelsurium offers something for every taste, while strengthening skills needed by every student of German. Features: Literary texts spanning 400 years, profiles of iconic historical figures, and fascinating articles on contemporary German culture. In-depth coverage of Berlin as the capital and leading cultural center of Germany. Articles on the German passion for soccer and golf. Focus on major historical figures in the sciences (e.g., Röntgen, Koch, and Copernicus) as well as music (Ludwig van Beethoven and Wolfgang Amadeus Mozart). Innovative emphasis on the narrative past, aimed at both acquiring new verbs and using them in composition. Readings that challenge common cultural preconceptions, as well as offer unexpected insights into similarities and differences between German and American culture.
This dissertation examines mission museums established by Catholic mission congregations in Germany, Austria, and Switzerland from the 1890s onwards. The aim is to provide the first extensive study on these museums in a way that contributes to current blind spots in mission history, and the history of anthropology and museology. In this study I use Angela Jannelli's concept of small-scale and amateurish museums to create a framework in order to characterise the museums. The dissertation focuses on the missionaries and their global networks, their "collecting" in the mission fields overseas, and the "collected" objects, by looking at primary sources from mission congregations' archives. In the middle section of the dissertation the findings of an analysis of the compiled list of thirty-one mission museums are presented. This presentation focuses on their characteristics (for example, the museum surroundings, the opening and closing dates, the role of the curators, and type of objects). From this list of thirty-one museums three case studies were selected for in-depth analysis: (1) three "Africa museums" of the Missionary Sisters of St. Peter Claver (SSPC) in Salzburg, Maria Sorg and Zug, (2) an ethnographically oriented mission museum of the Society of the Divine Word (SVD) in the mission house St. Gabriel near Vienna, and (3) a mission museum of the Sacred Heart Missionaries (MSC) in Hiltrup-Münster. This study reveals the reasons for opening mission museums by presenting a list of ten intentions. Then I propose a conclusive definition of a European Catholic mission museum. Finally, short descriptions ("portraits") in the appendix present and analyse all thirty-one mission museums. In presenting the broad diversity of these museums, the thesis contributes to the understanding of missionary congregations' development in the late 19 th and 20 th century and their impact on the material and immaterial exchange between German-sp
Outrageous Pippi Longstocking has no parents around and no rules to follow, so she lives according to her own daredevilish ways. She's been treating her friends Tommy and Annika to wild adventures, too--like buying and eating seventy-two pounds of candy, or sailing off to an island in the middle of a lake to see what it's like to be shipwrecked. But then Pippi's long lost father returns, and she might have to leave Villa Villekulla! From the Hans Christian Andersen Medal-winning author of the classic Pippi Longstocking, this is another rollicking adventure that's sure to please fans of the freckled, fun-loving little girl. "Lovers of Pippi Longstocking will welcome this rollicking tale of a topsy-turvy world in which Pippi and her next-door neighbors put into practice some ideas about good times." - School Library Journal
The End of the Story is an energetic, candid, and funny novel about an enduring obsession and a woman's attempt to control it by the telling of the story of it. With ruthless honesty, artful analysis, and crystalline depictions of human and natural landscapes, Lydia Davis's novel offers a compelling illumination of the dilemmas of loss and the process of remembering.
