Thirteen writers collaborated to guide readers on a journey through Korean Traditional Landscape Architecture to highlight the excellence of this Korean cultural heritage as well as the traditional Korean aesthetic and worldview. Of note, there is also a glossary section that helps to explain basic concepts and principles, technical terms, and various proper nouns for general readers as well as those with an in-depth interest in the subject.
Western Gardeners’ Guide to the Essence of Korean Traditional Gardens Korean gardens strive to be in harmony with nature and to encourage the quiet contemplation of the natural world. They are intentionally humble in their conception and very different from Japanese and Chinese gardens. Korean gardens deserve to be more widely appreciated in the West as a separate, distinctive, venerable and continuing garden tradition, capable of wide appeal if better known. They are the unknown treasures among the world’s gardening traditions. The survival and continuous restoration of old Korean gardens demonstrate the cultural resilience and tenacity of the Korean people despite their tumultuous history. This book introduces, describes and explains traditional Korean gardens to Western readers. It contains more than one hundred photos and maps and details of 20 notable gardens. Pre-publication reviews The ‘foot’ and the ‘mind’ must be put to use to understand the genuine aesthetics of the Korean garden. The author has spared no foot-work nor mindful deliberation to successfully deliver the essence of the Korean garden in this book. I do not doubt that this book will guide those who wish to discover the true beauty of the Korean garden: its harmony with nature, reflection of the inner world, and yearning toward the outside world. Professor Sung Jong-sang, Department of Landscape Architecture, Dean Graduate School of Environmental Studies, Seoul National University This is an exquisitely written reference book concerning the traditional gardens and landscapes in South Korea. Horticulturists in western gardens today often unknowingly use plants and trees native to Korea, which have long been cultivated in Korean gardens. This book will entice any keen gardener or plantsman to make a visit to see these traditional gardens that are so clearly described in this wonderful book. Tony Kirkham, Head of the Arboretum, Royal Botanic Gardens, Kew, England The traditional gardens of Korea are one of the country’s best-kept secrets. Few visitors even realize what beauties exist. That is largely because Korean gardens are far less formal and ornamental and much closer to nature than the famed gardens of Japan and China. This book offers readers a key, which opens the door to Korean gardens in all their delicate beauty. It will guide those who wish to discover the true beauty of the Korean garden: its harmony with nature, reflection on the inner-world, and yearning toward the outside world. Brother Anthony of Taize (An Son-jae), President of the Royal Asiatic Society, Korea This beautiful book breaks new ground, illuminating the history and richness of Korean gardens for English-speakers. The author has a professional knowledge of horticulture, and gives a clear explanation of unique Korean attitudes to garden-making and nature … The author delivers lively observations concerning the complex and sophisticated design of traditional Korean gardens and rightly admires the determination of Koreans to reconstruct them, after repeated destruction. Stuart Read, National Management Committee, Australian Garden History Society
This book offers an exploration of the lesser-known aspects of this dynamically changing field, starting with a look at the paradigmatic forms of traditional architecture before moving on to examining the issues and currents that have unfolded in architecture as it developed on Korean soil in the era of postmodernism?and began to find its way into the world. By taking a historical approach with the more noteworthy developments in Korean architecture, it seeks to support a new understanding, a rediscovery, of a field in full flux. Bustling Cities, Rising Architecture Rediscovering Korean Architecture Taking the Global Stage The History of Korean Architecture Stone Pagodas and Temple Architecture The Beauty of Column-head Brackets and Entasis Humble Spaces in Harmony with Nature East Meets West; Tradition Meets Modernity Korean Spirit Embodied in Traditional Architecture Bulguksa Temple and Seokguram Grotto Muryangsujeon Hall at Buseoksa Temple Janggyeongpanjeon Hall at Haeinsa Temple Changdeokgung Palace Jongmyo Shrine Yangdong Village Soswaewon Garden Dosan Seowon and Byeongsan Seowon Confucian Academies Hwaseong Fortress Seongyojang House Korean Modernism and Its Legacies Two Giants of Korean Modernism The 4.3 Group and Architectural Humanities Standing at the Boundary of Korean and Global Pushing the Envelope: New Ideas and Experiments Beyond the “City of Rooms” A New Housing Culture between the Beehives Evolution of Korean Modernism Landscape Architecture and the Transforming Cityscape Reinterpretation of Hanok
The grove, a grouping of trees, intentionally cultivated or found growing wild, has a long diverse history entwined with human settlement, rural practices and the culture and politics of cities. A grove can be a memorial, a place of learning, a site of poetic retreat and philosophy or political encampment, a public park or theatre, a place of hidden pleasures, a symbol of a vanished forest ecology, or a place of gods or other spirits. Yet groves are largely absent from our contemporary vocabulary and rarely included in today’s landscape practice, whether urban or rural. Groves are both literal and metaphorical manifestations, ways of defining spaces and ecologies in our cultural life. Since they can add meaning to urban forms and ecologies and contribute meaningfully to the significance of place, critical examination is long overdue. The editors have taken care to ensure that the text is accessible to the general reader as well as specialists.
With over 500 stunning photographs, this design book reveals the relatively unknown, unique aesthetics of Korea. Korea Style reveals the central elements of Korean design: simplicity, moderation, constraint, and a deep respect for all things natural. Despite the filtering of Japanese and Western design ideas into Korea over the millennia, the peninsula has maintained its own identity and is gaining recognition for its own particular "style." Spatial, spiritual and material qualities are reflected in the pure beauty of its architectural design, while classic objects that immediately distinguish themselves as being uniquely Korean are used with distinctive flair in interior design and decoration. Korea Style is the first book devoted to the country's architecture and interior design--featuring twenty-two exceptional homes, studios, and public and heritage buildings. They range from vernacular to cutting-edge creations and are a celebration of Korea's culture, natural landscape, arts and crafts, and architectural history juxtaposed with a drive towards invention, experimentation and individuality.
Placemaking and cultural landscapes are worldwide multidisciplinary global concerns that cover many points of view of the common impacts of socio-economic cultural and rights jurisprudence planning, wellbeing and related advancements. Concerned with the complex interactions between the development and environment of those factors, it is important to seek ways, paths and implications for framing sustainability in all social activities. This book is mostly based on the 10th ACLA – Asian Cultural Landscape Association International Webinar Symposium that took place during September 26–27, 2020, in the Banaras Hindu University, Varanasi, India. It examines contemporary social–cultural issues in the context of the United Nations Sustainable Development Goals (UN-SDGs) and associated cultural and sacred landscapes. There, the emphasis is on awakening deeper cultural sensitivity in harmonizing the world and the role of society and spiritual systems, drawing upon multi-disciplinary and cross-cultural interfaces—all within the scope of the future of the earth. The book’s chapters add a new dimension of cultural understanding in the broad domain of emerging human geoscience, considered as key policy science for contributing towards sustainability and survivability science together with future earth initiatives.
The term Fengshui, which literally means 'wind and water, ' is the ancient Chinese art of selecting an auspicious site to provide the most harmonious relationship between human and earth. The term is generally translated as "geomancy," and has had a deep and extensive impact on Korean, Chinese, and other East Asian cultures. Hong-key Yoon's book explores the nature of geomantic principles and the culture of practicing them in Korean cultural contexts. Yoon first examines the nature and historical background of geomancy, geomantic principles for auspicious sites (houses, graves, and cities) and provides an interpretation of geomantic principles as practiced in Korea. Yoon looks at geomancy's influence on cartography, religion and philosophy, and urban development in both Korea and China. Finally, Yoon debates the role of geomancy in the iconographical warfare between Japanese colonialism and Korean nationalism as it affected the cultural landscape of Kyongbok Palace in Seoul.
This book is a milestone in the history of academic research on the development and role of geomancy (fengshui in Chinese and p'ungsu in Korean) in Korean culture and society. As the first interdisciplinary work of its kind, it investigates many topics in geomancy studies that have never been previously explored, and contains contributions from a number of disciplines including geography, historical studies, environmental science, architecture, landscape architecture, religious studies, and psychoanalysis. While almost all books in English about geomancy are addressed to general readers as practical guides for divining auspicious locations, P'ungsu is a work of rigorous scholarship that documents, analyzes, and explains past and current practices of geomancy. Its readers will better understand the impact of geomancy on the Korean cultural landscape and appreciate the significant ecological principles embedded in the geomantic traditions of Korea; while researchers will discover new insights and inspirations for future research on geomancy not only in Korea, but in China and elsewhere.
Absolutely fascinating! Informative, enlightening, and entertaining! This is one of the most comprehensive books on Planting Design. It fills in the blanks in this field and introduces poetry, painting, and symbolism into Planting Design. It covers in detail the two major systems in Planting Design: Formal Planting Design and Naturalistic Planting Design. It has numerous line drawings and photos to illustrate the Planting Design concepts and principles. Through in-depth discussions of historical precedents and practical case studies, it uncovers the fundamental design principles and concepts as well as underpinning philosophy for Planting Design. It is an indispensable reference book for Landscape Architecture students, designers, architects, urban planners, and ordinary garden lovers. What Others Are Saying About Planting Design Illustrated... "I found this book to be absolutely fascinating. You will need to concentrate while reading it but the effort will be well worth your time." -Bobbie Schwartz, Former President of APLD (Association of Professional Landscape Designers) and Author of The Design Puzzle: Putting the Pieces Together "This is a book that you have to read, and it is more than well worth your time. Gang Chen takes you well beyond what you'll learn in other books about basic principles like color, texture, and mass." -Jane Berger, Editor & Publisher of gardendesignonline "As a longtime consumer of gardening books, I am impressed with Gang Chen's inclusion of new information on planting design theory for Chinese and Japanese gardens. Many gardening books discuss the beauty of Japanese gardens, and a few discuss the unique charms of Chinese gardens, but this one explains how Japanese and Chinese history, geography, and artistic traditions bear on the development of each country's style. The material on traditional Western garden planting is thorough and inspiring, too. Planting Design Illustrated definitely rewards repeated reading and study; any garden designer will read it with profit." -Jan Whitner, Editor of the Washington Park Arboretum Bulletin "Enhanced with an annotated bibliography and informative appendices, Planting Design Illustrated offers an especially "reader friendly" and practical guide that makes it a very strongly recommended addition to personal, professional, academic, and community library Gardening & Landscaping reference collections and supplemental reading lists." -Midwest Book Review "Where to start? Planting Design Illustrated is, above all, fascinating and refreshing! Not something the lay reader encounters every day, the book presents an unlikely topic in an easily digestible, easy to follow way. It is superbly organized, with a comprehensive table of contents, bibliography, and appendices. The writing, though expertly informative, maintains its accessibility throughout and is a joy to read. The detailed and beautiful illustrations expanding on the concepts presented were my favorite portion. One of the finest books I've encountered in this contest in the past five years." -Writer's Digest 16th Annual International Self-Published Book Awards Judge's commentary "The work in my view has incredible application to planting design generally and a system approach to what is a very difficult subject to teach, at least in my experience. Also featured is very beautiful philosophy of garden design principles bordering poetry. It's my strong conviction that this work needs to see the light of day by being published for the use of professionals, students & garden enthusiasts." -Donald C Brinkerhoff, FASLA, Chairman and CEO of Lifescapes International, Inc.
