One of five beloved Christmas classics Written in 1831 by the father of Russian literature, this uproarious tale tells of the blacksmith Vakula’s battle with the devil, who has stolen the moon and hidden it in his pocket, allowing him to wreak havoc on the village of Dikanka. Both the devil and Vakula are in love with Oksana, the most beautiful girl in Dikanka. Vakula is determined to win her over; the devil, equally determined, unleashes a snowstorm to thwart Vakula’s efforts. Zany and mischievous, and drawing inspiration from the folk tales of Gogol’s far-flung village in Ukraine, The Night Before Christmas is the basis for many movie and opera adaptations, and is still read aloud to children on Christmas Eve in Ukraine and Russia. Penguin Christmas Classics Give the gift of literature this Christmas. Penguin Christmas Classics honor the power of literature to keep on giving through the ages. The five volumes in the series are not only our most beloved Christmas tales, they also have given us much of what we love about the holiday itself. A Christmas Carol revived in Victorian England such Christmas hallmarks as the Christmas tree, holiday cards, and caroling. The Yuletide yarns of Anthony Trollope popularized throughout the British Empire and around the world the trappings of Christmas in London. The holiday tales of Louisa May Alcott shaped the ideal of an American Christmas. The Night Before Christmas brought forth some of our earliest Christmas traditions as passed down through folk tales. And The Nutcracker inspired the most famous ballet in history, one seen by millions in the twilight of every year. Collect all five Penguin Christmas Classics: A Christmas Carol by Charles Dickens Christmas at Thompson Hall: And Other Christmas Stories by Anthony Trollope A Merry Christmas: And Other Christmas Stories by Louisa May Alcott The Night Before Christmas by Nikolai Gogol The Nutcracker by E. T. A. Hoffmann
From The Books Back Cover: Welcome to Detroitland, where award-winning journalist Richard Bak brings to life episodes from roughly a century of Detroit's colorful history. Bak tackles familiar names like Frank Murphy, the Purple Gang, the Lone Ranger, "Potato Patch" Pingree, and Charles Lindbergh. He also introduces little-known Detroit characters like the Black Legion, Detroit's own version of the Ku Klux Klan: Jonny Miler, the man who walloped Joe Louis in the Brown Bomber's first-ever amateur fight; patrolman Ben Turpin, the terror of Black Bottom criminals; Sophie Lyons, legendary "Queen of the Underworld" and Detroit philanthropist; and Shorty Long, Brenda Holloway, the Velvelettes, and other forgotten Motown artists of the 60's.
A visually rich sourcebook featuring eclectic artwork (from the late-nineteenth century to today) inspired and informed by the mystical, esoteric and occult.
"This book is a collection of little-known writings by and about Dziga Vertov. It follows the development of his work and opinions from 1917 to 1930, and chronicles contemporary reactions to them - from critics whose names are now forgotten, as well as such prominent personalities as fellow directors Lev Kuleshov and Sergei Eisenstein, artists Aleksandr Rodchenko and Kazimir Malevich, and theorists Walter Benjamin and Siegfried Kracauer." --Book Jacket.
The Tsar's Happy Occasion shows how the vast, ornate affairs that were royal weddings in early modern Russia were choreographed to broadcast powerful images of monarchy and dynasty. Processions and speeches emphasized dynastic continuity and legitimacy. Fertility rites blended Christian and pre-Christian symbols to assure the birth of heirs. Gift exchanges created and affirmed social solidarity among the elite. The bride performed rituals that integrated herself and her family into the inner circle of the court. Using an array of archival sources, Russell E. Martin demonstrates how royal weddings reflected and shaped court politics during a time of dramatic cultural and dynastic change. As Martin shows, the rites of passage in these ceremonies were dazzling displays of monarchical power unlike any other ritual at the Muscovite court. And as dynasties came and went and the political culture evolved, so too did wedding rituals. Martin relates how Peter the Great first mocked, then remade wedding rituals to symbolize and empower his efforts to westernize Russia. After Peter, the two branches of the Romanov dynasty used weddings to solidify their claims to the throne. The Tsar's Happy Occasion offers a sweeping, yet penetrating cultural history of the power of rituals and the rituals of power in early modern Russia.