Originally published in 1926, King Goshawk and the Birds is the first installment of O’Duffy’s Cuanduine trilogy, which also included The Spacious Adventures of the Man in the Street (1928) and Asses in Clover (1933). Set in a future world devastated by the development of capitalism, King Goshawk concerns the eponymous tyrant’s attempt to buy all of the wildflowers and songbirds in Ireland, and the attempt by a Dublin philosopher as well as a number of mythical heroes of Irish tradition to stop him.
DigiCat Publishing presents to you this special edition of "The Goshawk" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Certain moments in history, especially periods of cultural turmoil and political change, appear to be conducive to the writing of Menippean satire. Unauthorized Versions is the first integral study of Menippean satires written in Ireland in the three decades following the declaration of the Irish Free State in 1922. The book discusses works by Darrell Figgis, Eimar O'Duffy, Austin Clarke, Flann O'Brien, and Mervyn Wall in the context of political and social developments, particularly relating to economic policy, the role of the Church, and censorship. Mikhail Bakhtin defines Menippean satire as an unresolved dialogue between actual and/or implied voices designed to test a truth or philosophical idea. The Irish satirists of the first half of the twentieth century use medieval Ireland as a setting for addressing contemporary concerns, or borrow characters from medieval Irish texts that they place in a modern context. Each satire thus creates a series of dialogues: between the past and present; between characters who represent opposing values and ideologies; and between the older texts and their modern reworkings. Unauthorized Versions reveals the double bind at the core of every Menippean satire. Each writer discussed in the book expresses an awareness of the paradox of an author writing in the vacuum created by official censorship, seeking to engage his audience in the dethroning of the very authorities by whom he is deprived of his audience. By revealing his own ambiguous position, the satirist knowingly subverts his own authority along with that of his opponents. This study will appeal to students and scholars interested in Irish literature, genre studies, the reception of the Middle Ages, and the relationship between literature and history. Jos Lanters, associate professor of classics at the University of Oklahoma, will begin her position as associate professor of English at the University of Wisconsin-Milwaukee in Fall 2000. She is author of Missed Understandings: A Study of Stage Adaptations of the Works of James Joyce and coeditor of Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose. "Irish satire in the twentieth century has awaited a critic as intelligent and well-informed as Jose Lanters, whose Unauthorized Versions nicely complements Vivian Mercier's pioneering efforts. For several of the works she discusses, Lanters here provides the only substantial criticism they have received to date. Her approach combines sensitivity to form and expression with a constant attentiveness to historical context, while her study is anchored in a lucid and suggestive use of Bakhtin. Every library with an interest in Irish writing will want this book."--R. Brandon Kershner Alumni Professor of English, University of Florida "Lanters' well-argued volume will be a valuable resource for the study of modern Irish prose at the upper-division undergraduate level and above."--Choice Works discussed in Unauthorized Versions Darrell Figgis The Return of the Hero Eimar O'Duffy King Goshawk and the Birds The Spacious Adventures of the Man in the Street Asses in Clover Austin Clarke The Bright Temptation The Singing-Men at Cashel The Sun Dances at Easter Flann O'Brien At Swim-Two-Birds The Third Policeman Mervyn Wall The Unfortunate Fursey The Return of Fursey
One of the New York Times’s 100 Best Books of the 21st Century One of the New York Times Book Review's 10 Best Books of the Year One of Slate's 50 Best Nonfiction Books of the Last 25 Years ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20) The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of nature's most vicious predators has soared into the hearts of millions of readers worldwide. Fierce and feral, her goshawk Mabel's temperament mirrors Helen's own state of grief after her father's death, and together raptor and human "discover the pain and beauty of being alive" (People). H Is for Hawk is a genre-defying debut from one of our most unique and transcendent voices.
A gripping tale on the trail of a most mysterious and charismatic bird. The book traces Conor Jameson's travels in search of the Goshawk, a magnificent yet rarely seen (in Britain at least) raptor. Each episode of the narrative arises from personal experience, investigation, and the unearthing of information from research, exploration and conversations. The journey takes him from an encounter with a stuffed Goshawk in a glass case, through travels into supposed Goshawk territories in Britain, to Berlin - where he finds the bird at ease in the city. Why, he wants to know, is the bird so rarely seen in Britain? He explores the politics of birdwatching, the sport of falconry and the impact of persecution on the recent history of the bird in Britain and travels the length of Britain, through central Europe and the USA in search of answers to the goshawk mystery. Throughout his journey he is inspired by the writings of T H White who told of his attempts to tame a Goshawk in his much-loved book.
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From the New York Times bestselling author of The Genius of Birds, a radical investigation into the bird way of being, and the recent scientific research that is dramatically shifting our understanding of birds -- how they live and how they think. “There is the mammal way and there is the bird way.” But the bird way is much more than a unique pattern of brain wiring, and lately, scientists have taken a new look at bird behaviors they have, for years, dismissed as anomalies or mysteries –– What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, survive. They are also revealing the remarkable intelligence underlying these activities, abilities we once considered uniquely our own: deception, manipulation, cheating, kidnapping, infanticide, but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play. Some of these extraordinary behaviors are biological conundrums that seem to push the edges of, well, birdness: a mother bird that kills her own infant sons, and another that selflessly tends to the young of other birds as if they were her own; a bird that collaborates in an extraordinary way with one species—ours—but parasitizes another in gruesome fashion; birds that give gifts and birds that steal; birds that dance or drum, that paint their creations or paint themselves; birds that build walls of sound to keep out intruders and birds that summon playmates with a special call—and may hold the secret to our own penchant for playfulness and the evolution of laughter. Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Jennifer Ackerman shows there is clearly no single bird way of being. In every respect, in plumage, form, song, flight, lifestyle, niche, and behavior, birds vary. It is what we love about them. As E.O Wilson once said, when you have seen one bird, you have not seen them all.
This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.
