Your search for the perfect walking line never ends. This book is unique. We focus on melody as a key driver in walking. Avoid playing the same thing over and over, and add to your walking vocabulary now. Here's what you'll get: Walking lines for 6 tunes Principles of melodic walking Detailed analysis Resources on walking bass Get ready to take your lines to the next level //
Your search for the perfect walking line never ends. What makes a killer walking bass line? Of course, harmonic clarity and an impeccable rhythmic feel are essential. But we believe that having a keen melodic sense is what will make your walking style stand out. For more details about our melodic walking bass approach, including principles and examples, see KWB Vol. 1 and our blog: http: //blog.killerwalkingbass.com. In this volume, you'll get just the lines. In KWB Vol. 2, we included more tunes overall and chose songs with challenging chord changes. As with Vol. 1, the lines are conceived to be played behind the soloist. While walking over the head of the tune is important, most of the time you'll be supporting soloists.A vast majority of these lines rely only a quarter notes, a staple of walking bass. However, in Vol. 2 we've added embellishments. For the last tune in the book, "Dolphin Song" (like "Dolphin Dance"), we even provide two choruses without embellishments and then with them. We encourage you to think of how you'll enhance all of these lines on your flair. No tempos are given. Learn each piece slowly at first, but eventually move to a more suitable, standard tempo appropriate for the tune. In some cases, such as with "Expressions" (like "Impressions"), a very fast tempo may hinder your ability to play all of the embellishments. Adjust accordingly. Finally, we've included notes that can only be played on five-string basses or with bass extensions. These are indicated with smaller note heads as alternatives to notes available for four-string basses. We hope this collection helps in your quest to find the perfect walking line! Take your lines to the next level.
(Bass Instruction). Critically acclaimed as the best single source for the techniques used to play funk and slap-style bass! Includes a foreword by John Patitucci and is endorsed by Rich Appleman of the Berklee College of Music, Will Lee, Mark Egan, Stuart Hamm and many others. Features several photos and a special section on equipment and effects. A book for everyone -- from beginners to advanced players! Includes a 58-minute audio accompaniment.
For the aspiring musician, knowing what to listen to is just as important as knowing what to play. Bass player and writer Ryan Madora provides the reader with exactly that--a guide to listening and learning from the greats. Shining the spotlight on players who are too often confined to the background, this book highlights the session aces, band members, and career musicians whose bass lines have permeated popular culture. Madora discusses the nuances of bass playing and the stylistic choices behind classic records, top-forty hits, and funky deep cuts. An invaluable resource for professionals and hobbyists alike, Bass Players To Know features players who have contributed to the evolution of the instrument, including Ray Brown, Jack Bruce, Cliff Burton, Duck Dunn, Louis Johnson, Edgar Meyer, Willie Weeks, and many others.
(Artist Transcriptions). A tribute to Ray Brown including 18 bass transcriptions, performance notes, photos, and a foreword by Christian McBride. Songs include: Autumn in New York * Custard Puff * Days of Wine and Roses * Easy Does It * Gravy Waltz * Have You Met Miss Jones? * How High the Moon * I'm an Old Cowhand (From the Rio Grande) * I'm Glad There Is You (In This World of Ordinary People) * Killer Joe * Love Is Here to Stay * Mack the Knife * Minor Mystery * Moten Swing * Night Train * Sometimes I'm Happy * The Surrey with the Fringe on Top * Tune Up.
(Bass Recorded Versions). Exact transcriptions with tab for 21 bass-heavy Motown faves: Ain't No Mountain High Enough * Baby Love * Dancing in the Street * Get Ready * I Just Want to Celebrate * My Girl * My Guy * Stop! in the Name of Love * Where Did Our Love Go * You Can't Hurry Love * and more.
Unfortunately, many bass students are blindly taught to practice playing scales and arpeggios up and down their fingerboard without the understanding of the concepts that will enable you to start improvising like the masters! Fortunately, there is a better way to take your improvisation skills to the next level with this "game-changing" book that you never thought was possible. Plainly and simply, the material covered in this book will revolutionize your bass guitar technique exponentially! As a teacher and clinician, Joe has seen this exact methodology work consistently for both himself and countless years as a teacher- teaching some of the best bass players on the planet including Pino Palladino! By finding the weakest areas of your technique, there is no way to avoid making major leaps and bounds when you put these concepts into purposeful practice!
This book gives you all the basic principles underlying solid walking bass lines. Comprehensive, easy to understand, with page after page of great transcriptions of the author's walking lines on the accompanying CD. The CD of NY professional jazz players can also be used as a swinging play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, etc.
