A story of madness driven by the intoxicating desire to kill, this tale tells of the lust for blood and murder, and how such a madness can take hold of even the civilised.'
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Provides a fictionalized account of Jemmy Button, a native boy from Tierra del Fuego who was brought to London to be educated and then returned home to his island.
The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even "Ambassadors from Mars." Back home, their mother never accepted that they were "gone" and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today.
JC and Susan Shelby, fresh from their adventure aboard the ill-fated Russian cruise ship, MS Alexander Nevsky (Dead in the Water), are fated to have their leisurely stop over on their way back to Honolulu in the idyllic Fiji Islands interrupted when a fellow vacationer from New York is ostensibly captured by a band of cannibals. Mr. Throttlebottom, CEO of Murkies chain of cheap clothing stores, the victim, and his wife, Emma are traveling with their aide, Crassley Fenwick to Hong Kong to make a deal on some manufacturing for the chain. Events take a peculiar turn with local revolution in the air to divert the local police when an unexpected death occurs deep in the Sugar cane fields. Mr. Soni, the Indo-Fijian manager of the Star Fish Beach Resort, would give anything to have these troublesome people on their way but storms in the area prevent travel in or out. Timi and his Uncle Vat, local Fijians, render invaluable aide in helping Susan and JC collar the culprits. The story takes place against the background of the vigorous sugar cane industry that occupies the city of Lautoka and the northern shores of Viti Levu, the largest of the Fijis 400 plus islands.
A companion to the #1 bestselling Miss Peregrine’s Home for Peculiar Children series! Before Miss Peregrine gave them a home, the story of peculiars was written in the Tales. Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. These are but a few of the truly brilliant stories in Tales of the Peculiar—the collection of fairy tales known to hide information about the peculiar world, including clues to the locations of time loops—first introduced by Ransom Riggs in his #1 bestselling Miss Peregrine’s Peculiar Children series. Riggs now invites you to share his secrets of peculiar history, with a collection of original stories in this deluxe volume of Tales of the Peculiar, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar. Featuring stunning illustrations from world-renowned woodcut artist Andrew Davidson this compelling and truly peculiar anthology is the perfect gift for all book lovers.
Talk about having a bad day. I'm kidnapped by rebels and sold to cannibals, for their full moon virgin sacrifice. Heading towards this dismal prospect, I discover my capture is no accident. These cannibals selected me, due to an incident ten years earlier, when my mother was brutally murdered. To save myself and others from the roasting grotto and butcher's block, I must solve this mystery.
Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
In Converging on Cannibals, Jared Staller demonstrates that one of the most terrifying discourses used during the era of transatlantic slaving—cannibalism—was coproduced by Europeans and Africans. When these people from vastly different cultures first came into contact, they shared a fear of potential cannibals. Some Africans and European slavers allowed these rumors of themselves as man-eaters to stand unchallenged. Using the visual and verbal idioms of cannibalism, people like the Imbangala of Angola rose to power in a brutal world by embodying terror itself. Beginning in the Kongo in the 1500s, Staller weaves a nuanced narrative of people who chose to live and behave as “jaga,” alleged cannibals and terrorists who lived by raiding and enslaving others, culminating in the violent political machinations of Queen Njinga as she took on the mantle of “Jaga” to establish her power. Ultimately, Staller tells the story of Africans who confronted worlds unknown as cannibals, how they used the concept to order the world around them, and how they were themselves brought to order by a world of commercial slaving that was equally cannibalistic in the human lives it consumed.