Stretching from the North Sea to the Solway Firth, the Border region has a sharply diverse landscape and was a battleground for over 300 years as the English and Scottish monarchs encouraged their subjects to conduct raids across their respective borders. This Warrior title will detail how this narrow strip of land influenced the Borderer's way of life in times of war. Covering every aspect of militant life, from the choice of weapons and armor to the building of fortified houses, this book gives the readers a chance to understand what it must have been like to live life in a late-medieval war zone.
DigiCat Publishing presents to you this special edition of "Keith of the Border: A Tale of the Plains" by Randall Parrish. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From the 13th century until the early 17th century the Border Marches of England and Scotland were torn by a vicious and almost continuous cycle of raid, reprisal and blood feud. The Border Reiver was a professional cattle thief, a guerilla soldier skilled at raiding, tracking and ambush and a well organised "gangster". Including eight superb full page colour plates by Angus McBride, as well as numerous other illustrations, this text by Keith Durham explores the colourful History of these remarkable people.
English-speaking jurisprudence of the last 100 years has devoted considerable attention to questions of identity and continuity. H.L.A. Hart, Joseph Raz, and many others have sought means to identify and distinguish legal from non-legal social situations, and to explain the enduring legality of those typically dynamic social situations. Focus on characterization of legality associated with the state, the most prominent legal phenomena available, has led to an analytical approach dominated by the idea of legal system and analysis of its constituent norms. Yet as far back as Hart's 1961 encounter with international law, the system-focussed approach to legality has experienced moments of self-doubt. From international law to the new legal order of the European Union, to shared governance and overlapping jurisdiction in transboundary areas, what at least appear to be instances of legality are at best weakly explained by approaches which presume the centrality of legal system as the mark and measure of social situations fully worthy of the title of legality. What next, as phenomena threaten to outstrip theory? Legality's Borders: An Essay in General Jurisprudence explains the rudiments of an inter-institutional theory of law, a theory which finds legality in the interaction between legal institutions, whose legality we characterise in terms of the kinds of norms they use rather than their content or system-membership. Prominent forms of legality such as the law-state and international law are then explained as particular forms of complex agglomeration of legal institutions, varying in form and complexity rather than sheer legality. This approach enables a fundamental shift in approach to the problems of identity and continuity of characteristically legal situations in social life: once legality is decoupled from legal system, the patterns of intense mutual reference amongst the legal institutions of the law-state can be seen as one justifiably prominent form of legality amongst others including overlapping forms of legality such as the European Union. Identity over time, on this view, is less a fixed set of characteristics than a history of intense mutual interaction of legal institutions, comparable against similar other agglomerations of legal institutions.
This innovative work provides both a historical account of the crazy-quilt of legislation dealing with immigration that Congress has passed over the years and a theoretical explanation, building on the "new institutionalism," of how these laws came to be passed. The author shows why immigration is a uniquely revealing policy arena in which a polity chooses what it will be, a collective decision that shapes a nation's identity and defines itself. The book focuses on three aspects of immigration policy: the regulation of admission to the United States for permanent residency, the regulation of admission of people fleeing political repression, and the efforts to cope with the flow of unsanctioned migrants across the U.S.-Mexico border. It identifies the most puzzling features of contemporary immigration policy, asking, Where do these policies come from? Why do they have their special characteristics? The author seeks the answers in modern theories of public policy formation, especially the currently popular new institutionalism. He offers an enhanced version of this approach, which he calls "improvisational institutionalism," and applies it to the paradoxes of immigration policy.
More than a man-against-nature adventure, The Tecate Journals floats along the border of political furor, cultural limbo, and dangerous human encounters. The Rio Grande is a national border, a water source, a dangerous rapid with house-sized boulders, a nature refuge, a garbage dump, and a playground - depending on where you are on its 1,885-mil...
They told him, "You won't make it! They will kidnap and kill you!" Undeterred, he left his family and his job for a 1,000-plus mile trek along the Texas-Mexico Border. And on the banks of the Rio Grande, he began to realize just how wrong we are, about virtually every aspect of life and death along La Frontera.
ONE OF THE MOST ACCLAIMED BOOKS OF THE YEAR Contains an excerpt from Don Winslow’s explosive new novel, City on Fire! NAMED A BEST BOOK OF THE YEAR BY Washington Post • NPR • Financial Times • The Guardian • Booklist • New Statesman • Daily Telegraph • Irish Times • Dallas Morning News • Sunday Times • New York Post "A big, sprawling, ultimately stunning crime tableau." – Janet Maslin, New York Times "You can't ask for more emotionally moving entertainment." – Stephen King "One of the best thriller writers on the planet." – Esquire The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force What do you do when there are no borders? When the lines you thought existed simply vanish? How do you plant your feet to make a stand when you no longer know what side you’re on? The war has come home. For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin?the godfather of the Sinaloa Cartel, Adán Barrera?has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul. Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there. Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies?men who want to kill him, politicians who want to destroy him, and worse, the unimaginable?an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down. Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson?there are no borders. In a story that moves from deserts of Mexico to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, street traffickers, addicts, politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country. A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.
A collection of souvenir photographs from brothels along the Texas-Mexico border from the early 1970s. Screenwriter & photographer Bill Wittliff collected & archived these discards for a remarkable effect; that of being a direct witness to the mesmerizing & complex world of Boystown.
