"This stunning collection puts humanity and mystery back into the text where they profoundly belong. . . . A must for any serious student of native literatures, or for any serious student of life."—Joy Harjo, poet, author of In Mad Love and War "A wonderful, empowering book."—Michael M.J. Fischer, co-author of Anthropology as Cultural Critique
This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just "what things seem to be." Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down? Sarris maintains that cultural practices can be understood only in their living, changing contexts. Central to his approach is an understanding of storytelling, a practice that embodies all the indeterminateness, structural looseness, multivalence, and richness of culture itself. He describes encounters between his Indian aunts and Euro-American students and the challenge of reading in a reservation classroom; he brings the reports of earlier ethnographers out of museums into the light of contemporary literary and anthropological theory. Sarris's perspective is exceptional: son of a Coast Miwok/Pomo father and a Jewish mother, he was raised by Mabel McKay--a renowned Cache Creek Pomo basketweaver and medicine woman--and by others, Indian and non-Indian, in Santa Rosa, California. Educated at Stanford, he is now a university professor and recently became Chairman of the Federated Coast Miwok tribe. His own story is woven into these essays and provides valuable insights for anyone interested in cross-cultural communication, including educators, theorists of language and culture, and general readers.
A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard. Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian. Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world. Sarris’s new preface, written expressly for this edition, meditates on Mabel McKay’s enduring legacy and the continued importance of her teachings.
Inspired by Native American creation tales, these sixteen interconnected stories tell the origin of California’s Sonoma Mountain. In the tradition of Calvino’s Italian Folktales, Greg Sarris, author of the award-winning novel Grand Avenue, turns his attention to his ancestral homeland of Sonoma Mountain in Northern California. In sixteen interconnected original stories, the twin crows Question Woman and Answer Woman take us through a world unlike yet oddly reminiscent of our own: one which blooms bright with poppies, lupines, and clover; one in which Water Bug kidnaps an entire creek; in which songs have the power to enchant; in which Rain is a beautiful woman who keeps people’s memories in stones. Inspired by traditional Coast Miwok and Southern Pomo creation tales, these stories are timeless in their wisdom and beauty, and because of this timelessness their messages are vital and immediate. The figures in these stories ponder the meaning of leadership, of their place within the landscape and their community. In these stories we find a model for how we can all come home again. At once timeless and contemporary, How a Mountain Was Made is equally at home in modern letters as the ancient story cycle. Sarris infuses his stories with a prose stylist’s creativity and inventiveness, moving American Indian literature in an emergent direction. This edition features a reader’s guide that provides thoughtful jumping-off points for discussion. Praise for How a Mountain Was Made “These are charming and wise stories, simply told, to be enjoyed by young and old alike—stories need us if they are to come forth and have life too.” —Kirkus Reviews “Stunning. . . . Neither an arid anthropological text nor another pseudo-Indian as-told-to fabrication. Instead, Sarris has breathed new life into these ancient Northern California tales and legends, lending them a subtle, light-hearted voice and vision.” —Scott Lankford, Los Angeles Review of Books“/I>/DESC> indigenous fiction;native american fiction;indigenous;native american;short stories;short fiction;folk tales;legends;mythology;myth;creation stories;nature;environment;place;sonoma mountain;california FIC059000 FICTION / Indigenous FIC029000 FICTION / Short Stories FIC010000 FICTION / Fairy Tales, Folk Tales, Legends & Mythology FIC077000 FICTION / Nature & the Environment 9781597142533 Brother and the Dancer Keenan Norris
A small group of Indians known as the Honey Lake Maidus are very much alive today in the valley of the Susan River of northeast California. As a tribe, however, they do not exist. This is because they have not been acknowledged, a process by which the federal government officially recognizes Indian tribes. By contrast, other California Indian tribes have won federal recognition and come to represent a driving force behind most Indian legislation, including laws to regulate Indian casinos. Their political power and economic prosperity, however, has incurred resentment. Caught in this web of contending political forces are hundreds of small Indian groups, peoples like the Honey Lake Maidus who, because they lack federal recognition, cannot protect their cultures and secure their futures. They are also unable to undertake economic endeavors that would provide care for their children and elders. In Quest for Tribal Acknowledgment, Sara-Larus Tolley, an anthropologist who has worked for the Honey Lake Maidus for several years, recounts the group’s efforts to obtain recognition. In 1999, the tribe gained funding to work full-time on its petition, which it submitted to the government in 2001. While the Honey Lake Maidus wait for their application to gain “active” status, they continually update and refine its contents. And like hundreds of other unrecognized Indian groups seeking acknowledgment, they hope for the future.
Krech (anthropology, Brown U.) treats such provocative issues as whether the Eden in which Native Americans are viewed as living prior to European contact was a feature of native environmentalism or simply low population density; indigenous use of fire; and the Indian role in near-extinctions of buffalo, deer, and beaver. He concludes that early Indians' culturally-mediated closeness with nature was not always congruent with modern conservation ideas, with implications for views of, and by, contemporary Indians. Annotation copyrighted by Book News, Inc., Portland, OR
A rare biography of a California Indian leader that weaves together the story of a legendary figure. It's a little known fact that the San Francisco Bay Area's Marin County is named after a Coast Miwok chief who achieved notoriety for defying Spanish authority over his people. Anthropologist and archaeologist Betty Goerke has pieced together a portrait of the life of this Native American leader, using mission records, ethnographies, explorers' and missionaries' diaries and correspondence, and other material.
A Pulitzer Prize Finalist The medusa is a tiny jellyfish that lives on the ventral surface of a sea slug found in the Bay of Naples. Readers will find themselves caught up in the fate of the medusa and the snail as a metaphor for eternal issues of life and death as Lewis Thomas further extends the exploration of man and his world begun in The Lives of a Cell. Among the treasures in this magnificent book are essays on the human genius for making mistakes, on disease and natural death, on cloning, on warts, and on Montaigne, as well as an assessment of medical science and health care. In these essays and others, Thomas once again conveys his observations of the scientific world in prose marked by wonder and wit.
The author provides methods for the study of American Indian ethnographic texts and disputes some previous assumptions about the sources of the stories in Son of Old Man Hat.
