Keep the Bastards Honest reviews the life of a key figure in Australian politics and exposes the political and humane elder that is Don Chipp. Interwoven with humorous anecdotes.
Telling the story of Australia as it is today, Gabrielle Chan has gone hyper-local. In Rusted Off, she looks to her own rural community’s main street for answers to the big questions driving voters. Why are we so fed up with politics? Why are formerly rusted-on country voters deserting major parties in greater numbers than their city cousins? Can ordinary people teach us more about the way forward for government? In 1996 – the same year as Pauline Hanson entered parliament – Gabrielle, the city-born daughter of a Chinese migrant, moved to a sheep and wheat farm in country New South Wales. She provides a window into her community where she raised her children and reflects on its lessons for the Australian political story. It is a fresh take on the old rural narrative, informed by class and culture, belonging and broadband, committees and cake stalls, rural recession and reconciliation. Along the way, Gabrielle recounts conversations with her fellow residents, people who have no lobby group in Canberra, so we can better understand lives rarely seen in political reporting. She describes communities that are forsaking the political process to move ahead of government. Though sometimes facing polar opposite political views to her own, Gabrielle learns the power of having a shared community at stake and in doing so, finds an alternative for modern political tribal warriors.
With a new Introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) expertly dissects the political, economic, and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. With a new introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) astutely dissects the political, economic and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. The Western world is full of paradoxes. We talk endlessly of individual freedom, yet we’ve never been under more pressure to conform. Our business leaders describe themselves as capitalists, yet most are corporate employees and financial speculators. We call our governments democracies, yet few of us participate in politics. We complain about invasive government, yet our legal, educational, financial, social, cultural and legislative systems are deteriorating. All these problems, John Ralston Saul argues, are largely the result of our blind faith in the value of reason. Over the past 400 years, our “rational elites” have turned the modern West into a vast, incomprehensible, directionless machine, run by process-minded experts—“Voltaire’s bastards”—whose cult of scientific management is empty of both sense and morality. Whether in politics, art, business, the military, entertainment, science, finance, academia or journalism, these experts share the same outlook and methods. The result, Saul maintains, is a civilization of immense technological power whose ordinary citizens are increasingly excluded from the decision-making process. In this wide-ranging anatomy of modern society and its origins—whose “pages explode with insight, style and intellectual rigor” (Camille Paglia, The Washington Post)—Saul presents a shattering critique of the political, economic and cultural establishments of the West.
An introduction to culturally determined aspects of communicating in British, Australian, Canadian, New Zealand and American societies, especially those that may influence effective communication with members of these societies or be the source of false perceptions/stereotypes of their behaviour.
A rock 'n roll classic back in print updated and revised. One of the funniest rock memoirs ever Al Kooper's legendary Backstage Passes is available again] Al's quirkly life from would'be teenage rocker to crashing Bob Dylan's recording session an
Kingston is a writer who brings an unusually raw brand of passion to her work. . . . [the book] is much more than a profile of One Nations' leader and her supporters; it's an analysis of political campaigning and media coverage in a post-modern world - a sketch of some emerging faultlines in the cosy culture of politics and journalism.' Catharine Lumby, THE BULLETIN After Pauline Hanson's doomed 1998 election campaign, and the scandals and deregistration that followed, the media declared Pauline Hanson a spent force and One Nation a dead party. The 2001 Queensland and 2014 Federal elections proved them wrong: Hanson is back. Why is it we are so surprised by her re-emergence: the deep dissatisfaction that she tapped into in 1996 is a problem that did not go away. Margo Kingston takes us on a kaleidoscopic trip through the back country of Australia's political landscape during the 1998 election. This is strange territory, where bad press becomes good news, enemies trade advice and the political-media game is played at its most raw. Beyond the blunders, emotions boil as Hanson's road show slams into confrontations over race and Australia's identity.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
This book is the account of a Democrat insider; one who was both a woman and a Queensland President. Its focus on Queensland makes very interesting reading for those of us who shared the experiences.
The Purrfect Trilogy was written for the millions of ordinary, everyday people who will move our civilization into a new era and feel overwhelmed by this task. These books are written to the science of vibration. Different levels of understanding are woven through the text, so one will be right for you. Each time you read them, your comprehension changes, as you can see more than you could before. As your comprehension changes, so your vibration changes, and manifests according to your new tone. As we understand within ourselves, so we manifest withoutto explore our level of understanding, individually and collectively. Through this journey of the rational mind and the emotional heart, youll explore different levels of understanding, eventually coming to see a bigger picture of yourself as you understand more about the human condition and our interconnectedness. Micro to macro. The only way to greater understanding of humanity and how we create is through greater understanding of selfand the magic within oneself. The magic we use every day, but often misuse, when we dont realize were energy beings who use our mind to do magicevery day! The Three-Step Lesson of This Trilogy: Book 1: See with two eyes Book 2: Open your heart to others and your experiences Book 3: Live in your brother-/sisterhoodyour wholeness