Contemporary Kayagŭm Music in Korea
Author: Hee-sun Kim
Publisher: 민속원
Published: 2008
Total Pages: 376
ISBN-13:
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Author: Hee-sun Kim
Publisher: 민속원
Published: 2008
Total Pages: 376
ISBN-13:
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Publisher:
Published: 2005
Total Pages: 582
ISBN-13:
DOWNLOAD EBOOKAuthor: Martin Jacques
Publisher:
Published: 2009
Total Pages: 584
ISBN-13:
DOWNLOAD EBOOKFor over two hundred years we have lived in a western-made world, one where the very notion of being modern was synonymous with being western. This original and ground-breaking new book argues that the twenty-first century will be different. With the rise of increasingly powerful non-Western countries, the west will no longer be dominant and there will be many ways of being modern. In this new era of 'contested modernity' the central player will be China. Far from becoming a western-style society, China will remain highly distinctive. Continental in size and mentality, and accounting for one-fifth of humanity, China is a 'civilization-state' whose characteristics, attitudes and values long predate its existence as a nation-state. China is already having a far-reaching and much discussed economic impact, but its influence will be far greater than this- China's rise signals the end of the global dominance of the western nation-state and the rise of a world which it will shape in a host of different ways. As it rapidly reassumes its traditional position at the centre of East Asia, the old tributary system will be resurface in a modern form, contemporary ideas of racial hierarchy will be redrawn and China's ages-old sense of superiority will reassert itself. China's rise will change the world as we know it, from one made in the west to one increasingly shaped by China. This profound and far-sighted book explains for the first time the deeper meaning of China's arrival as a global power.
Author: Andrew N. Weintraub
Publisher: Oxford University Press
Published: 2010-09-21
Total Pages: 269
ISBN-13: 0199889597
DOWNLOAD EBOOKA keen critic of culture in modern Indonesia, Andrew N. Weintraub shows how a genre of Indonesian music called dangdut evolved from a debased form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. Dangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present).
Author: Keith Howard
Publisher:
Published: 2006
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Andrew Noah Weintraub
Publisher: Ohio University Press
Published: 2004
Total Pages: 314
ISBN-13: 089680240X
DOWNLOAD EBOOKBased on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society. Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, the art of the puppeteer. He focuses on "superstar" performers and the musical troupes that dominated wayang golek during the New Order political regime of former president Suharto (1966-98) and the ensuing three years of the post-Suharto period. Studies of actual performances illuminate stylistic and formal elements and situate wayang golek as a social process in Sundanese culture and society. Power Plays includes an interactive multimedia CD-ROM of wayang golek. Power Plays shows how meanings about identity, citizenship, and community are produced through theater, music, language, and discourse. While based in ethnographic theory and methods, this book is at the center of a new synthesis emerging among ethnomusicology, anthropology, and cultural studies. Its cross-disciplinary approach will inspire researchers studying similar struggles over cultural authority and popular representation in culture and the performing arts.