The title reflects how Kadance passes into the Kingdom of Glacian. She was raised by her grandmother, after her mother's passing. Her grandmother, Mayla, had come to this world from another world, accessible only through a portal hidden within a mirror. Kadance falls into the mirror portal with help from Titan. Titan has chosen Kadance to be his life partner. The mirror shatters, and she becomes a big part of this new world's kingdom.
Former CIA sniper Kadance Tolle possesses a special set of skills and a rare pedigree. She comes from a family of assassins, and by saving Lyndon Vaile's life she risks being found by them. Despite the danger, Kadance feels compelled to help Lyndon discover who is after him--and his research that seems to prove that the Ebola virus was manmade and is about to be weaponized. With shadowy figures pursuing them and a Mastermind watching their every move, Kadance and Lyndon must scramble to stop an impending bioattack at the State of the Union address. But their warnings fall on deaf ears, and it becomes increasingly clear that there's no one they can trust--except perhaps each other. Strap in for a breakneck story that will have you up all night, hurtling toward the last page as the clock ticks and time runs out.
This is the eBook version of the print title. The eBook edition does not provide access to the content of the CD ROMs that accompanies the print book. Bringing the power of virtual instrumentation to the biomedical community. Applications across diverse medical specialties Detailed design guides for LabVIEW and BioBench applications Hands-on problem-solving throughout the book Laboratory, clinical, and healthcare applications Numerous VI's with source code, plus several demos, are available on the book's web site Virtual instrumentation allows medical researchers and practitioners to combine the traditional diagnostic tools with advanced technologies such as databases, Active X, and the Internet. In both laboratory and clinical environments, users can interact with a wealth of disparate systems, facilitating better, faster, and more informed decision making. Virtual Bio-Instrumentation: Biomedical, Clinical, and Healthcare Applications in LabVIEW is the first book of its kind to apply VI technology to the biomedical field. Hands-on problems throughout the book demonstrate immediate practical uses Examples cover a variety of medical specialties Detailed design instructions give the inside view of LabVIEW and BioBench applications Both students and practicing professionals will appreciate the practical applications offered for modeling fundamental physiology, advanced systems analysis, medical device development and testing, and even hospital management and clinical engineering scenarios.
Liliana Vela hates the term victim. She's not a victim, she's a fighter. Stubborn and strong with a quiet elegance, she's determined to take back her life after escaping the clutches of human traffickers in her poor Mexican village. But she can't stay safely over the border in America--unless the man who aided in her rescue is serious about his unconventional proposal to marry her. Meric Toledan was just stopping at a service station for a bottle of water. Assessing the situation, he steps in to rescue Liliana from traffickers. If he can keep his secrets at bay, his wealth and position afford him many resources to help her. But the mysterious buyer who funded her capture will not sit idly by while his prize is stolen from him. Melissa Koslin throws you right into the middle of the action in this high-stakes thriller that poses the question: What is the price of freedom?
Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.
The fast-paced zouk of Kassav', the romantic biguine of Malavoi, the jazz of Fal Frett, the ballads of Mona, and reggae of Kali and Pôglo are all part of the burgeoning popular music scene in the French Caribbean. In this lively book, Brenda F. Berrian chronicles the rise of this music, which has captivated the minds and bodies of the Francophone world and elsewhere. Based on personal interviews and discussions of song texts, Berrian shows how these musicians express their feelings about current and past events, about themselves, their islands, and the French. Through their lyrical themes, these songs create metaphorical "spaces" that evoke narratives of desire, exile, subversion, and Creole identity and experiences. Berrian opens up these spaces to reveal how the artists not only engage their listeners and effect social change, but also empower and identify themselves. She also explores the music as it relates to the art of drumming, and to genres such as African American and Latin jazz and reggae. With Awakening Spaces, Berrian adds fresh insight into the historical struggles and arts of the French Caribbean.
This descriptive grammar provides a uniquely comprehensive description of Maori, the East Polynesian language of the indigenous people of New Zealand. Today, the language is under threat and it seems likely that the Maori of the future will differ quite considerably from the Maori of the past. Winifred Bauer offers a wide-ranging and detailed description of the structure of the language, covering syntax, morphology and phonology. Based upon narrative texts and data elicited from older native-speaking consultants and illustrated with a wealth of examples the book will be of interest to both linguistic theoreticians and descriptive linguists, including language typologists.
