ÒDEATH VISIONS OF THE JUSTICE LEAGUE!Ó On individual cases, the Justice League of America members experience visions of their own imminent deaths! As a result, they are filled with the resolve to quit the Justice League!
Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!
Written by BILL WILLINGHAM & MATTHEW STURGES Art and cover by JESUS MERINO Writers Bill Willingham (FABLES) and Matthew Sturges team up with artist Jesus Merino on a new era for the JSA. The team battles a monstrous army of villains who've declared war on them to collect a mysterious bounty in this collection of JUSTICE SOCIETY OF AMERICA #29-33.
“A TALE OF TWO SATELLITES!” A series of conflicts between Wonder Woman and her fellow team members comes to a head when the Amazon Princess decides to quit the Justice League of America!
The sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more. FEATURING… • American Splendor • Archie • The Avengers • Kyle Baker • Batman • C. C. Beck • Black Panther • Captain America • Roz Chast • Walt Disney • Will Eisner • Neil Gaiman • Bill Gaines • Bill Griffith • Harley Quinn • Jack Kirby • Denis Kitchen • Krazy Kat • Harvey Kurtzman • Stan Lee • Little Orphan Annie • Maus • Frank Miller • Alan Moore • Mutt and Jeff • Gary Panter • Peanuts • Dav Pilkey • Gail Simone • Spider-Man • Superman • Dick Tracy • Wonder Wart-Hog • Wonder Woman • The Yellow Kid • Zap Comix … AND MANY MORE OF YOUR FAVORITES!
After a series of complex heists, the Molder attracts the attention of Batman, who begins a manhunt to find the sculpting villain. The Molder gains the upper hand when he traps Batman in front of an oncoming train, however the Caped Crusader is saved by Plastic Man. The two heroes team up, and in spite of the fact that the Molder's weapons work against Plastic Man's abilities, the two heroes manage to trip up the crook enough for Batman to defeat him and turn him over to the police.
His remains fished out of Long Island Sound by young Terry Watson (following events in ADVENTURE COMICS vol. 1 #451), Starro slowly regains his former stature and powers. Transported to a Central Park lake by a mind-controlled Terry and his family, the starfish villain has an accidental encounter with Red Tornado and Wonder Woman, which alerts the other JLA heroes to his presence. In the subsequent battle, Starro is able to create dozens of small duplicates of himself that attach themselves to his victims, including Superman, Wonder Woman, Green Lantern, Red Tornado, Black Canary and Firestorm, putting them under his control. By the time the remaining Justice League members and the U.S. Navy arrive on the scene, the entire island of Manhattan is under StarroÕs mental sway.
2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.