A deliciously funny and wickedly sexy novel of love found (finally!) and love threatened (inevitably) by the families who claim to love us best. Romeo Cacciamani and Julie Roseman are rival florists in Boston, whose families have hated each other for as long as anyone can remember (what they can't remember is why). When these two vital, lonely people see each other across a crowded lobby at a small business owners' seminar, an intense attraction blooms that neither tries to squelch. They're not sure what fate has in store for them, but they're not about to let something as silly as a generations-long feud stand in the way of finding out. That is, not until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred that matches their newly found love, stroke for stroke. Think Montagues and Capulets, think wise and witty and thoroughly modern. Julie and Romeo is a love story for the ages. All ages.
Romeo Cacciamani and Julie Roseman are rival florists whose families have hated each other for as long as anyone can remember, yet no one can remember why. When the two meet at a small business owners' seminar, an intense and unwavering attraction blooms between them. Unsure of what fate has in store, but deeply in love, Julie and Romeo are not about to let something as silly as a generations-long feud stand in their way. That is, until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred that matches that of the Montagues and Capulets. A love story for the ages – all ages – Julie and Romeo is a stunning novel of star-crossed love finally found, threatened by family, but with a profound and modern finale of delicious proportion.
A sweeping novel of intrigue and identity, of love and legacy, as a young woman discovers that her own fate is irrevocably tied—for better or worse—to literature’s greatest star-crossed lovers. Twenty-five-year-old Julie Jacobs is heartbroken over the death of her beloved aunt Rose. But the shock goes even deeper when she learns that the woman who has been like a mother to her has left her entire estate to Julie’s twin sister. The only thing Julie receives is a key—one carried by her mother on the day she herself died—to a safety-deposit box in Siena, Italy. This key sends Julie on a journey that will change her life forever—a journey into the troubled past of her ancestor Giulietta Tolomei. In 1340, still reeling from the slaughter of her parents, Giulietta was smuggled into Siena, where she met a young man named Romeo. Their ill-fated love turned medieval Siena upside-down and went on to inspire generations of poets and artists, the story reaching its pinnacle in Shakespeare’s famous tragedy. But six centuries have a way of catching up to the present, and Julie gradually begins to discover that here, in this ancient city, the past and present are hard to tell apart. The deeper she delves into the history of Romeo and Giulietta, and the closer she gets to the treasure they allegedly left behind, the greater the danger surrounding her—superstitions, ancient hostilities, and personal vendettas. As Julie crosses paths with the descendants of the families involved in the unforgettable blood feud, she begins to fear that the notorious curse—“A plague on both your houses!”—is still at work, and that she is destined to be its next target. Only someone like Romeo, it seems, could save her from this dreaded fate, but his story ended long ago. Or did it? Praise for Juliet “One of those rare novels that have it all . . . I was swept away”—Sara Gruen, author of Water for Elephants “Juliet leads us on a thrilling treasure hunt through present-day Italy that makes the classic tragedy itself spellbinding all over again.”—Elle “Boldly imagined, brilliantly plotted, beautifully described, Juliet will carry you spellbound until the gripping end.”—Susan Vreeland, author of Clara and Mr. Tiffany “The Shakespearean scholarship on display is both impressive and well-handled.”—The Washington Post
The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.
Ruth loves to bake cakes. When she is alone, she dreams up variations on recipes. When she meditates, she imagines herself in the warm, comforting center of a gigantic bundt cake. If there is a crisis, she bakes a cake; if there is a reason to celebrate, she bakes a cake. Ruth sees it as an outward manifestation of an inner need to nurture her family—which is a good thing, because all of a sudden that family is rapidly expanding. First, her mother moves in after robbers kick in her front door in broad daylight. Then Ruth’s father, a lounge singer, who she’s seen only occasionally throughout her life, shatters both wrists and, having nowhere else to go, moves in, too. Her mother and father just happen to hate each other with a deep and poisonous emotion reserved only for life-long enemies. Oh, yes indeed! Add to this mix two teenagers, a gainfully employed husband who is suddenly without a job, and a physical therapist with the instincts of a Cheryl Richardson and you’ve got a delightful and amusing concoction that comes with its own delicious icing. One of Jeanne Ray’s specialties is giving us believable, totally likable characters, engaged in the large and small dramas and amusements of life. Eat Cake is whimsical, warm, and satisfying. Eat Cake is Jeanne Ray at her best. Pull up a chair and eat cake!
A delightful, funny, commercial novel that packs a clever punch, from the author of the "New York Times"-bestselling "Julie and Romeo" about a mother who suddenly turns invisible.
Yearning for more than pig slop and hand-me-downs, August Bailey runs away from her farm home - and from her family. In the big city, she discovers that reality and fantasy don't mix. When her money runs out, a seventeen-year-old street kid comes to her rescue. Reese has electric eyes, a gentleman's heart-and a heroin addiction. For him, each day is a struggle to make the right choice. They fall for each other, and August wants to save him from his horrid existence. But the truth behind his pain might be more than she can bear. Could their love ruin her life?
"For never was a story more of woe Than this of Juliet and her Romeo." - Prince (5:3:309) For years, the vampire clans of Paris have been at war due to a feud between the Barons Capulet and Montague. When one fight goes too far, the Prince gives the clans an ultimatum; cease the fights or burn at dawn. Baron Capulet, and his wife, are protective of their only child, Josie. Living a sheltered life, Josie had never even thought about love or marriage until her parents start arranging one. Romain Montague thought he knew what love was, until he sneaks into a Capulet party and sees Josie from across the room. A faithful retelling of Shakespeare's Romeo & Juliet. Please be warned that the ending has not been changed.
