This Third Norton Critical Edition of Hardy’s final novel has been revised to reflect the breadth of responses it has received over the last fifteen years. The text of the novel is again based on Hardy’s final revision for the 1912 Wessex Edition. The Norton Critical Edition also includes: · Expanded footnotes by Ralph Pite, further drawing out Hardy’s web of allusions and comprehensively indicating the material culture in which he embeds this narrative. · A selection of Hardy’s poems—four of them new to the Third Edition—that emphasizes the biographical contexts from which parts of Jude the Obscure arose. · Eighteen critical responses, including eleven modern essays—eight of them new to the Third Edition. Simon Gatrell, Michael Hollington, Elaine Showalter, Victor Luftig, and Mary Jacobus are among the new voices. · A Chronology and revised and expanded Selected Bibliography.
“I have used the Norton Critical Editions since graduate school. As a teacher of high-school literature, I find them to be excellent resources for the study of various novels, plays, etc."—Brooke Gifford, Vincent Middle High School This Norton Critical Edition includes: • The annotated text of Kate Chopin’s modernist novel of marital infidelity, set in New Orleans and Grande Isle, Louisiana. • A preface, a critical essay, and explanatory annotations by Margo Culley. • Essays by acclaimed Chopin biographers Per Seyersted and Emily Toth, “An Etiquette/Advice Book Sampler” with selections from the conduct books of the period, and contemporary perspectives on womanhood, motherhood, and marriage. • Forty-five reviews and interpretive essays on The Awakening spanning three centuries. • A Chronology of Chopin’s life and work and an updated Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
A stunning work of scholarship, the Norton Critical Edition of The English Bible, King James Version, is the most accessible edition available. In celebration of the 400th anniversary of the King James Bible, these long-awaited volumes bring together succinct introductions to each biblical book, detailed explanatory annotations, and a wealth of contextual and critical materials. Archaic words are explained, textual problems are lucidly discussed, and stylistic features of the original texts are highlighted. For the New Testament and the Apocrypha, the introductions and annotations by Austin Busch and Gerald Hammond provide necessary historical and cultural background, while illuminating the complexity of the original texts. Supporting materials are divided into five sections. “Historical Contexts” excerpts Greek, Roman, and Jewish sources, such as Josephus, Philo, Tacitus, Pliny, and the Dead Sea Scrolls. Selections from Papias, Marcion, and Valentinus, among others, provide insight into the diversity of early Christianity. “Exegesis” explores classic New Testament commentary from Origen and Augustine to Strauss, Nietzsche, Wrede, and Schweitzer, who focus on the Gospels’ vexing relationship to history. Essays by contemporary scholars and critics complete the section by exemplifying a range of interdisciplinary approaches to New Testament literature. The New Testament’s powerful language and images have inspired some of the finest poems in the English language. This volume collects a wide selection of lyric poems, hymns and spirituals, and epics, from the Dream of the Rood to works by Countee Cullen, Elizabeth Bishop, and Anthony Hecht. Case studies designed to stimulate classroom discussion trace the development of Pontius Pilate as a character in post-biblical literature, follow the centuries-long exegetical debate about Romans 7, and survey competing hermeneutical approaches to Revelation. A final section samples fifteen translations of 1 Corinthians 13, from Wycliffe to contemporary versions.
“I have used the Norton Critical Editions since graduate school. As a teacher of high-school literature, I find them to be excellent resources for the study of various novels, plays, etc."—Brooke Gifford, Vincent Middle High School This Norton Critical Edition includes: • The annotated text of Kate Chopin’s modernist novel of marital infidelity, set in New Orleans and Grande Isle, Louisiana. • A preface, a critical essay, and explanatory annotations by Margo Culley. • Essays by acclaimed Chopin biographers Per Seyersted and Emily Toth, “An Etiquette/Advice Book Sampler” with selections from the conduct books of the period, and contemporary perspectives on womanhood, motherhood, and marriage. • Forty-five reviews and interpretive essays on The Awakening spanning three centuries. • A Chronology of Chopin’s life and work and an updated Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
This Third Norton Critical Edition of Hardy's final novel has been revised to reflect the breadth of responses it has received over the last fifteen years. The text of the novel is again based on Hardy's final revision for the 1912 Wessex Edition.
A stunning work of scholarship, the Norton Critical Edition of The English Bible, King James Version, is the most accessible edition available. In celebration of the 400th anniversary of the King James Bible, these long-awaited volumes bring together succinct introductions to each biblical book, detailed explanatory annotations, and a wealth of contextual and critical materials. Archaic words are explained, textual problems are lucidly discussed, and stylistic features of the original texts are highlighted. Judicious and economical, the introductions and annotations to the Old Testament give readers without Hebrew an entry into complexities of biblical literature, reconstructing its original contexts, tracing its evolution, and pointing out productive strategies of reading. Incorporating the insights of modern biblical scholarship as well as centuries of precritical interpretation, they offer essential guidance to a labyrinthine world, while respecting the text’s integrity. The historical and critical appendix comprises three distinct collections. A section on ancient Near Eastern backgrounds presents the myths, hymns, prayers, and legal codes that informed the creation of the Hebrew Bible. A historical anthology of biblical interpretation gathers—for the first time in one volume—generous selections from the Jewish, Christian, and Muslim traditions, along with classics of secular commentary. It includes reflections on the Bible by philosophers from Hobbes to Ricoeur; a compendium of modern biblical scholarship, focusing on topics such as the oral and the written, the composition of the Pentateuch, and the historical movement from covenant to canon; and a provocative sampling of comparative and literary approaches. The crucial presence of the Old Testament within English literature is represented by paraphrases and parables in verse and prose, and a recapitulatory conclusion brings the diverse perspectives of this millennial survey to bear on two of the Bible’s most famous passages: the expulsion from the garden of Eden and the binding of Isaac. A final section devoted to the question of translation includes significant English versions from Wycliffe to the present. Time lines, chronologies, diagrams, and maps are included.
This Third Norton Critical Edition of Hardy’s final novel has been revised to reflect the breadth of responses it has received over the last fifteen years. The text of the novel is again based on Hardy’s final revision for the 1912 Wessex Edition. The Norton Critical Edition also includes: · Expanded footnotes by Ralph Pite, further drawing out Hardy’s web of allusions and comprehensively indicating the material culture in which he embeds this narrative. · A selection of Hardy’s poems—four of them new to the Third Edition—that emphasizes the biographical contexts from which parts of Jude the Obscure arose. · Eighteen critical responses, including eleven modern essays—eight of them new to the Third Edition. Simon Gatrell, Michael Hollington, Elaine Showalter, Victor Luftig, and Mary Jacobus are among the new voices. · A Chronology and revised and expanded Selected Bibliography.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
Translated for the first time into English, this collection of short fiction by one of the leading writers of North Africa details the plight of Algerian women and raises far-reaching issues that speak to us all. Women of Algiers quickly sold out its first printing of 15,000 in France and was hugely popular in Italy, but the book was denounced in Algeria for its criticism of the postcolonial socialist regime, which denied and subjugated women even as it celebrated the liberation of men. It was the first work to do so openly. These stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, and the significance of language and its connection to oppression (Djebar calls official Arabic "an authoritarian language that is simultaneously the language of men"). Mixing newly written pieces with older ones, Djebar attempts "to bring the past into a dialogue with the present". The stories raise issues surrounding this passage from colonial to postcolonial culture - national literature, cultural authenticity, and the impact of war on both men and women. The book's title comes from a Delacroix painting that depicts a unique glimpse of the harem, an emblem of the dual violation of Algerian women, both colonial and gendered.
