Universals and particulars : themes and persons -- Writing and the pursuit of origins -- Conquest, civil war, and political life -- The emergence of patria : cities and the law -- Works of nature and works of free will -- "The discourse of my life" : what language can do -- The Incas, Rome, and Peru -- Epilogue: Ancient texts : prophecies and predictions, causes and judgments.
En La sabiduria de los idiotas, los "e;idiotas"e; son los Sufis, llamados asaA- debido a que su sabiduria penetra a una profundidad que la transforma en inaccesible para el conocedor meramente acadaA(c)mico o inteligente. Los cuentos-ejercicios de los Sufis son herramientas preparadas para propaAsitos especaA-ficos.En este nivel, los movimientos de los personajes que forman parte de los cuentos retratan procesos psicolaAgicos internos, transforma!ndose el relato en un plan de trabajo, en un retrato perfecto de dichos procesos.La sabiduria de los idiotas ha recibido muchos premios, incluyendo dos medallas de oro, una de ellas por ser "e;El Mejor Libro"e; como parte del AaAo Mundial del Libro patrocinado por la UNESCO.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
This work is the first English translation of the entire text of part one of sixteenth-century Spanish historian Francisco López de Gómara’s General History of the Indies. Including substantial critical annotations and providing access to various readings and passages added to or removed from the successive editions of the 1550s, this translation expands the archive of texts available to English speakers reconsidering the various aspects of the European invasion of America. General History of the Indies was the first universal history of the recent discoveries and conquests of the New World made available to the Old World audience. At publication it consisted of two parts: the first a general history of the European discovery, conquest, and settlement of the Americas, and the second a detailed description of Cortés’s conquest of Mexico. Part one—in the multiple Spanish editions and translations into Italian and French published at the time—was the most comprehensive, popular, and accessible account of the natural history and geography of the Americas, the ethnology of the peoples of the New World, and the history of the Spanish conquest, including the most recent developments in Peru. Despite its original and continued importance, however, it had never been translated into English. Gómara’s history communicates Europeans’ general understanding of the New World throughout the middle and later sixteenth century. A lively, comparatively brief description of Europe’s expansion into the Americas with significant importance to today’s understanding of the early modern worldview, Francisco López de Gómara’s General History of the Indies will be of great interest to students of and specialists in Latin American history, Latin American literature, anthropology, and cultural studies, as well as specialists in Spanish American intellectual history and colonial Latin America.
Su muerte fue el principio de su vida. Este relato tiene las claves que revelan la veracidad de un mensaje enviado desde los orígenes de la civilización. La humanidad ha heredado unas creencias con las cuales se han formado unos paradigmas que son como altísimos muros, aparentemente invencibles. Está en usted conocer el mensaje a través de este relato inspirado, en el que se unen las vidas humanas con lo trascendental, lo cual es y será siempre inalterable. El mensaje le revelará quién es usted en realidad.
In the past fifty years, the study of indigenous and pre-Columbian art has evolved from a groundbreaking area of inquiry in the mid-1960s to an established field of research. This period also spans the career of art historian Esther Pasztory. Few scholars have made such a broad and lasting impact as Pasztory, both in terms of our understanding of specific facets of ancient American art as well as in our appreciation of the evolving analytical tendencies related to the broader field of study as it developed and matured. The essays collected in this volume reflect scholarly rigor and new perspectives on ancient American art and are contributed by many of Pasztory’s former students and colleagues. A testament to the sheer breadth of Pasztory's accomplishments, Visual Culture of the Ancient Americas covers a wide range of topics, from Aztec picture-writing to nineteenth-century European scientific illustration of Andean sites in Peru. The essays, written by both established and rising scholars from across the field, focus on three areas: the ancient Andes, including its representation by European explorers and scholars of the nineteenth century; Classic period Mesoamerica and its uses within the cultural heritage debate of the twentieth and twenty-first centuries; and Postclassic Mesoamerica, particularly the deeper and heretofore often hidden meanings of its cultural production. Figures, maps, and color plates demonstrate the vibrancy and continued allure of indigenous artworks from the ancient Americas. “Pre-Columbian art can give more,” Pasztory declares, and the scholars featured here make a compelling case for its incorporation into art theory as a whole. The result is a collection of essays that celebrates Pasztory’s central role in the development of the field of Ancient American visual studies, even as it looks toward the future of the discipline.
