At the turn of the century, Sigmund Freud’s investigation of the mind represented a particular journey into mental illness, but it was not the only exploration of this ‘territory’ in the Austro-Hungarian Empire. Sanatoriums were the new tourism destinations, psychiatrists were collecting art works produced by patients and writers were developing innovative literary techniques to convey a character’s interior life. This collection of essays uses the framework of journeys in order to highlight the diverse artistic, cultural and medical responses to a peculiarly Viennese anxiety about the madness of modern times. The travellers of these journeys vary from patients to doctors, artists to writers, architects to composers and royalty to tourists; in engaging with their histories, the contributors reveal the different ways in which madness was experienced and represented in ‘Vienna 1900’.
At the turn of the century, Sigmund Freud's investigation of the mind represented a particular journey into mental illness, but it was not the only exploration of this 'territory' in the Austro-Hungarian Empire. Sanatoriums were the new tourism destinations, psychiatrists were collecting art works produced by patients and writers were developing innovative literary techniques to convey a character's interior life. This collection of essays uses the framework of journeys in order to highlight the diverse artistic, cultural and medical responses to a peculiarly Viennese anxiety about the madness of modern times. The travellers of these journeys vary from patients to doctors, artists to writers, architects to composers and royalty to tourists; in engaging with their histories, the contributors reveal the different ways in which madness was experienced and represented in 'Vienna 1900'. Gemma Blackshaw is Reader in Art History at Plymouth University. She is currently working on a Leverhulme-funded book on portraiture in Vienna circa 1900. She co-curated the exhibition Madness and Modernity: Art, Architecture and Mental Illness in Vienna 1900 (London and Vienna, 2009-10) and co-edited the exhibition catalogue. Sabine Wieber is Lecturer in Art History at the University of Glasgow. She has published on German and Austrian design culture, German national identity and constructions of gender in Vienna circa 1900. She co-curated the exhibition Madness and Modernity: Art, Architecture and Mental Illness in Vienna 1900 (Vienna, 2010).
Neil Strauss can uncover the naked truth like nobody else. With his groundbreaking book The Game, Strauss penetrated the secret society of pickup artists. Now, in Everyone Loves You When You're Dead, the Rolling Stone journalist collects the greatest moments from the most insane music interviews of all time. Join Neil Strauss, "The Mike Tyson of interviewers," (Dave Pirner, Soul Asylum), as he Makes Lady Gaga cry, tries to keep Mötley Crüe out of jail & is asked to smoke Kurt Cobain's ashes by Courtney Love Shoots guns with Ludacris, takes a ride with Neil Young & goes to church with Tom Cruise and his mother Spends the night with Trent Reznor, reads the mind of Britney Spears & finds religion with Stephen Colbert Gets picked on by Led Zeppelin, threatened by the mafia & serenaded by Leonard Cohen Picks up psychic clues with the CIA, diapers with Snoop Dog & prison survival tips from Rick James Goes drinking with Bruce Springsteen, dining with Gwen Stefani & hot tubbing with Marilyn Manson Talks glam with David Bowie, drugs with Madonna, death with Johnny Cash & sex with Chuck Berry Gets molested by the Strokes, in trouble with Prince & in bed with . . . you'll find out who inside. Enjoy many, many more awkward moments and accidental adventures with the world's number one stars in Everyone Love You When You're Dead.
The true story based on the diaries of murderer Michel Oros. Originally, after the fatal shootout with Oros at Teslin Lake, I had no intention of writing this book. In fact, when Garry Rodgers and I sat in the Skeena Pub after he got back and discussed the details of his experience, the very idea that someone might write the story - glorifying Oros, sensationalizing the murders and trivializing Mike Buday's death - was repugnant. Black and white reprint.
Moving, harrowing, and ultimately uplifting, Lori Schiller's memoir is a classic testimony to the ravages of mental illness and the power of perseverance and courage. At seventeen Lori Schiller was the perfect child-the only daughter of an affluent, close-knit family. Six years later she made her first suicide attempt, then wandered the streets of New York City dressed in ragged clothes, tormenting voices crying out in her mind. Lori Schiller had entered the horrifying world of full-blown schizophrenia. She began an ordeal of hospitalizations, halfway houses, relapses, more suicide attempts, and constant, withering despair. But against all odds, she survived. In this personal account, she tells how she did it, taking us not only into her own shattered world, but drawing on the words of the doctors who treated her and family members who suffered with her.
""I wrote this story of mine so people could have some insight into what thoughts, feelings and experiences a person has when they develop schizophrenia.""-Alistair McIntyreDescriptionAlistair McIntrye has written a beautifully simple and honest description of how he first experienced the symptoms of his schizophrenia, of how he felt about these experiences and of how he came into contact with mental health services. His story continues with stays in hospital and with his eventual recovery and marriage. Alistair's anecdotal account is extremely witty and his message one of hope.About the AuthorIn 1994 I started hearing voices, then seeing visions. Later that year I was hospitalised and diagnosed with schizophrenia, all of which was surprising to me. I tried to get out of hospital and found myself being sectioned. When I finally was discharged I thought that would be the end of my experience of mental health services. However, over the next few years I was admitted to hospital twice more. I then joined a group for mental health service users, regained my confidence and went on to join an organisation called CAPS as a member of its management committee. During all this I met Tracey and married her.
In the spring of 1905, members of an exclusive club of crime enthusiasts known as Our Society were taken on a guided excursion through Whitechapel, one of London’s most notorious districts, by Dr. Frederick Gordon Brown, the chief police surgeon for the City of London. But this was no ordinary sightseeing tour. The focus of the outing was Jack the Ripper’s reputed murder sites, and among the guests that day was Sir Arthur Conan Doyle, creator of the world’s greatest detective, Sherlock Holmes. Here, now, in The Strange Case of Dr. Doyle by first-time son/father writing team Daniel Friedman, MD, and Eugene Friedman, MD, you are cordially invited to join a recreation of that tour. This expedition, however, will differ from the original in one very important way: It will be led by celebrated author Sir Arthur Conan Doyle himself. As you stroll beside Doyle and his other guests, you will travel to the location of each of the five canonical Ripper murders. Thanks to your guide’s observations and opinions, all of which are based on actual historical accounts, you will learn as much about the district of Whitechapel as you will the terrible Ripper killings that occurred there. After each stop on the tour, you will also become acquainted with the life of Arthur Conan Doyle, from his earliest days in Edinburgh to his first taste of success as a writer. You will observe Arthur’s hardships at home, his experiences at boarding school, his adventures at sea, his university education, and his days as a working medical doctor. You will be granted a picture of the man as few have ever seen him. As you alternate between biography and tour, you will become a Holmes-like detective, unearthing facts, discovering details, and piecing together information about both Jack the Ripper and Sir Arthur Conan Doyle. If you maintain a sharp mind and a keen eye, at the end of your journey, you may just uncover a truth you never expected to find.
How does a parent make sense of a child’s severe mental illness? How does a father meet the daily challenges of caring for his gifted but delusional son, while seeking to overcome the stigma of madness and the limits of psychiatry? W. J. T. Mitchell’s memoir tells the story—at once representative and unique—of one family’s encounter with mental illness and bears witness to the life of the talented young man who was his son. Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective. Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp.
