The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature—Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber—arguing that by fashioning their plots after the narratives of certain Mahāyāna sutras, the novelists transformed Buddhist concepts into narrative structures. Within the traditional Chinese novel Li even defines a new genre: the fiction of enlightenment.
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
The conclusion to the centuries-old Chinese epic in a translation that’s “a joy to read . . . [a] fantastic tale of adventure” (Nathan Slavin, University of Pennsylvania). A monk contends with demons, spirits, and other troubles as he travels to India in search of Buddhist scriptures in this classic Chinese fantasy adventure. Written in the sixteenth century, The Journey to the West is a remarkable historical saga that follows the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his four supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canon is by turns allegory, satire, and fantasy. Anthony C. Yu’s translation, initially published in 1983, introduced English-speaking audiences to the classic saga in its entirety for the first time. In this new edition of one of the great works of Chinese literature, Yu has made his translations even more accurate and accessible with new explanatory notes, additions to the introduction, and modernized transliterations using the now-standard Hanyu Pinyin romanization system. Volume 4 of 4 “A complete, faithful, and fully delightful translation of China’s most beloved novel.” —The Hudson Review “Does full justice to the adventure, lyricism and buffoonery [yet] is completely sensitive to the spiritual content of the text as well.” —The New York Times Book Review “Beautiful . . . A monumental achievement that takes the reader to the heart of one of the most important narratives in the Chinese tradition. The introduction is a model of erudition and incisive analysis. It is also the most thorough and insightful discussion of the sources and interpretations of The Journey to the West to date. Readers will enjoy the elucidation of allegorical possibilities and scholarly arguments both in the introduction and in the annotations. The adoption of Pinyin romanization will make this much more convenient for classroom use as a teaching edition.” —Waiyee Li, Harvard University “One of the great works of world religious literature.” —Robert Company, Vanderbilt University
Are you ready for a journey you'll never forget?Join Tripitaka, Sun Wukong, Zhu Bajie and many other friends on a great adventure! Sun Wukong might be mischievous, but he's fun to be with! Watch as Tripitaka faces a lot of problems and overcomes them, one step at a time. Be inspired by Zhu Bajie, who has a lot of weaknesses and tries very hard to cope with them. So, are you in?
As the audacious Monkey King battles his way through a landscape of inexplicable places and unfamiliar passions, Further Adventures on the Journey to the West offers a wry, revisionist critique of the late-Ming fascination with desire. Building on the great sixteenth-century novel Journey to the West, which recounts the escapades of a monk and three companions traveling to India in search of Buddhist scriptures to carry back to China, this sequel is a parable of self-delusion that explores the tension between desire and emptiness from a Buddhist perspective. The consummate literati novel, written by an accomplished artist for a well-educated readership, it is filled with allusions and parodies and features a dream-sequence narrative that is innovative and sophisticated even by modern standards. This new, fully annotated translation by two acclaimed scholars and translators brings to life this remarkably inventive, playful early modern text. The volume includes the original commentaries and illustrations, a critical introduction and afterword, and notes that highlight the sources of the novel’s intertextual references, revealing the author’s erudition and versatility.
Monkey depicts the adventures of Prince Tripitaka, a young Buddhist priest on a dangerous pilgrimage to India to retrieve sacred scriptures accompanied by his three unruly disciples: the greedy pig creature Pipsy, the river monster Sandy – and Monkey. Hatched from a stone egg and given the secrets of heaven and earth, the irrepressible trickster Monkey can ride on the clouds, become invisible and transform into other shapes – skills that prove very useful when the four travellers come up against the dragons, bandits, demons and evil wizards that threaten to prevent them in their quest. Wu Ch’êng-ên wrote Monkey in the mid-sixteenth century, adding his own distinctive style to an ancient Chinese legend, and in so doing created a dazzling combination of nonsense with profundity, slapstick comedy with spiritual wisdom.
China’s most outrageous character—the magical Monkey who battles a hundred monsters—returns to the fray in this seventeenth-century sequel to the Buddhist novel Journey to the West. In The Tower of Myriad Mirrors, he defends his claim to enlightenment against a villain who induces hallucinations that take Monkey into the past, to heaven and hell, and even through a sex change. The villain turns out to be the personification of his own desires, aroused by his penetration of a female adversary’s body in Journey to the West. The Tower of Myriad Mirrors is the only novel of Tung Yüeh (1620–1686), a monk and Confucian scholar. Tung picks up the slapstick of the original tale and overlays it with Buddhist theory and bitter satire of the Ming government’s capitulation to the Manchus. After a nod to Journey’s storyteller format, Tung carries Monkey’s quest into an evocation of shifting psychological states rarely found in premodern fiction. An important though relatively unknown link in the development of the Chinese novel, and a window into late Ming intellectual history, The Tower of Myriad Mirrors further rewards by being a wonderful read.
A classic of Chinese literature, this beloved folktale is part adventure story, part spiritual allegory—now reimagined by a National Book Award nominee Part spiritual pilgrimage, part historical epic, the folk novel Journey to the West, which came to be known as Monkey, is the most popular classic of Asian literature. Originally written in the sixteenth century, it is the story of the adventures of the rogue-trickster Monkey and his encounters with a bizarre cast of characters as he travels to India with the Buddhist pilgrim Tripitaka in search of sacred scriptures. Much more than a picaresque adventure novel, Monkey is a profound allegory of the struggle that must occur before spiritual transformation is possible. David Kherdian's masterful telling brings this classic of Chinese literature to life in a way that is true to the scope and depth of the original.
Richard Bernstein's story of his long journey through Asia is at once a memoir of adventurous travel and a record of cultural discovery and spiritual quest. In the year 629, a greatly revered Chinese Buddhist monk, Hsuan Tsang, set out across Asia in search of the Buddhist Truth, to settle what he called the "perplexities of my mind." Nearly a millennium and a half later, Richard Bernstein retraces the monk's steps: from the Tang dynasty capital at Xian through ancient Silk Road oases, over forbidding mountain passes to Tashkent, Samarkand, and the Amu-Darya River, across Pakistan to the holiest cities of India--and back. Juxtaposing his experiences with those of Hsuan Tsang, Bernstein reconstructs the hazards and glories of this long and sinuous route, comparing present and past. The monk described what he saw and experienced: landscapes, customs, and, above all, people and the variety of religious beliefs held by those he met. So does our present-day author--taking us to Buddhist cave temples, to the holy places of the Buddha's own life, to the ruins of the Gandharan civilization in Pakistan, to the university in the Ganges Valley where Hsuan Tsang studied. He too encounters extraordinary figures-- among them a German monk in Bodhgaya, a down-and-out maharaja, and a supposed reincarnation of Shiva. And he follows the path of Hsuan Tsang not only in physical but in contemplative ways, reflecting on the mysteries and paradoxes of Buddhist philosophy and on the nature of the Ultimate Truth that was Hsuan Tsang's goal. Ultimate Journey is a vivid, profoundly felt account of two stirring adventures--one in the past and one in the present--in pursuit of illumination.
