Jennifer discovers that she has the power to see and attract the dead and other entities, and couldn't trust this to anyone but her yearly journal. The things she sees disturbs her and creates a great deal of stress in her life. The results of this trauma are spelled out in her journal were no one can judge her, or so she thinks. What lies behind her now supernatural fate?
The Ghost Hunting Journal is designed to help you document all of your paranormal encounters. This journal also includes helpful information like ghost hunting basics, methods and equipment as well as a glossary and index pages. There is space to affix pictures and make detailed notes of your experiences along with times, dates and locations. Ghosts and other entities can appear at anytime and in any place and you want to be prepared to document your encounters. This book was designed to help you do just that. Whether you are new at ghost hunting or a long time avid ghost hunter (without the TV crew and back-up brigade) it is important to track your encounters.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
The terrifying story of a woman's struggle with the demons from the supernatural, and from her own past, that haunted her home and family describes the ordeal of family members as they cope with inexplicable events, violent attacks, and other paranormal forces. TV tie-in.
You leave us alone; we'll leave you alone. When Elaine Mercado and her first husband bought their home in Brooklyn, N. Y., in 1982, they had no idea that they and their two young daughters were embarking on a thirteen-year nightmare. thin a few days of moving in, Elaine and her older daughter began to experience the sensation of being watched. Then came scratching noises and weird smells, followed by voices whispering, maniacal laughter, shadowy figures scurrying along baseboards, and small balls of light bouncing along the ceilings. From the beginning of the haunting, "suffocating dreams" were experienced by everyone except the younger daughter. These eventually accelerated to physical aggression directed at Elaine and both the girls. This book is the true story of how one family tried to cope with living in a haunted house. It also describes how, with the help of parapsychologist Dr. Hans Holzer and medium Marisa Anderson, the family discovered the tragic and heartbreaking secrets buried in the house at Grave's End. I struggle to open my eyes, but achieve nothing but frustration and failure. I am not asleep. I am fully conscious, in a state of panic unthinkable during the day intolerable in the dark of night, held prisoner by some tortured, invisible presence, insistent on abruptly invading my slumber. The more I struggle toward freedom, the more I am pushed into the mattress, perspiring, heart palpitating, a scream involuntarily silenced within my throat. Some nights I experience my skin being stroked while I fight to regain control of my body, my sight. Thank God, this was not one of those nights. Tonight it lets me open my eyes, shaken but unviolated, frightened, but not as frightened as I know I can become. First Runner up for the 2001 Coalition of Visionary Resources (COVR) Award for Best Biographical/Personal Book
All the sites in the book have been chosen with an eye toward several criteria, including how accessible they are to the public, how evocative experience a trip to them is likely to produce, and the extent to which they actually appear to be haunted. A great many in the various regions of Maryland have some connection to the Colonial era, the War of 1812, or the Civil War, all significant aspects of the state's haunted history. Maryland is divided into six regions for purposes of this book: Baltimore, Central, D.C. Metro, Eastern Shore, Southern, and Western. Geographically speaking, Maryland is not a large state. It is, however, among the oldest in the country, and has a rich, varied, and turbulent history that has contributed to an exceptionally high number of haunted sites. Because it is relatively compact, Maryland is in many ways an ideal state for a haunted roadtrip -- especially in an era of historically high gasoline prices -- and many haunted sites within the same area can easily be reached on a single weekend-long trip. Indeed, although my own home is currently in Northern Virginia, on the southern side of the Potomac River from Maryland, its furthest point from me is still somewhat less than 300 miles -- as opposed to nearly 500 for some of the most distant points in southwestern Virginia. Note that this outline includes more listings than there will be room for in the book, and that a number of these will either be cut, reduced to sidebars within larger chapters, or listed in the appendix of additional haunted sites. As with Ghosthunting Virginia, research revealed early on a striking number of sites reputed by various sources to be haunted. With space in this volume for only a limited number of these, the authors carefully attempted to identify a representative selection that both emphasized variety and a struck a balance between "must include" sites -- such as the graveyard where Edgar Allan Poe is buried -- and more obscure ones that do not appear in any other books.
The November/December 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Isabel Yap, T. Kingfisher, Naomi Kritzer, Monica Valentinelli, and Cassandra Khaw. Reprinted fiction by Sofia Samatar, essays by Diana M. Pho, Steven H Silver, Sarah Goslee, and Nilah Magruder, poetry by Beth Cato, Hal Y. Zhang, Leah Bobet, and Sharon Hsu, and interviews with Isabel Yap and Monica Valentinelli by Caroline M. Yoachim, a cover by John Picacio, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
A creak of the floorboard. The wind whistling in the eaves. The rustle of some small creature—a mouse, maybe—scurrying in the basement. These are all sounds you might expect to hear in an old house. But what if they were signs of something more? Paranormal investigator Dawn J. Schofield knows from experience that not all strange phenomena have a rational explanation. In her thirty years of ghost hunting, she’s seen, heard, and even smelled things she couldn’t debunk—and now she’s here to show you how to capture your own evidence of specters and spirits. In this guide, she shares her approach to paranormal investigation, gives tips for location sourcing, explains the tools of the trade, and much more. Along the way, she tells true, spine-tingling tales of ghostly encounters from her own life, from unexplained apparitions to disembodied voices to terrifying contact with spirits through a Ouija board. By the end of this book, you’ll know all about the equipment, techniques, and unwritten rules you need to start exploring the supernatural. Now the only thing left to do is muster the courage to face the unknown.
“A haunting story about the long reach of the past.”—Maureen Corrigan, NPR’S Fresh Air “In this intriguing book, [Nordhaus] shares her journey to discover who her immigrant ancestor really was—and what strange alchemy made the idea of her linger long after she was gone.” —People La Posada—“place of rest”—was once a grand Santa Fe mansion. It belonged to Abraham and Julia Staab, who emigrated from Germany in the mid-nineteenth century. After they died, the house became a hotel. And in the 1970s, the hotel acquired a resident ghost—a sad, dark-eyed woman in a long gown. Strange things began to happen there: vases moved, glasses flew, blankets were ripped from beds. Julia Staab died in 1896—but her ghost, they say, lives on. In American Ghost, Julia’s great-great-granddaughter, Hannah Nordhaus, traces her ancestor’s transfiguration from nineteenth-century Jewish bride to modern phantom. Family diaries, photographs, and newspaper clippings take her on a riveting journey through three hundred years of German history and the American immigrant experience. With the help of historians, genealogists, family members, and ghost hunters, she weaves a masterful, moving story of fin-de-siècle Europe and pioneer life, villains and visionaries, medicine and spiritualism, imagination and truth, exploring how lives become legends, and what those legends tell us about who we are.
