The architect and interior designer Josef Frank (1885-1967) charted a version of modernism that expressed a unique view of the modern home, the single-family house, and its furnishings. This work tries to reveal the full scope of Frank's interpretation of the modern movement.
Architect, designer, and theorist Josef Frank (1885-1967) was known throughout Europe in the 1920s as one of the continent's leading modernists. Yet despite his important contributions to the development of modernism, Frank has been largely excluded from histories of the movement. Josef Frank: Life and Work is the first study that comprehensively explores the life, ideas, and designs of this complex and controversial figure. Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s. In this sensitive study of one of the twentieth century's seminal architects and thinkers, Christopher Long offers new insight into Josef Frank's work and ideas and provides an important contribution to the understanding of modernist culture and its history.
Between 1924 and 1936, the Austrian-born architect and designer who became a Swedish citizen, designed five summer houses in Falsterbo. In Villa Carlsten, the smallest of the Flasterbo projects, Frank shows how modernism can be combined with comfort in an inclusive and refined everyday architecture.
Josef Frank (1885-1967) ranks among Europe's most significant architects of the twentieth century, and his designs for furniture and textiles have made him one of the eminent figures of modernist interior design. Though there have been many studies of Frank's architecture previously, Josef Frank--Spaces is the first comprehensive book to look specifically at Frank's single-family houses. Architects Mikael Bergquist and Olof Mich lsen explore the evolution of Frank's designs for single-family homes over the years, and they investigate the influences that shaped his work, such as Adolf Loos's "spatial plan" concept, Le Corbusier's ideas, and Hermann Muthesius's groundbreaking book The English House. The authors also look at Frank's architectural concepts of movement and his use of stairs in residential buildings. The book also includes an in-depth examination of six of Frank's houses, including both built projects-- the Villas Cla son and Wehtje in Falsterbo, Sweden, and Villa Beer in Vienna--and unrealized ones--House for Vienna XIII, House MS in Los Angeles, and Fantasy House 9 (Accidental House). This section includes images and plans of each of the houses and a close analysis of their specific characteristics. A complete catalog of Frank's single-family houses rounds out the book. Featuring new material and many previously unpublished images and plans, Josef Frank--Spaces will be the authoritative reference to this renowned architect's contributions to the design of residential dwellings.
"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.
Scholars have long stressed the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870–1933), together with Josef Frank (1885–1967) and Oskar Strnad (1879–1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it. The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately explored what Le Corbusier would later—independently—term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice.
A new edition of the most in-depth guide available to the most remote area of the Scandinavian Arctic, from ends-of-the-earth wilderness adventures to fascinating insight into the flora, fauna and natural landscapes. The perfect guide to the perfect bucket-list destination.
A magnificent one-volume abridgement of one of the greatest literary biographies of our time Joseph Frank's award-winning, five-volume Dostoevsky is widely recognized as the best biography of the writer in any language—and one of the greatest literary biographies of the past half-century. Now Frank's monumental, 2,500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works—from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov—by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.