Jorinde Voigt has developed an idiosyncratic visual language with her meticulous, large'format drawings, one that presents a quasi-abstract code of signs that seems deeply subjective and individual, yet is nonetheless subject to strict rules. Eliminating the boundary between science and art, she analyzes the structures of diverse cultural and natural phenomena in her notations and scores.
Black holes, dark matter, gravity, time, motion--these phenomena fascinate physicists and artists alike. Both strive to discover how they shape our world. The connection between art and science is gaining increasing significance in contemporary art.Now, the influence of physics on today's art, design, and architecture is being more closely examined. Curated by Ariane Koek, the founder of the arts program Arts at CERN, the exhibition Entangle - Physics and the Artistic Imagination and its companion catalog present the works of thirteen contemporary artists who are inspired by physics and its investigation of natural phenomena. Besides their works, this ground-breaking publication also contains interviews with the artists and physicists who share their different ways of seeing.Featuring interviews with and works of art by Sarah Sze, Julius von Bismarck, Julian Charrière, Sou Fujumoto, Iris van Herpen, Ryoji Ikeda, William Kentridge, Rafael Lozano-Hemmer, Goshka Macuga, Davide Quayola, Solveig Settemsda, Keith Tyson, Jorinde Voigt, and Carey Young. Exhibition:16.11.2018--14.04.2019, BIldmuseet Umeå
"Drawing on the largest collection of erotic art in the world, this book initiates the reader into China's intimate "gardens of pleasure." Over one hundred of the most beautiful masterpieces from this golden age - many never before published - reveal the voluptuous secrets of a lost world. An essay by Jaques Pimpaneau traces the development of Chinese eroticism in its cultural context, emphasizing the influence of religions and historical events on sexual practices. Commentaries by Ferdinand Bertholet explain the cultural symbolism of the paintings." "Beautifully ornamented with poems contemporary with the paintings, this is a collector's volume and a tribute to the unknown masters of Chinese erotic art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
New Mobilities Regimes analyses how global mobilities are changing the world of today and the role of political and economic power. Bringing together essays by leading scholars and social scientists, including Mimi Sheller and Bülent Diken with the work of well-known artists and art theorists such as Jordan Crandall, Ursula Bieman, Gülsün Karamustafa and Dan Perjovschi this book is a unique document of the cross-disciplinary mobility and power discourse. The specific design, integrating the text and art elements to create a singular dialogue makes for an exciting intellectual and aesthetic experience. Illustrated by a range of studies which examine the regulation and structure of mobility, such as the daily routines of teleworkers, Ukrainian cleaners in Western Europe, the mobility policies of global corporations, and the impact of bicycle policies on public space, New Mobilities Regimes emphasizes the routes and crossroads of migration flows as well as at the interaction of mobility and new spatial concepts. The contributors are concerned with both the positive outcomes and the disappointments of the global mobilizations in modern lives. This book is ground-breaking in that it calls for the reassessment of the figurative arts in providing independent and insightful knowledge-generating research on the nature of mobility and highlights the new appreciation of visual representations in sociology, cultural geography and anthropology.
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
»Yes, No, Perhaps« are the most written words in Mary Bauermeister's artworks. Together they stand for the concept of many-valued aesthetics in the German artist's oeuvre - an aesthetic that Bauermeister developed using many-valued logic. Hauke Ohls brings the artist's central groups of works in context with each other as well as with the neo-avant-garde of the post-war period in Europe and the USA. He shows that the development of Bauermeister's art may appear disparate, but her canvas and relief works, drawings and writing pictures, lens boxes and stone pictures are characterized by a reciprocal relationship of combinations and interconnections. Through the ubiquitous use of meta-references, the entire oeuvre ultimately appears as an interconnected assemblage.
What makes an artist? What forces and inklings drive a young man or woman to make their own journey, and where does it begin? In imaginary childhood games? In chance encounters? At the sensitive core of the human heart?To answer these and other questions, award-winning author Rory MacLean met more than one hundred working German artists. He traced how childhood obsessions or a spark of inspiration developed in the imagination. He walked beside a platinum rock star and a struggling caricaturist, followed the process of best-selling novelists, tracked the life stories of top film makers, sculptors, painters and the godfather of techno. He saw how political rebellion, English punk, Pershing missiles, Joseph Beuys, even Elvis Presley awoke the creative spirit. He learnt that art is a weapon, that art can heal, and that art deals with the mysteries that lie in the spaces between the words.Berlin, Europe's capital of reinvention, is the setting for most interviews, and the ideal place in which to observe the forces and sensibilities that make and sustain (or undermine) the free thinker. After the fall of the Wall, the city became a kind of creative utopia infused with pioneering energy. At its heart was an experiment in the power of the imagination. In Wunderkind, 50 selected artists reveal their passions and doubts, their working methods, their secret struggles and - above all - show that the task of the artist truly is uncompromisingly simple; to discover what has not yet been done, and to do it.
