This book is intended to attract both, the student of classical guitar and those who are interested in a more popular approach of the instrument in terms of melody and rhythm. These solo pieces are for the young guitarist of today, with an emphasis on technique and the art of composing for the guitar. Music in standard notation. All tunes are included on the CD.
Contains a pair of short guitar quartets (Cancion and Studio Ritmico) composed in a style rooted in the music of South America. the pieces are not too difficult but require special attention to rhythm. They are both helpful and entertaining for all young students of this beautiful instrument.
A collection of short guitar duets composed in a style rooted in the music of South America. the pieces are not too difficult but require special attention to rhythm. They are both helpful and entertaining for all young students of this beautiful instrument. Pieces featured: Danza del Norte, Milonga, Prelude, and Pampero. Free audio downloads are available for use with this title.
This is a wonderful collection of graded pieces for the beginning classic guitar student. Sonia Michelson has gathered some of the finest solo material available at this level from various publishers throughout the world. Included are compositions reflecting a colorful array of styles and periods.
Designed with easy, intermediate, and more challenging parts, this mix of traditional, classical, and original melodies arranged for guitar trio is ideal for a classroom of students at various playing levels. Written in 3-part score format in standard notation only, these 1 to 3-page arrangements are ideal for advancing sightreading skills as well as recital performance. All the arrangements are in guitar-friendly keys and use open strings as much as possible. The author’s downloadable audio recordings are available for every tune; these can be used strictly as an audio reference or for private or group play-along. Even beginning guitarists can enjoy the ensemble experience with this much-anticipated book! In addition, many of the first and second guitar parts can be played on another soprano instrument like the violin, flute, or recorder—so a mixed ensemble is also possible. Includes access to online audio.
This book and accompanying audio present the most popular themes from the classical orchestral repertoire adapted for guitar. Historical background is provided for each piece, as well as warm-ups for both hands. The selections include works by Vivaldi, Handel, Haydn, Mozart, Beethoven, Rossini, Bizet, Tchaikovsky, Grieg, Rimsky-Korsakov, Grieg and others. The material is written in tablature and standard notation.
Mastering the Classical Guitar Book 2A is the third book in a progressive method series that uses a wide variety of music and educational material to provide a solid technical foundation for classical guitar students while revealing the full range of the instrument’s potential and repertoire. This book is appropriate for students who have completed Books 1A and 1B and can read standard notation in the first and second positions. The book is written in four broad sections: Progressive Studies and Pieces, Technical Exercises, Chords and Chord Progressions, and Rhythmic Reading. Tips on how to integrate the four sections are given throughout the book. Mastering the Classical Guitar Book 2A focuses on the concepts of melody and accompaniment by introducing cue-sized notation that helps the student understand the structure of the piece and emphasize the melody. Concepts introduced in this particular volume include: tuning the guitar, notes on the first string, musical forms, dotted eighth notes, guitar and nail care, and the use of the barré technique to implement moveable chord shapes. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Carulli, Carcassi, Giuliani, Paganini, and others. Written in standard notation only. Includes access to online audio.
In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, you’ll have to pay attention to dynamic and tempo changes. Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.
These compositions, like most of my music, are of Latin American roots, rhythms and melodies. However, the harmonies always have a jazz influence without losing that Latin flavor. Four of the five pieces in this book are dedications, except Lullaby of Love. I would say I wrote it for myself, and it is the only piece recorded by me on my CD Latin Dialog, released by Luthier Music. My hope with this music is to bring more guitarists closer to the Latin American literature for the guitar that is still much in need of recognition.- Jorge Morel
A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in the tango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi, by Horacio Salgan; Gallo Ciego, by Agustin Bardi; El Choclo, by Angel Villoldo; and Milonga del Viento and Otro Tango; Buenos Aires, by Jorge Morel. A companion CD featuring Mr. Morel's performance of each solo is included.
