This is the delightful story of a very gifted boy named Jolly Jonathan of the small farming town of Wellington who had the ability to make people laugh and to be an encourager to everyone around him. This story conveys a heartwarming message about caring for others and sharing our abilities, gifts and talents to make the world a better place for everyone.
In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives collide. Nora is an unflinching frontierswoman, alone in a house abandoned by the men in her life. Lurie is a man haunted by ghosts--he sees lost souls who want something from him. The way in which Nora and Lurie's stories intertwine is the surprise and suspense of this brilliant novel.ovel.
DigiCat Publishing presents to you this unique collection of pirate tales, sea adventure novels and true stories of the most notorious pirates:_x000D_ True Pirates of the Caribbean:_x000D_ The King of Pirates: Of Captain Avery, And his Crew_x000D_ Captain Martel_x000D_ Captain Teach, alias Blackbeard_x000D_ Edward England_x000D_ Charles Vane_x000D_ Rackam_x000D_ Mary Read_x000D_ Anne Bonny_x000D_ John Bowen..._x000D_ The Trial of the Pirates at Providence_x000D_ The Pirate Gow _x000D_ The Pirates of Panama..._x000D_ Novels & Stories:_x000D_ Treasure Island (Robert Louis Stevenson)_x000D_ The Pirate (Walter Scott)_x000D_ Blackbeard: Buccaneer (Ralph D. Paine)_x000D_ Pieces of Eight (Richard Le Gallienne)_x000D_ The Gold-Bug (Edgar Allan Poe)_x000D_ Jack London:_x000D_ Hearts of Three_x000D_ Tales of the Fish Patrol_x000D_ Daniel Defoe:_x000D_ Robinson Crusoe_x000D_ Captain Singleton_x000D_ Jules Verne:_x000D_ The Mysterious Island_x000D_ Facing the Flag_x000D_ The Dark Frigate (Charles Boardman Hawes)_x000D_ Peter Pan and Wendy (J. M. Barrie)_x000D_ The Dealings of Captain Sharkey (Arthur Conan Doyle)_x000D_ The Pirate (Frederick Marryat)_x000D_ The Madman and the Pirate (R. M. Ballantyne)_x000D_ The Pirate City (R. M. Ballantyne)_x000D_ Gascoyne, the Sandal-Wood Trader (R. M. Ballantyne)_x000D_ Captain Boldheart& the Latin-Grammar Master (Charles Dickens)_x000D_ The Master Key (L. Frank Baum)_x000D_ A Man to His Mate (J. Allan Dunn)_x000D_ The Isle of Pirate's Doom (Robert E. Howard)_x000D_ Queen of the Black Coast (Robert E. Howard)_x000D_ James Fenimore Cooper:_x000D_ Afloat and Ashore_x000D_ Homeward Bound_x000D_ The Red Rover_x000D_ The Rose of Paradise (Howard Pyle)_x000D_ The Count of Monte Cristo (Alexandre Dumas)_x000D_ The Ghost Pirates (William Hope Hodgson)_x000D_ The Offshore Pirate (F. Scott Fitzgerald)_x000D_ Harry Collingwood:_x000D_ A Pirate of the Caribbees_x000D_ The Pirate Island_x000D_ Among Malay Pirates (G. A. Henty)_x000D_ Great Pirate Stories (Joseph L. French)_x000D_ Fanny Campbell, the Female Pirate Captain (Maturin Murray Ballou)_x000D_ The Dark Frigate (Charles B. Hawes)_x000D_ Kidd the Pirate (Washington Irving) _x000D_ The Death Ship (William Clark Russell)_x000D_ The Iron Pirate (Max Pemberton)...
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Treasure Island (Stevenson) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Gold-Bug (Edgar A. Poe) The Dark Frigate (C. B. Hawes) Hearts of Three (Jack London) Captain Singleton (Defoe) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Afloat and Ashore (James F. Cooper) Pirate Gow (Defoe) The King of Pirates (Defoe) Barbarossa—King of the Corsairs (E. H. Currey) Homeward Bound (James F. Cooper) Red Rover (Cooper) The Pirate (Walter Scott) Book of Pirates (Howard Pyle) Under the Waves (R. M. Ballantyne) Rose of Paradise (Howard Pyle) Tales of the Fish Patrol (Jack London) Peter Pan and Wendy (J. M. Barrie) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) Coral Island (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Facing the Flag (Jules Verne) Captain Boldheart (Dickens) Mysterious Island (Jules Verne) Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) Isle of Pirate's Doom (Robert E. Howard) Black Vulmea (Howard) Robinson Crusoe (Defoe) Count of Monte Cristo (A. Dumas) Ghost Pirates (W. H. Hodgson) Offshore Pirate (F. Scott Fitzgerald) The Piccaroon (Michael Scott) The Capture of Panama, 1671 (John Esquemeling) The Malay Proas (James Fenimore Cooper) The Wonderful Fight of the Exchange of Bristol With the Pirates of Algiers (Samuel Purchas) The Daughter of the Great Mogul (Defoe) Morgan at Puerto Bello Among Malay Pirates: A Tale of Adventure and Peril The Ways of the Buccaneers A True Account of Three Notorious Pirates Narrative of the Capture of the Ship Derby, 1735 Francis Lolonois The Fight Between the Dorrill and the Moca Jaddi the Malay Pirate The Terrible Ladrones The Female Captive The Passing of Mogul Mackenzie The Last of the Sea-Rovers Pagan Madonna...
Good Press presents to you this unique collection of pirate tales, sea adventure novels and true stories of the most notorious pirates: True Pirates of the Caribbean: The King of Pirates: Of Captain Avery, And his Crew Captain Martel Captain Teach, alias Blackbeard Edward England Charles Vane Rackam Mary Read Anne Bonny John Bowen... The Trial of the Pirates at Providence The Pirate Gow The Pirates of Panama... Novels & Stories: Treasure Island (Robert Louis Stevenson) The Pirate (Walter Scott) Blackbeard: Buccaneer (Ralph D. Paine) Pieces of Eight (Richard Le Gallienne) The Gold-Bug (Edgar Allan Poe) Jack London: Hearts of Three Tales of the Fish Patrol Daniel Defoe: Robinson Crusoe Captain Singleton Jules Verne: The Mysterious Island Facing the Flag The Dark Frigate (Charles Boardman Hawes) Peter Pan and Wendy (J. M. Barrie) The Dealings of Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) The Madman and the Pirate (R. M. Ballantyne) The Pirate City (R. M. Ballantyne) Gascoyne, the Sandal-Wood Trader (R. M. Ballantyne) Captain Boldheart& the Latin-Grammar Master (Charles Dickens) The Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) The Isle of Pirate's Doom (Robert E. Howard) Queen of the Black Coast (Robert E. Howard) James Fenimore Cooper: Afloat and Ashore Homeward Bound The Red Rover The Rose of Paradise (Howard Pyle) The Count of Monte Cristo (Alexandre Dumas) The Ghost Pirates (William Hope Hodgson) The Offshore Pirate (F. Scott Fitzgerald) Harry Collingwood: A Pirate of the Caribbees The Pirate Island Among Malay Pirates (G. A. Henty) Great Pirate Stories (Joseph L. French) Fanny Campbell, the Female Pirate Captain (Maturin Murray Ballou) The Dark Frigate (Charles B. Hawes) Kidd the Pirate (Washington Irving) The Death Ship (William Clark Russell) The Iron Pirate (Max Pemberton)...
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.
"Lovely and timely. So glad Joshunda is telling our stories." - Jacqueline Woodson Eight-year-old Ava Murray wants to know why there’s a difference between the warm, friendly Bronx neighborhood filled with music and art in which she lives and the Bronx she sees in news stories on TV and on the Internet. When her mother explains that the power of stories lies in the hands of those who write them, Ava decides to become a journalist. I Can Write the World follows Ava as she explores her vibrant South Bronx neighborhood - buildings whose walls boast gorgeous murals of historical figures as well as intricate, colorful street art, the dozens of different languages and dialects coming from the mouths of passersby, the many types of music coming out of neighbors’ windows and passing cars. In reporting how the music and art and culture of her neighborhood reflect the diversity of the people of New York City, Ava shows the world as she sees it, revealing to children the power of their own voice.
An Invitation to Community and Models for Connection After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends, and colleagues, yet they still feel like they're standing alone. They're "winning" at the American Dream, but they're lonely, disconnected, and unsatisfied. It seems counterintuitive that living the "good life"--the well-paying job, the nuclear family, the upward mobility--can make us feel isolated and unhappy. But in a divided America, where only a quarter of us know our neighbors and everyone is either a winner or a loser, we've forgotten the key element that helped us make progress in the first place: community. In this provocative, groundbreaking work, Mia Birdsong shows that what separates us isn't only the ever-present injustices built around race, class, gender, values, and beliefs, but also our denial of our interdependence and need for belonging. In response to the fear and discomfort we feel, we've built walls, and instead of leaning on each other, we find ourselves leaning on concrete. Through research, interviews, and stories of lived experience, How We Show Up returns us to our inherent connectedness where we find strength, safety, and support in vulnerability and generosity, in asking for help, and in being accountable. Showing up--literally and figuratively--points us toward the promise of our collective vitality and leads us to the liberated well-being we all want.
