The Duchess of Malfi
The Duchess of Malfi

Author: John Webster

Publisher: Manchester University Press

Published: 1997-06-15

Total Pages: 196

ISBN-13: 9780719043574

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More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

John Webster, Renaissance Dramatist
John Webster, Renaissance Dramatist

Author: David Coleman

Publisher: Edinburgh University Press

Published: 2010-10-12

Total Pages: 177

ISBN-13: 0748687009

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This introduction locates Webster's plays within the context of the culture from which they sprang. Examining the uncertain political, religious, and economic climate of Jacobean London, the book offers a guide to one of the most distinctive, yet most elu

Three Revenge Tragedies
Three Revenge Tragedies

Author: Cyril Tourneur

Publisher: Penguin UK

Published: 2004-08-26

Total Pages: 516

ISBN-13: 0141958898

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Following the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.

The Duchess of Malfi (International Student Edition) (Norton Critical Editions)
The Duchess of Malfi (International Student Edition) (Norton Critical Editions)

Author: John Webster

Publisher: W. W. Norton & Company

Published: 2016-04-04

Total Pages: 240

ISBN-13: 0393614670

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The great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition. This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster’s likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis’s classic essay, “The Alienated Intellectuals of Early Stuart England,” tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. “Criticism” is thematically organized to provide readers with a clear sense of The Duchess of Malfi’s central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.

The Duchess of Malfi (Norton Critical Editions)
The Duchess of Malfi (Norton Critical Editions)

Author: John Webster

Publisher: W. W. Norton & Company

Published: 2015-08-03

Total Pages: 240

ISBN-13: 0393522946

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The great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition. “Neill’s edit of the play is very well done. … If there’s a more knowledgeable or erudite unraveling of the play, I haven’t seen it.” —Steve Sohmer, Comitatus This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster’s likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis’s classic essay, “The Alienated Intellectuals of Early Stuart England,” tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. “Criticism” is thematically organized to provide readers with a clear sense of The Duchess of Malfi’s central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.