The author has divided this work into three parts. In part one he tells all about how he got started, how he first fell in love with watercolor, who taught and inspired him, and how he continued to find great pleasure and challenge in this medium. In part two, he describes in thirteen full-color step-by-step demonstrations how he paints landscapes, seascapes, and architectural subjects. In part three, he reproduces thirty-seven of his favorite paintings, all in color--Jacket.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Through the step-by-step "Westerman No-Fault Painting System", artists will learn how to loosen up, take risks with their strokes, and avoid their worst enemy -- timidity.
SEE like an artist, and draw like a pro! If you think you can't draw, it's all in your head. Every time you pick up a pencil, a battle rages between the two sides of your brain: Your analytical brain, which wants to generalize and take shortcuts; and your visual brain, which sees it like it is. This innovative guide helps the "good guy" always win! Following the success of his first book, Painting with Your Artist's Brain (North Light Books), Carl Purcell shows that the secret to creating true-to-life renderings—and overcoming the most common drawing problems—is silencing your bossy logical nature and letting your artistic side do what it does best. Thirteen interactive exercises and 10 step-by-step demonstrations lead you on an in-depth exploration of essential drawing skills: seeing values correctly searching for relationships of angle, size and position defining form with line and edge exploring the relationship between objects and space tying everything together with value patterns making the most of your sketchbook You'll take the same observation-based approach whether you're drawing a pear, a portrait or a landscape. No subject will be beyond your reach, and you'll be amazed at your sudden mastery of drawing!
Where are you now in relation to the artist you started out to be? This book encourages the painter to aim for energies. Learn to create works with power in action or expression. Go beyond eyesight painting and concentrate on expression. A figure can be seen only against a background. This book is based on the theme of the artist's convictions.
In watercolor paintings it is the masterful use of washes that creates depth, spontaneity and atmosphere. In Mastering the Watercolor Wash, Joe Garcia provides clear, simple step-by-step instructions that teach the four basic washes: flat, gradated, wet-into-wet and streaked. Painters will find plenty of guidelines and 33 demonstrations that combine these techniques to create light and shadow effects, as well as a variety of textures for popular subjects including rocks, clouds and sand.They'll also learn how to develop unique textures and special effects using salt, a palette knife, masking fluid, sponges, dry brushes, spattering and lifting techniques.Joe Garcia's work has been published in Wildlife Art, Watercolor Magic, Art of the American West, Best of Wildlife 2 and Splash 3. It has also been featured in the prestigious Birds in Art annual exhibit. Joe teaches workshops in watercolor and nature painting. He lives in Julian, California.
This book introduces the concept of realistic abstract painting - a loosely impressionistic form of painting that leaves much to the imagination of the viewer. The subject, though recognisable, is executed with freedom and fluidity, resulting in a painting that is far from photographic. It has been described as the 'grey' area between figurative and abstract painting, yet there is nothing dull about this style, as the numerous colourful examples in this book show. Aimed at those with some experience of painting, all the examples in this book use various forms of water-based media, including gouache, acrylics and watercolours. Designed to inspire, this book will stimulate your imagination; encourage you to try out the various methods described; and help you develop your own way of painting in this exciting style.
