John Cage's Theatre Pieces
John Cage's Theatre Pieces

Author: William Fetterman

Publisher: Routledge

Published: 2012-10-12

Total Pages: 302

ISBN-13: 1136645640

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The experimental composer John Cage (1912-1992) is best known for his works in percussion, prepared piano, and electronic music, but he is also acknowledged to be one of the most significant figures in 20th century theatre. In Cage's work in theatre composition there is a blurring of the distinctions between music, dance, literature, art and everyday life. Here, William Fetterman examines the majority of those compositions by Cage which are audial as well as visual in content, beginning with his first work in this genre in 1952, and continuing through 1992. Much of the information in this study comes from previously undocumented material discovered among the unpublished scores and notes of Cage and his frequent collaborator David Tudor, as well as author's interviews with Cage and with individuals closely associated with his work, including David Tudor, Merce Cunningham, Bonnie Bird, Mary Caroline Richards, and Ellsworth Snyder.

No Such Thing as Silence
No Such Thing as Silence

Author: Kyle Gann

Publisher: Yale University Press

Published: 2010-03-23

Total Pages: 272

ISBN-13: 0300163010

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First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music. In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono, he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

John Cage and David Tudor
John Cage and David Tudor

Author: Martin Iddon

Publisher: Cambridge University Press

Published: 2013-03-07

Total Pages: 241

ISBN-13: 1107014328

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Martin Iddon discusses one of the twentieth century's most provocative musical collaborations: between composer John Cage and pianist David Tudor.

Silence
Silence

Author: John Cage

Publisher: Wesleyan University Press

Published: 1961-06

Total Pages: 292

ISBN-13: 9780819560285

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John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: “Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.” “He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It’s what’s happening now.” –The American Record Guide “There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.”

Where the Heart Beats
Where the Heart Beats

Author: Kay Larson

Publisher: Penguin

Published: 2013-07-30

Total Pages: 497

ISBN-13: 0143123475

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A “heroic” biography of John Cage and his “awakening through Zen Buddhism”—“a kind of love story” about a brilliant American pioneer of the creative arts who transformed himself and his culture (The New York Times) Composer John Cage sought the silence of a mind at peace with itself—and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. “Remarkably researched, exquisitely written,” Where the Heart Beats weaves together “a great many threads of cultural history” (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s. Robert Rauschenberg, Jasper Johns, Andy Warhol, Yoko Ono, Allan Kaprow, Morton Feldman, and Leo Castelli were among those influenced by his ‘teaching’ and ‘preaching.’ Where the Heart Beats shows the blossoming of Zen in the very heart of American culture.

Leap Before You Look
Leap Before You Look

Author: Helen Anne Molesworth

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 401

ISBN-13: 0300211910

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La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.

Composed Theatre
Composed Theatre

Author: Matthias Rebstock

Publisher: Intellect (UK)

Published: 2013

Total Pages: 0

ISBN-13: 9781783200160

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"Brings together a diverse range of voices and perspectives, appropriately conveying the sense of scholars and artists engaged in ongoing debate about a developing form. ... It is a style of performance I ahve had little direct experience with but the book made me want to hear and see more."--Jackie Smart for Theatre Research International.

Every Day is a Good Day
Every Day is a Good Day

Author: John Cage

Publisher: Hayward Gallery Publishing

Published: 2010

Total Pages: 164

ISBN-13:

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This book is published to accompany the first major UK retrospective of the visual art of the pioneering American composer and artist John Cage (1912ndash;1992). The use of chance operations, in particular the Chinese Book of Changes, or I Ching, was central to Cage's compositional method and his approach to his drawings, watercolours and prints, many of which are reproduced here for the first time. Cage's practice is explored in new interviews with key collaborators: printmaker Kathan Brown; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's 1992 'composition for a museum', Rolywholyover: A Circus. Extracts from a 1966 interview between Cage and the critic Irving Sandler are also included. At the heart of the book is a 'Companion to Cage': a selection of quotations by Cage and notes on key themes and influences from 'Alphabet' to 'Zen', making it essential reading on this important figure of the twentieth-century avant-garde. Published to accompany the UK touring exhibition in 2010 ndash; 2011 at Baltic Centre for Contemporary Art, Gateshead; Kettle's Yard, Cambridge; Huddersfield Art Gallery; Hunterian Art Gallery, Glasgow; De La Warr Pavilion, Bexhill-on-Sea.

Notations
Notations

Author: John Cage

Publisher:

Published: 1969

Total Pages: 340

ISBN-13:

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Manuscripts by 269 composers, with accompanying texts determined by I-Ching chance operations.