'What a life! What a career!' Harold Pinter'Boorman is one of the world's great directors, a master storyteller.' Paul AusterJohn Boorman is one of cinema's authentic visionaries whose travels have taken him from London in the Blitz to the pinnacle of Hollywood success: the man behind filmes such as Point Blank, Deliverance, Excalibur, Hope and Glory, and The General. Conclusions continues the story of his life that Boorman began with Adventures of a Suburban Boyand shares what has happened since its publication: films made (such as the award-winning The General) and unmade; new knowledge about the craft of film-making; and, ultimately, the story of of his kith and kin, including the death of his cherished elder daughter.Wielding a metaphorical Excalibur, Boorman's career has been a continual search for the truth that only art can convey, and this memoir shows him at his finest.
On the 50th anniversary of its release, Repeater is honoured to reissue John Boorman’s novelization of his cult film Zardoz with a new introduction by the director. In a post-apocalyptic 2393, society is split between an elite group of immortal Eternals and a brutal underclass that live in the outlands and are controlled by the Exterminators. Zed, an Exterminator who has come to question his role and the exact nature of the world he inhabits, stows away in the flying head that descends to issue guns and sermons to the Exterminators, and enters the world of the Eternals: the Vortex. An ostensible paradise of rationality and order, the Vortex is revealed as a place which is itself full of division and intrigue. Has he come here of his own free will? Or is he part of some larger competition among the Eternals? How has the Vortex come about, and what might come after? What is it in Zed that the Eternals lack, and is he there to bring them “the gift of death"? Expanding on and fleshing out the characters' histories and the themes of his riotous, psychedelic cult classic film Zardoz, Boorman’s novelization has become something of a cult itself, a fully realised visionary sci-fi novel by one of the most important directors of the twentieth century.
June 1982. John Boorman, director of Deliverance and Excalibur arrives in Los Angeles to raise finance for a film based on a newspaper account of a young American boy who was kidnapped by Brazilian Indians and whose father spent ten years searching for his lost child. March 1985. The film The Emerald Forest, is sneak-previewed to audiences in Dallas and San Diego. This diary chronicles the three-year journey John Boorman undertook to make this film. This quest took him into the tangled, but fascinating, jungle of Hollywood (its studios, lawyers, financiers), involved him in the complex manoeuverings that went on within England' s Goldcrest organization, and sent him on a journey through the rain forest and rivers of Brazil.
In Adventures of a Suburban Boy, John Boorman, hailed by the Observer as 'arguably Britain's greatest living director', offers an enthralling memoir of a creative life spent turning dreams into celluloid, and money into light.One of cinema's authentic visionaries, Boorman nevertheless enjoyed an archetypal English suburban boyhood in the 1940s and 50s, attending Catholic school and finding his first employment in a dry-cleaner's. But his abiding passion was for film, and he got his first break during the 'gold rush' era of British television in the 1960s. After directing several innovative documentaries for the BBC, he graduated to motion pictures, first filming pop stars The Dave Clark Five for Catch Us If You Can, before venturing to Los Angeles to make his first Hollywood picture - and his first masterpiece - Point Blank. The film inaugurated Boorman's profound friendship with star Lee Marvin, which also led to a second professional collaboration on Hell in the Pacific.What follows are accounts of Boorman's joys and agonies in the making of such extraordinary pictures as the terrifying backwoods adventure Deliverance, the fantastical epics Zardoz and Exorcist II: The Heretic, the glorious Arthurian legend Excalibur, his magnificent drama of imperilled Amazonian tribes, The Emerald Forest, and his semi-autobiographical, multi-Oscar-nominated Hope and Glory. Among the many friends and collaborators of whom Boorman offers vivid portraits are Lee Marvin, Sean Connery, Richard Burton, Marcello Mastroianni, Burt Reynolds, Jon Voight, Helen Mirren and Nicol Williamson.
“You're hooked, you feel every cut, grope up every cliff, swallow water with every spill of the canoe, sweat with every draw of the bowstring. Wholly absorbing [and] dramatic.”—Harper's Magazine The setting is the Georgia wilderness, where the states most remote white-water river awaits. In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance. Praise for Deliverance “Once read, never forgotten.”—Newport News Daily Press “A tour de force . . . How a man acts when shot by an arrow, what it feels like to scale a cliff or to capsize, the ironic psychology of fear: these things are conveyed with remarkable descriptive writing.”—The New Republic “Freshly and intensely alive . . . with questions that haunt modern urban man.”—Southern Review “A fine and honest book that hits the reader's mind with the sting of a baseball just caught in the hand.”—The Nation “[James Dickey's] language has descriptive power not often matched in contemporary American writing.”—Time “A harrowing trip few readers will forget.”—Asheville Citizen-Times "A novel that will curl your toes . . . Dickey's canoe rides to the limits of dramatic tension."—New York Times Book Review "A brilliant and breathtaking adventure."—The New Yorker
In reponse to the almost universal drubbing the critics gave The Fifth Element at Cannes, the film's star, Bruce Willis, pronounced: 'Nobody up here pays attentions to reviews . . . most of the written word has gone the way of the dinosaur'. This issue of Projections takes up the gauntlet laid down by Willis and looks at the position of critics in society today. We ask major critics, here and abroad, what they think about the current state of film criticism; what they think their relationship - and responsibility - is to film and film-makers; what do critics dream about? We also ask film-makers about how they regard the critics. This issue also contains articles and interviews with practioners of film, including a diary for the set of the Coen brothers film, The Big Lebowski, as well as a diary of the making of Wong Kar-wai's award-winning film, Happy Together, by the cameraman Chris Doyle.