The Art of Musical Phrasing in the Eighteenth Century

The Art of Musical Phrasing in the Eighteenth Century

Author: Stephanie Vial

Publisher: University Rochester Press

Published: 2008

Total Pages: 382

ISBN-13: 9781580460347

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This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.


The Bloomsbury Dictionary of Eighteenth-Century German Philosophers

The Bloomsbury Dictionary of Eighteenth-Century German Philosophers

Author: Heiner F. Klemme

Publisher: Bloomsbury Publishing

Published: 2016-06-30

Total Pages: 939

ISBN-13: 1474255981

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The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a landmark work. Covering one of the most innovative centuries for philosophical investigation, it features more than 650 entries on the eighteenth-century philosophers, theologians, jurists, physicians, scholars, writers, literary critics and historians whose work has had lasting philosophical significance. Alongside well-known German philosophers of that era-Gottfried Wilhelm Leibniz, Immanuel Kant, and Georg Wilhelm Friedrich Hegel-the Dictionary provides rare insights into the lives and minds of lesser-known individuals who influenced the shape of philosophy. Each entry discusses a particular philosopher's life, contributions to the world of thought, and later influences, focusing not only on their most important published writings, but on relevant minor works as well. Bibliographical references to primary and secondary source material are included at the end of entries to encourage further reading, while extensive cross-referencing allows comparisons to be easily made between different thinkers' ideas and practices. For anyone looking to understand more about the century when enlightenment thinking arrived in Germany and established conceits were challenged, The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a valuable, unparalleled resource.


The Cambridge History of Fifteenth-Century Music

The Cambridge History of Fifteenth-Century Music

Author: Anna Maria Busse Berger

Publisher: Cambridge University Press

Published: 2015-07-16

Total Pages: 1058

ISBN-13: 1316298299

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Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.


The Pathetick Musician

The Pathetick Musician

Author: Bruce Haynes

Publisher: Oxford University Press

Published: 2016

Total Pages: 361

ISBN-13: 0199373736

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Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.


Ferruccio Busoni and the Ontology of the Musical Work

Ferruccio Busoni and the Ontology of the Musical Work

Author: Erinn Elizabeth Knyt

Publisher: Stanford University

Published: 2010

Total Pages: 641

ISBN-13:

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Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.


Carl Philipp Emanuel Bach

Carl Philipp Emanuel Bach

Author: Doris Bosworth Powers

Publisher: Psychology Press

Published: 2002

Total Pages: 308

ISBN-13: 0815321791

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


C.P.E. Bach

C.P.E. Bach

Author: Doris Powers

Publisher: Routledge

Published: 2002-04-19

Total Pages: 308

ISBN-13: 1136799478

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Although he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert


Music's Intellectual History

Music's Intellectual History

Author: Zdravko Blažeković

Publisher: Rilm

Published: 2009

Total Pages: 968

ISBN-13:

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Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions