For many queer Jews, Jewish tradition seems like a rich tapestry which at best ignores them and at worst rejects them entirely. In reality, queerness and queer Judaism have been a constant subplot of Jewish history, if only we care to look. Spanning almost two millennia and containing translations from more than a dozen languages, Noam Sienna's new book, A Rainbow Thread: An Anthology of Queer Jewish Texts From the First Century to 1969, collects for the first time more than a hundred sources on the intersection of Jewish and queer identities. Covering poetry, drama, literature, law, midrash, and memoir, this anthology suggests that Jewish texts are not just obstacles to be overcome in the creation of queer Jewish life, but also potential resources waiting to be excavated. Through an unprecedented examination of the histories of gender and sexuality over two millennia of Jewish life around the world, this book inspires and challenges its readers to create a better future through a purposeful reflection on our past.
Examines how Jewish women have used poetry to challenge their historical limitations while rewriting their potential futures. Jewish women have had a fraught relationship with history, struggling for inclusion while resisting their limited role as (re)producers of the future. In Queer Expectations, Zohar Weiman-Kelman shows how Jewish women writers turned to poetry to write new histories, developing queer expectancy as a conceptual tool for understanding how literary texts can both invoke and resist what came before. Bringing together Jewish womens poetry from the late nineteenth century, the interwar period, and the 1970s and 1980s, Weiman-Kelman takes readers on a boundary-crossing journey through works in English, Yiddish, and Hebrew, setting up encounters between writers of different generations, locations, and languages. Queer Expectationshighlights genealogical lines of continuity drawn by authors as diverse as Emma Lazarus, Kadya Molodowsky, Leah Goldberg, Anna Margolin, Irena Klepfisz, and Adrienne Rich. These poets push back against heteronormative imperatives of biological reproduction and inheritance, opting instead for connections that twist traditional models of gender and history. Looking backward in queer ways enables new histories to emerge, intervenes in a troubled present, and gives hope for unexpected futures. Queer Expectations is one of the most original books of literary analysis, historiography, biography, and queer theory I have ever read. Its originality and its methodology turn traditional ways of thinking about literary analysis, questions of influence, and what queer can mean upside down. This is a truly brilliant book. Evelyn Torton Beck, editor of Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition
An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father when she was a young girl NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS This searching collection opens with the death of Ayelet Tsabari’s father when she was just nine years old. His passing left her feeling rootless, devastated, and driven to question her complex identity as an Israeli of Yemeni descent in a country that suppressed and devalued her ancestors’ traditions. In The Art of Leaving, Tsabari tells her story, from her early love of writing and words, to her rebellion during her mandatory service in the Israeli army. She travels from Israel to New York, Canada, Thailand, and India, falling in and out of love with countries, men and women, drugs and alcohol, running away from responsibilities and refusing to settle in one place. She recounts her first marriage, her struggle to define herself as a writer in a new language, her decision to become a mother, and finally her rediscovery and embrace of her family history—a history marked by generations of headstrong women who struggled to choose between their hearts and their homes. Eventually, she realizes that she must reconcile the memories of her father and the sadness of her past if she is ever going to come to terms with herself. With fierce, emotional prose, Ayelet Tsabari crafts a beautiful meditation about the lengths we will travel to try to escape our grief, the universal search to find a place where we belong, and the sense of home we eventually find within ourselves. Praise for The Art of Leaving “The Art of Leaving is, in large part, about what is passed down to us, and how we react to whatever it is. . . . [It] is not self-help—we cannot become whatever we put our mind to—yet it suggests that we can begin to heal from what has broken us, if we only let ourselves. . . . Tsabari’s intense prose gave me pause.”—The New York Times Book Review “Shortlist” “Told in a series of fierce, unflinching essays . . . an Israeli Canadian author explores her upbringing and the death of her father in this stark, beautiful memoir.” —Shelf Awareness (starred review) “The Art of Leaving will take you on an emotional journey you won’t soon forget.”—Hello Giggles “Candid, affecting . . . [Ayelet Tsabari’s] linked essays cohere into a tender, moving memoir.”—Kirkus Reviews (starred review)
Foreword / David Smock -- Introduction -- Religion : a blessing or a curse? -- After the collapse of Oslo -- The Alexandria Summit and its aftermath -- Grassroots interreligious dialogues -- Educating the educators -- Other Muslim voices for interreligious peacebuilding -- Symbolic ritual as a mode of peacemaking -- Active solidarity : rabbis for human rights -- From personal grief to collective compassion -- Journeys of personal transformation -- Practical recommendations -- Appendices.
**WINNER of the 2018 Sami Rohr Prize for Jewish Literature and the 2018 Sophie Brody Medal for achievement in Jewish literature** **2018 Natan Book Award Finalist** **Finalist for the 2017 National Jewish Book Award in Women's Studies ** The Wall Street Journal: "There is humor and heartbreak in these pages...Ms. Kurshan immerses herself in the demands of daily Talmud study and allows the words of ancient scholars to transform the patterns of her own life." The Jewish Standard:“Brilliant, beautifully written, sensitive, original." The Jerusalem Post:"A beautiful and inspiring book. Both religious and secular readers will find themselves immensely moved by [Kurshan's] personal story.” American Jewish World: “So engrossing I hardly could put it down.” At the age of twenty-seven, alone in Jerusalem in the wake of a painful divorce,Ilana Kurshan joined the world’s largest book club, learning daf yomi, Hebrew for“daily page” of the Talmud, a book of rabbinic teachings spanning about six hundredyears. Her story is a tale of heartache and humor, of love and loss, of marriageand motherhood, and of learning to put one foot in front of the other by turningpage after page. Kurshan takes us on a deeply accessible and personal guided tourof the Talmud. For people of the book—both Jewish and non-Jewish—If All theSeas Were Ink is a celebration of learning, through literature, how to fall in loveonce again.
We Jews Thirteen million Jews throughout the United States and the world are famously divided and contentious about their identity, political position, social role, and spiritual goals. However, if there is one authentic voice of leadership in the Jewish community, it is scholar, teacher, mystic, scientist, and social critic Rabbi Adin Steinsaltz. He is internationally regarded as one of the greatest rabbis of this century and of the last. In We Jews, Rabbi Steinsaltz explores the most important issues that concern Jews today as Jews. He provides wise and uplifting answers to Jews everywhere, whether they are secular and assimilated or orthodox—Are we a nation or a religion? Are the stereotypes of Jews really true? Why are Jews so controversial? How can we navigate the opposing forces of diversity, culture, and politics? Can we survive intermarriage and the loss of tradition? Do we still worship the Golden Calf? In this book, Rabbi Steinsaltz sees causes and consequences, achievements and failures, looks at the contemporary world, and observes the dreams and longings of modern Jewish people. Written as an intimate and inspiring internal memo to the whole Jewish family, We Jews answers these questions and many more in a way that is at once insightful and inspiring.
In 1824, John Allen and Elisha Rumsey established the first homestead in what is now downtown Ann Arbor. The story goes that the community got its name when the two founders' wives, both named Ann, were seen lounging in a grove of trees. In reality, Ann Allen and Mary Ann Rumsey were never in town at the same time, but how it actually was named is unimportant when considering what Ann Arbor grew into. Early settlers gave the town schools, an expansive courthouse, a beautiful post office, and streetcar lines that spanned downtown. They built this town, and their legacy is present in every walk up Huron Street, drive down to William and Main Streets, or bike ride over to Kerrytown.
This title describes recent discoveries and insights into the various expressions of Jewish mysticism from antiquity to the modern day. From mystical outpourings in ancient Palestine to the Kabbalah Centre, this volume explores the various expressions of Jewish mysticism from antiquity to the present day.
Sarah Schenirer and the Bais Yaakov movement she founded represent a revolution in the name of tradition in interwar Poland. The new type of Jewishly educated woman the movement created was a major innovation in a culture hostile to female initiative. A vivid portrait of Schenirer that dispels many myths.
Ann Arbor has seen many cherished landmarks and institutions come and go - some fondly remembered and others lost to time. When the city was little more than a village in the wilderness, its first school stood on the now busy corner of Main and Ann. Stores like Bach & Abel's and Dean & Co. served local needs as the village grew into a small town. As the town became a thriving city, Drake's and Maude's fed generations of hungry diners, and Fiegel's clothed father and son alike. Residents passed their time seeing movies at the Majestic or watching parades go down Main Street. Join authors Patti F. Smith and Britain Woodman on a tour of the city's past.
