Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
Jewish themes in American art were not very visible until the last two decades, although many famous twentieth-century artists and critics were and are Jewish. Few artists responded openly to the Holocaust until the 1960s, when it finally began to act as a galvanizing force, allowing Jewish-American artists to express their Jewish identity in their work. Baigell describes how artists initially deflected their responses into abstract forms or by invoking biblical and traditional figures and then in more recent decades confronted directly Holocaust imagery and memory. He traces the development of artistic work from the late 1930s to the present in a moving study of a long overlooked topic in the history of American art.
The emancipation of Jews in Europe during the nineteenth century meant that for the first time they could participate in areas of secular life -- including established art academies -- that had previously been closed to them by legal restrictions. Jewish artists took many complex routes to establish their careers. Some -- such as Camille Pissaro -- managed to distinguish themselves without making any reference to their Jewish heritage in their art. Others -- such as Simeon Solomon and Maurycy Gottlieb -- wrestled with their identities as well to produce images of Jewish experience. The pogroms that began in the late nineteenth century brought home to Jews the problematic relationship of minority groups to majority cultures, and artists such as Maurycy Minkowski and Samuel Hirszenberg confronted the horror of the deaths of thousands of Jews in powerful images of destruction and despair. Comprehensively illustrated in color throughout, Painting in Nineteenth-Century Europe explores for the first time every aspect of the role of Jewish artists within nineteenth-century European art.
"Because there were only a few authentic instances of visual documentation of events until the war's later stages, artists both used traditional imagery and invented new kinds of imagery to record their responses to the catastrophe taking place. Unfortunately, New York City's Jewish intelligentsia seemed to offer little support, and art critics such as Clement Greenberg largely avoided the issue. Jewish artists were left to cope with the events of the war in isolation, without a collective visual memory to deal with the traumas presented by news reporters." "Artists featured include Marc Chagall, Jacques Lipchitz, Barnett Newman, Abraham Rattner, Mark Rothko, and Max Weber."--Jacket.
Covering nearly two centuries, this is a comprehensive account of the art made by Jews across Europe, America and Israel. The book discusses many issues including the shifting Jewish identity, the effects of the diaspora, anti-Semitism and the distinctive character of images made within a Christian.
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
Mark Podwal is today's premiere artist of the Jewish experience, with a prolific portfolio of work lauded by visionaries ranging from Elie Wiesel to Harold Bloom. His paintings and ink-on-paper drawings are not only beautiful but also offer profound and nuanced commentary on Jewish tradition, history, and politics. This unprecedented collection brings together the widest selection of Podwal's work ever published in a single volume in a stunning, lavishly produced, oversized hardcover. With more than 350 works, each beautifully reproduced, Reimagined is a must-have for every Jewish home.
"This book aims to restore and recreate the life, work, and milieu of certain Jews who became arbiters of taste. Exploring how, against the odds, outsiders on the margins of European high culture, suddenly became the Old Masters' new masters and the modernists' champions"--