John Teter and Alex Gee invite you to explore the world of Lauryn Hill, Tupac Shakur and the "hip-hop prophets"--following their lyrical messages to ultimate fulfillment at the feet of the Prophet-King Jesus.
Are you a ""revolutionary""? Are you curious about exploring issues of race and social justice from a Christian perspective? This book by UCLA Professor and Pastor, Robert Chao Romero, is for you! Topics covered include: a biblical framework for understanding poverty, race, and gender; undocumented immigration; politics; affirmative action; mixed race issues; Christian social justice pioneers; and, an introduction to the Christian world of social justice and community development.
DO YOU LOVE TO TALK TO OTHERS ABOUT JESUS? DO YOU WANT TO SHARE YOUR FAITH BUT WONDER IF THE RIGHT WORDS WILL COME? Whether you love evangelism or fear it, this book is for you. John Teter offers stories from his experiences leading seeker Bible studies and witnessing to people around him that reveal how our witness is backed up by God himself, who follows through on the work he prompts us to begin. Even now God is preparing the way for you to get his Word out to those around you. Will you accept the challenge?
This Book explores the History behind Rap and Hip-Hop in the Christian and Non-Christian World. It describes how Hip-Hop has strongly influenced and shaped Global Youth Culture and how it plays out in Post-Modernism. It importantly shows how Christians are using it to communicate the Gospel in Missions and Evangelism.
Presents a tribute to the artistry of hip-hop music while urging readers to recognize the genre as a violence-laced art form rather than a true reflection of black society, cautioning its fans against seeing it as a positive source of political legitimacy.
What is Hip Hop? Hip hop speaks in a voice that is sometimes gruff, sometimes enraged, sometimes despairing, sometimes hopeful. Hip hop is the voice of forgotten streets laying claim to the high life of rims and timbs and threads and bling. Hip hop speaks in the muddled language of would-be prophets--mocking the architects of the status quo and stumbling in the dark toward a blurred vision of a world made right. What is hip hop? It's a cultural movement with a traceable theological center. Daniel White Hodge follows the tracks of hip-hop theology and offers a path from its center to the cross, where Jesus speaks truth.
Fernando Arzola Jr. addresses the gap in the literature of youth ministry resources conceived and realized in an urban setting. He brings together three dominant paradigms--traditional, liberal and activist--to create an approach that is informed by Scripture and the contemporary realities of adolescent development in an urban setting.
Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.