Meet Joey JCB and all his friends as they get to work on the building site. With lovable characters and fun sounds to explore, this is the perfect way to discover the incredible world of JCB.
Join Joey JCB and his mega machine friends as they race around town digging, building, and fixing. For more JCB fun and adventure, wind up your very own Joey JCB and Dan Dozer and watch them whizz around the fun, fold-out track of the JCB town.
The twenty-eight stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including: * Cory Doctorow * Robert Charles Wilson * Michael Swanwick * Ian McDonald * Benjamin Rosenbaum * Kage Baker * Bruce McAllister * Alastair Reynolds * Jay Lake * Ruth Nestvold * Gregory Benford * Justin Stanchfield * Walter Jon Williams * Greg Van Eekhout * Robert Reed * David D. Levine * Paul J. McAuley * Mary Rosenblum * Daryl Gregory * Jack Skillingstead * Paolo Bacigalupi * Greg Egan * Elizabeth Bear * Sarah Monette * Ken MacLeod * Stephen Baxter * Carolyn Ives Gilman * John Barnes * A.M. Dellamonica Supplementing the stories are the editor's insightful summation of the year's events and a list of honorable mentions, making this book a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.
In the wake of the EU referendum, the United Kingdom's border with Ireland has gained greater significance: it is set to become the frontier with the European Union. Over the past year, Garrett Carr has travelled this border, on foot and by canoe, to uncover a landscape with a troubled past and an uncertain future. Across this thinly populated line, travelling down hidden pathways and among ancient monuments, Carr encounters a variety of characters who have made this liminal space their home. He reveals the turbulent history of this landscape and changes the way we look at nationhood, land and power. The book incorporates Carr's own maps and photographs.
I would like to think that this is the best romantic novel ever written about a newspaper photographer and the town of Hemel Hempstead. This may be because it is the only romantic novel written about a newspaper photographer and Hemel Hempstead! The story starts with the exhumation of the body of Snook. He was a real highway robber who was hung at the scene of his crime on Boxmoor. Examination of the skeleton starts off a trail of mystery and this story runs parallel with that of a photographer who moves to Hemel Hempstead, gets a job on the Gazette and falls in love with an estate agent. Both stories become inter-twined as the plot unfolds with a great deal of action, romance, scary bits and humour. Everyone who has read the book so far, many of these being very critical journalists, has said that it is very entertaining. I am sure you will too. David Satchel.
Critical study ranges from pre-Columbian times through the 20th century to explore Mexico's intrinsic association between art and religion; the role of iconography in Mexican art; and the return to native values. Unabridged reprint of the classic 1929 edition. 118 black-and-white illustrations.
This ground-breaking book explores and explains the day-to-day realities of living long-term with Myalgic Encephalomyelitis (ME). ME is an acquired complex disorder characterised by a variety of symptoms affecting multiple systems of the body. Marked fatigue and weakness, sickness, cognitive dysfunction and symptom flare-up can follow any physical or cognitive exertion. It is estimated that there are 17-24 million sufferers worldwide. The author has lived with moderately severe ME for the last 18 years. Utilising autoethnography as a methodology and drawing on multidisciplinary social science theory, the book tells the story of the author’s own lived experiences of the illness, and how she sought to reimagine a ‘self’ or a life living alongside the illness, that could still be considered a ‘good life’. This autoethnographic book is beautifully and evocatively written. It is a work of scholarship that will be highly accessible to academic and other readers. It is also a comprehensive introduction to autoethnography as a methodology, but it is much more. The images and poetry complement the narrative discussion, and are exemplary as part of an approach that integrates creative work with academic argument. It illuminates the struggles of living with ME and how there can be sanctuary.