Javanese Literature in Surakarta Manuscripts

Javanese Literature in Surakarta Manuscripts

Author: Nancy K. Florida

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 363

ISBN-13: 1501721593

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This book completes a series of three volumes cataloguing the Javanese-language manuscripts housed in four repositories in the Central Javanese city of Surakarta that were preserved in microfilm under the auspices of the Cornell University's Surakarta Manuscript Project. The present volume describes the manuscripts of the Radya Pustaka Museum and the private library of the late Panembahan Hardjonagoro, a body of materials that date from the early eighteenth to the early twentieth century. Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue guides the reader through a wide range of materials. The manuscripts catalogued include autobiographical writings; gamelan notation; works of calendrical divination; annotated translations of the Qur’an; compendia of colonial laws and regulations; Sufi poetry; royal genealogies; handbooks on horsemanship; histories of legendary heroes; and scripts for wayang performances. Each entry includes information of titles, authors, dates and places of composition, dates and places of inscription, identities of scribes and patrons, and concise descriptions of the contents. Each title is also provided with a subject categorization, along with notes on the physical size and condition of the original manuscript, descriptions of scripts and scribal styles, papers, and watermarks. It is an essential resource for researchers of Javanese history and culture.


Writing the Past, Inscribing the Future

Writing the Past, Inscribing the Future

Author: Nancy K. Florida

Publisher: Duke University Press

Published: 1995

Total Pages: 476

ISBN-13: 9780822316220

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Located at the juncture of literature, history, and anthropology, Writing the Past, Inscribing the Future charts a strategy of how one might read a traditional text of non-Western historical literature in order to generate, with it, an opening for the future. This book does so by taking seriously a haunting work of historical prophecy inscribed in the nineteenth century by a royal Javanese exile--working through this writing of a colonized past to suggest the reconfiguration of the postcolonial future that this history itself apparently intends. After introducing the colonial and postcolonial orientalist projects that would fix the meaning of traditional writing in Java, Nancy K. Florida provides a nuanced translation of this particular traditional history, a history composed in poetry as the dream of a mysterious exile. She then undertakes a richly textured reading of the poem that discloses how it manages to escape the fixing of "tradition." Adopting a dialogic strategy of reading, Florida writes to extend--as the work's Javanese author demands--this history's prophetic potential into a more global register. Babad Jaka Tingkir, the historical prophecy that Writing the Past, Inscribing the Future translates and reads, is uniquely suited for such a study. Composing an engaging history of the emergence of Islamic power in central Java around the turn of the sixteenth century, Babad Jaka Tingkir was written from the vantage of colonial exile to contest the more dominant dynastic historical traditions of nineteenth-century court literature. Florida reveals how this history's episodic form and focus on characters at the margins of the social order work to disrupt the genealogical claims of conventional royal historiography--thus prophetically to open the possibility of an alternative future.


Javanese Literature in Surakarta Manuscripts

Javanese Literature in Surakarta Manuscripts

Author: Nancy K. Florida

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 579

ISBN-13: 1501721585

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The second volume of the annotated bibliography of Javanese manuscripts housed in the Reksa Pustaka library in Surakarta, the first institutionalized library in the Indies founded and administered by native Javanese.


Traces of the Ramayana and Mahabharata in Javanese and Malay Literature

Traces of the Ramayana and Mahabharata in Javanese and Malay Literature

Author: Ding Choo Ming

Publisher: ISEAS-Yusof Ishak Institute

Published: 2018-03-15

Total Pages: 239

ISBN-13: 9814786578

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Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.


Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok

Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok

Author: Dick van der Meij

Publisher: BRILL

Published: 2017-07-31

Total Pages: 619

ISBN-13: 9004348115

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Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.


Tall Tree, Nest of the Wind: The Javanese Shadow-play Dewa Ruci Performed by Ki Anom Soeroto

Tall Tree, Nest of the Wind: The Javanese Shadow-play Dewa Ruci Performed by Ki Anom Soeroto

Author: Bernard Arps

Publisher: NUS Press

Published: 2016-04-18

Total Pages: 646

ISBN-13: 9814722154

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Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.