Early Buddhist monastic establishements of south India between 2nd centry B.C. and 5th century A.d. were embellished with sculptural panels depicting the life events of the Buddha and his former births. These visual barratives were created with a view to educate the pilgrims patrons and also general public about the morals and ethics contained in them. Though the sculptural panels depicted with jatakas recovered form various with jatakas recovered from various sites were published in differennt journals and excavation reports some of them were left untouched and unidentified perhaps due to lack of interest and research on this particular aspect.
The art history of South Asia covers a time span of roughly four and a half thousand years. During this period, a vast number of animal stone sculptures has been produced, ranging from the pre-historic period till today and covering a great variety of motifs and imagery in different regions and religious traditions. Even so, the number of studies devoted to these animal sculptures has remained extremely limited. The present book aims at filling this knowledge gap. With this richly illustrated book, the first of its kind, Van der Geer offers a comparative study of the ways in which various animals have been depicted and a lucid analysis of the sculptors’ treatment of their “models”: living animals. The art history of sculptured animals is contextualized with a description of the use of animals as can be read from ancient texts, archaeological evidence and contemporaneous culture. In doing so, parallels as well as differences in style or iconography are highlighted, elucidating the variety of animal depictions across regions, religious contexts and through time. The corpus of discussed material ranges from Indus seals, stupa panels and railings, monumental temples from North and South India, non-religious palace and fort architecture to loose sculptures in museum collections.
When my concentrated mind was purified; I directed it to the knowledge of the recollection of past lives’ —The Buddha on the night of his enlightenment Associated with the living traditions of folk tale; drama and epic; the Jatakas recount the development of the Bodhisatta—the being destined to become the present Buddha in his final life—not just through the events of one lifetime but of hundreds. Written in Pali; the language of the Theravada Buddhist canon; the Jatakas comprise one of the largest and oldest collections of stories in the world dating from the fifth century BCE to the third century CE. Generations in South and South-East Asia have grown up with these tales. This volume contains twenty-six stories drawn from various ancient sources; and each story reflects one of the ten perfections—giving; restraint; renunciation; wisdom; strength; acceptance; truthfulness; resolve; loving kindness and equanimity. A detailed introduction elaborates on the ten perfections; explains the forms of enlightenment as well as the structure; and the historical and geographical contexts of the stories. Sarah Shaw brings to life the teachings of Buddhism for the scholar and lay reader alike.
This interdisciplinary collection of essays explores the biographical genre of the Buddhist traditions of South and Southeast Asia. Scholars in the history of religions, anthropology, literature and art history present a broad range of explorations into sacred biography as an interpretive genre. Easch essay makes unique contributions and the collection as a whole engages methodological and interpretive approaches that are central to scholars of Buddhism and those specializing in the study of south and Southeast Asia.
Volume V, ART: This volume contains 47 articles by scholars of Art History, representing various aspects of art. It covers the topics like the Buddhist narrative art and Buddha’s iconography with reference to Amaravati school of Art, Jaina Art, Terracotta art, Iconography of Siva, Vishnu, Surya, Mahishasuramardhini, Ganesa, Kartikeya, Dikpalas and Navagrahas and a few articles on Kuchipudi dance and folk art forms. This volume serves as a valuable source book for the students, research scholars and teachers as well in the fields. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series of 12 independent books covering a total of 460 articles. Every volume contains two sections. The first section contains the biographical sketch of Prof.P.Chenna Reddy, his achievements and contribution to archaeology, history and Society. The second section of each volume is subject specific, E.g., Volume-I on Archaeology, Volume II on Early and Medieval Indian History, Volume III on Modern Indian History, Volume IV on Epigraphy and Numismatics, Volume V on Art, Volume VI on Architecture, Volume VII on Religion and Philosophy, Volume VIII on Economy, Trade and Commerce, Volume IX on Literature, Volume X Tribalore and Folklore, Volume XI Contemporary India and Diaspora, Volume XII, Tourism .and contains as many as 460 articles and contributed by renowned scholars.
