"Five-decade chronicle of television history [covering] ... all daytime programs that aired for three or more weeks on a commercial network between 1947 and 1996, plus 100 nationally syndicated shows from the same period ... . [Includes] cartoons, children's programs, game shows, news shows, soap operas, sports programs, [and] talk shows ... . Provides the dates each show aired, a synosis of its plot, its principal cast members, and other pertinent information"--Back cover.
A New Generation Church is a church with attendees whose average age is at least as young as the average age of the community in which the church exists. Any church can become a New Generation Church that reaches and continues to reach the next generation. The Psalmist writes: We will not hide these truths from our children; we will tell the next generation about the glorious deeds of the Lord, about his power and his mighty wonders. (Psalm 78:4 NLT) No Christian would purposely hide the timeless truths of Christianity from the next generation. But often we do, not because of the substance of our church, but because of the approach of our church. For A New Generation is not about changing your church’s statement of faith or core beliefs. It is about evaluating and changing, as needed, your church’s programs, ministries and practices in order to more effectively connect with and stay connected with the next generation. Written for both church leaders and members, For a New Generation presents 5 practical strategies that will lay a foundation for a church to thrive for generations to come. It is based on the assumption that accepting the status quo is the greatest threat to your church’s core mission and, perhaps, to the long-term survival of your church.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Optimus Prime and the Autobots continue to work with Sam, Mikaela, and their human allies to defeat the Decepticons, lead by an ancient evil returned to gain the power of the Allspark for itself.
When it comes to the gun control debate, there are two kinds of data: data that's accurate, and data that left-wing billionaires, liberal politicians, and media want you to believe is accurate. In The War on Guns: Arming Yourself Against Gun Control Lies, nationally-renowned economist John R. Lott, Jr. turns a skeptical eye to well-funded anti-gun studies and stories that perpetuate false statistics to frighten Americans into giving up their guns. In this, his latest and most important book, The War on Guns, Lott offers the most thorough debunking yet of the so-called “facts,” “data,” and “arguments” of anti-gun advocates, exposing how they have repeatedly twisted or ignored the real evidence, the evidence that of course refutes them on every point. In The War on Guns, you’ll learn: Why gun licenses and background checks don’t stop crime How “gun-free” zones actually attract mass shooters Why Stand Your Ground laws are some of the best crime deterrents we have Women now hold over a quarter of concealed handgun permits How big-money liberal foundations and the federal government are pouring hundreds of millions of dollars into “public health” studies, the sole purpose of which is to manufacture false data against guns How media bias and ignorance skew the gun debate—and why it will get worse From 1950-2010, not a single mass public shooting occurred in an area where general civilians are allowed to carry guns
