In a world full of many challenges, trials, and uncertainties, one can easily become discouraged and depressed, and feel hopeless. In this memoir of the first twenty years of life for Jesse Alan Rivers, many challenges, trials, and uncertainties are revealed, but a great hope and victory resound as the central theme to this story, as Jesse encounters the fingerprints and hand of the Potter on his life; God, the Potter, is shaping and molding Jesse, a vessel in the hands of the Potter, for His glory.
If the Bible were a mountain range, it is said, Romans 8 would be its highest peak. I can say after reading this study that Trillia Newbell is a sure-footed mountain guide that will help you climb this great passage and get some of its best breathtaking views of God and our salvation in Christ. I highly recommend this volume! -Tim Keller, cofounder, Redeemer City to City What would change if you really understood all that God has done and is doing for you? Sure we know in our head that God is for us, that there’s great hope in his relationship with us and salvation for us, but sometimes these truths can be hard to believe in the midst of exhaustion, busyness, and a world of spiritual and physical opposition. If God Is For Us is a devotional Bible Study on Romans 8 designed to cement in your soul the great truths of our salvation and an understanding for how the Holy Spirit guides our new life in the Spirit, all found in this beloved chapter of Scripture. Why just the one chapter? The simple answer: there’s so much there! It’s no wonder that so many Christians list Romans among their favorite books of the Bible and Romans 8 as their favorite in the book. Romans is packed with profound truth after profound truth which are then followed up with life-changing promise after life-changing promise. In this 6-week study, Trillia Newbell will walk you through Romans 8 and help you cement deep inside yourself the scandalous truths of our great salvation, our inheritance, the assurance of our faith, and ultimately the love of our good Father. Each week will include: 5 daily readings out of Romans A devotional for each daily reading Questions for reflection and study If you’ve experienced the comfort of Romans 8 before, but want to plant it more deeply in your person this is the Bible Study for you. And it’s great for individual or group settings. If you’re ready to live a life that shouts: “God is for me, who can be against me,” let’s get started today.
"He is known today, as he was then, only as Dave. His jugs and storage jars were everyday items, but because of their beauty and sometimes massive size they are now highly sought after by collectors. Born about 1801, Dave was taught to turn pots in Edgefield, South Carolina, the center of alkaline-glazed pottery production. He also learned to read and write, in spite of South Carolina's long-standing fear of slave literacy. Even when the state made it a crime to teach a slave to write, Dave signed his pots and inscribed many of them with poems. Though his verses spoke simply of his daily experience, they were nevertheless powerful statements. He countered the slavery system not by writing words of protest but by daring to write at all. We know of no other slave artist who put his name on his work." "When Leonard Todd discovered that his family had owned Dave, he moved from Manhattan to Edgefield, where his ancestors had established the first potteries in the area. Todd studied each of Dave's poems for biographical clues, which he pieced together with local records and family letters to create this moving and dramatic chronicle of Dave's life - a story of creative triumph in the midst of oppression. Many of Dave's astounding jars are found now in America's finest museums, including the Smithsonian Institution, the Charleston Museum, the Philadelphia Museum of Art, and the Museum of Fine Arts in Boston."--BOOK JACKET.
Despite many years work on the technology of pottery production it is perhaps surprising that the origins of the potter's wheel in Egypt have yet to be determined. This volume seeks to rectify this situation by determining when the potter's wheel was introduced into Egypt.
Called "the best preacher in the family," by her father, Billy Graham, Anne Graham Lotz speaks around the globe with the wisdom and the authority of years spent studying God's Word. In her latest book, Anne shares her heart and God's teachings on the universal problem of suffering. Drawing her characteristically keen insights from the familiar story of Lazarus in the ninth and eleventh chapters of the Gospel of John, Anne offers Jesus' reassuring answers to our heartfelt cries for understanding: Why doesn't God care? Why does He let these things happen? Why me? Why doesn't God answer my prayers? Why didn't He protect me? Why doesn't He perform a miracle? Why? helps us understand and deal with suffering while guiding us to the ultimate answer-the Savior who shares our grief and our tears.
Based on fieldwork and reflection over a period of almost fifty years, Maya Potters’ Indigenous Knowledge utilizes engagement theory to describe the indigenous knowledge of traditional Maya potters in Ticul, Yucatán, Mexico. In this heavily illustrated narrative account, Dean E. Arnold examines craftspeople’s knowledge and skills, their engagement with their natural and social environments, the raw materials they use for their craft, and their process for making pottery. Following Lambros Malafouris, Tim Ingold, and Colin Renfrew, Arnold argues that potters’ indigenous knowledge is not just in their minds but extends to their engagement with the environment, raw materials, and the pottery-making process itself and is recursively affected by visual and tactile feedback. Pottery is not just an expression of a mental template but also involves the interaction of cognitive categories, embodied muscular patterns, and the engagement of those categories and skills with the production process. Indigenous knowledge is thus a product of the interaction of mind and material, of mental categories and action, and of cognition and sensory engagement—the interaction of both human and material agency. Engagement theory has become an important theoretical approach and “indigenous knowledge” (as cultural heritage) is the focus of much current research in anthropology, archaeology, and cultural resource management. While Dean Arnold’s previous work has been significant in ceramic ethnoarchaeology, Maya Potters' Indigenous Knowledge goes further, providing new evidence and opening up different concepts and approaches to understanding practical processes. It will be of interest to a wide variety of researchers in Maya studies, material culture, material sciences, ceramic ecology, and ethnoarchaeology.
