This collection includes translated works by Japanese women writers that deal with the experiences of modern women. The work of these women represents current feminist perception, imagination and thought. "Here are Japanese women in infinite and fascinating variety -- ardent lovers, lonely single women, political activists, betrayed wives, loyal wives, protective mothers, embittered mothers, devoted daughters. ... a new sense of the richness of Japanese women's experience, a new appreciation for feelings too long submerged". -- The New York Times Book Review
The first major English translation of one of contemporary Japan's bestselling and most celebrated authors From Akutagawa Award-winning author Yoko Ogawa comes a haunting trio of novellas about love, fertility, obsession, and how even the most innocent gestures may contain a hairline crack of cruel intent. A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool--a peculiar infatuation that sends unexpected ripples through her life. A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination--but whose hallucination is it, hers or her sister's? A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg. Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.
The Other Women’s Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960s—a full decade before the "women’s lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of this generation (Kono Taeko, Takahashi Takako, and Kurahashi Yumiko) for their avant-garde literary challenges to dominant models of femininity. Focusing on four tropes persistently employed by these writers to protest oppressive gender stereotypes—the disciplinary masculine gaze, feminist misogyny, "odd bodies," and female homoeroticism—Julia Bullock brings to the fore their previously unrecognized theoretical contributions to second-wave radical feminist discourse. In all of these narrative strategies, the female body is viewed as both the object and instrument of engendering. Severing the discursive connection between bodily sex and gender is thus a primary objective of the narratives and a necessary first step toward a less restrictive vision of female subjectivity in modern Japan. The Other Women’s Lib further demonstrates that this "gender trouble" was historically embedded in the socioeconomic circumstances of the high-growth economy of the 1960s, when prosperity was underwritten by an increasingly conservative gendered division of labor that sought to confine women within feminine roles. Raised during the war to be "good wives and wise mothers" yet young enough to take advantage of the opportunities presented to them by Occupation-era reforms, the authors who fueled the 1960s boom in women’s literary publication staunchly resisted normative constructions of gender, crafting narratives that exposed or subverted hegemonic discourses of femininity that relegated women to the negative pole of a binary opposition to men. Their fictional heroines are unapologetically bad wives and even worse mothers; they are often wanton, excessive, or selfish and brazenly cynical with regard to traditional love, marriage, and motherhood. The Other Women’s Lib affords a cogent and incisive analysis of these texts as feminist philosophy in fictional form, arguing persuasively for the inclusion of such literary feminist discourse in the broader history of Japanese feminist theoretical development. It will be accessible to undergraduate audiences and deeply stimulating to scholars and others interested in gender and culture in postwar Japan, Japanese women writers, or Japanese feminism.
"These eight short stories explore the issue of female identity in a rapidly changing society, where women have unprecedented sexual and economic freedom. From teens to fifties; married, single, divorced; the high school girl, the career woman, the sex worker, the housewife, the mother - this anthology deals frankly and explicitly with a broad range of women's experiences, and showcases the very best of recent writing by Japanese women."--BOOK JACKET.
Sexuality, Maternity, and (Re)productive Futures explores how contemporary Japanese female speculative fiction writers have challenged historical inequalities of sex, gender difference, and family roles by imagining alternative worlds where sexes are fluid and childbearing crosses the boundaries of male/female, biological/bioengineered, and human/nonhuman.
A hilarious story of one man’s obsession and a brilliant reckoning of a nation’s cultural confusion—from a master Japanese novelist. When twenty-eight-year-old Joji first lays eyes upon the teenage waitress Naomi, he is instantly smitten by her exotic, almost Western appearance. Determined to transform her into the perfect wife and to whisk her away from the seamy underbelly of post-World War I Tokyo, Joji adopts and ultimately marries Naomi, paying for English and music lessons that promise to mold her into his ideal companion. But as she grows older, Joji discovers that Naomi is far from the naïve girl of his fantasies. And, in Tanizaki’s masterpiece of lurid obsession, passion quickly descends into comically helpless masochism.
"Cinematic, deeply moving, and beautifully written." --Carol Mason, author of After You Left Inspired by true stories, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home. Japan, 1957. Seventeen-year-old Naoko Nakamura’s prearranged marriage secures her family’s status in their traditional Japanese community. However, Naoko has fallen for an American sailor, and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations. America, present day. Tori Kovac finds a letter containing a shocking revelation. Setting out to learn the truth, Tori's journey leads her to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption. In breathtaking prose, The Woman in the White Kimono shows how two women, decades apart, are inextricably bound by the secrets between them.
The story of an enigmatic man through the voices of ten remarkable women who have loved him at one point in their lives. Each woman has succumbed, even if only for an hour, to that seductive, imprudent, and furtively feline man who drifted so naturally into their lives. Still clinging to the vivid memory of his warm breath and his indecipherable sentences, ten women tell their stories as they attempt to recreate the image of the unfathomable Nishino. Like a modern Decameron, this humorous, sensual, and touching novel by one of Japan’s best-selling and most beloved writers is a powerful and embracing portrait of the human comedy in ten voices. Driven by desires that are at once unique and common, the women in this book are modern, familiar to us, and still mysterious. A little like Nishino himself . . . Winner 2020 Pen Translation Prize Praise for The Ten Loves of Nishino “If you like Haruki Murakami and Yoko Ogawa, it’s a safe bet that you’ll love The Ten Loves of Nishino.” —DozoDomo (France) “Agile, inventive fiction.” —Booklist “An intriguing portrayal of romantic attachment.” —The New Yorker “The women in this collection are vibrant, lusty, and clearly the agents of their own love lives . . . . Kawakami's novel treats its feminist themes with a light hand but still slyly lands its points.” —Kirkus Reviews
This is an English-language anthology dedicated to the short stories of Kurahashi Yumiko (1935-), a Japanese novelist of profound intellectual powers. The eleven stories included in this volume suggest the breadth of the author's literary production, ranging from parodies of classical Japanese literature to cosmopolitan avant-garde works, from quasi-autobiography to science fiction. Her subversive fiction defies established definitions of "literature", "Japan", "modernity" and "femininity", and represents an important intellectual aspect of modern Japanese women's literature.
