Japanese schoolgirl fashions and subcultures have sprung up, burned out, mutated, and evolved into a pop culture phenomenon gone global—from Gwen Stefani's "Harajuku Girls" to Gothic Lolita-fueled manga and the deadly schoolgirl in Kill Bill, it's no wonder that international fashion designers look to the streets of Tokyo for fresh inspiration. This playful and thoroughly researched handbook examines the key styles and subcultures past and present: sailor-suited gangsters, Pippi Longstockings risen from the dead, girls in blackface, teens sporting giant hamster costumes, and more. Each fashion profile is packed with photos and illustrations, history, ideal boyfriends, and must-have items. Also included are a gatefold evolutionary fashion chart, resources, and makeup tips. At last, an in-depth guide to what the girls are wearing—and why on earth they're wearing it.
"The schoolgirl is the main driver of Japan's Gross National Cool, and Brian Ashcraft's book is the best source for those hoping to understand why." —Chris Baker, WIRED Magazine Japanese Schoolgirl Confidential takes you beyond the realm of everyday girls to the world of the iconic Japanese schoolgirl craze that is sweeping the globe. For years, Japanese schoolgirls have appeared in hugely-popular anime and manga series such as Dragon Ball, Sailor Moon, The Melancholy of Haruhi Suzumiya, and Blood: The Last Vampire. These girls are literally showing up everywhere—in movies, magazines, video games, advertising, and music. WIRED Magazine has kept an eye on the trends emerging from these stylish teens, following kick-ass schoolgirl characters in videogames like Street Fighter and assassin schoolgirls in movies like Quentin Tarantino's Kill Bill. By talking to Japanese women, including former and current J-Pop idols, well-known actresses, models, writers, and artists—along with famous Japanese film directors, historians and marketers—authors Brian Ashcraft and Shoko Ueda (who have both contributed to WIRED's "Japanese Schoolgirl Watch" columns) reveal the true story behind Japan's schoolgirl obsessions. You'll learn the origins of the schoolgirls' unusual attire, and how they are becoming a global brand used to sell everything from kimchi to insurance. In Japanese Schoolgirl Confidential, you'll discover: Sailor-suited pop-idols Cult movie vixens Schoolgirl shopping power The latest uniform fashions Japanese schoolgirls are a symbol of girl empowerment. Japanese Schoolgirl Confidential shows why they are so intensely cool. Don't miss this essential book on the Japanese youth culture craze that is driving today's pop culture worldwide. "Whether your preferred schoolgirl is more the upstanding heroine Sailor Moon or the vengeful, weapon-wielding Gogo Yubari of Quentin Tarantino's Kill Bill, Vol. 1, you'll come away well versed." —Publishers Weekly
Showcasing Japan's astonishingly varied culture of cute, this volume takes the reader on a dazzling and adorable visual journey through all things kawaii. Although some trace the phenomenon of kawaii as far back as Japan's Taisho era, it emerged most visibly in the 1970s when schoolgirls began writing in big, bubbly letters complete with tiny hearts and stars. From cute handwriting came manga, Hello Kitty, and Harajuku, and the kawaii aesthetic now affects every aspect of Japanese life. As colorful as its subject matter, this book contains numerous interviews with illustrators, artists, fashion designers, and scholars. It traces the roots of the movement from sociological and anthropological perspectives and looks at kawaii's darker side as it morphs into gothic and gloomy iterations. Best of all, it includes hundreds of colorful photographs that capture kawaii's ubiquity: on the streets and inside homes, on lunchboxes and airplanes, in haute couture and street fashion, in cafés, museums, and hotels.
• Reviews of more than 900 manga series • Ratings from 0 to 4 stars • Guidelines for age-appropriateness • Number of series volumes • Background info on series and artists THE ONE-STOP RESOURCE FOR CHOOSING BETWEEN THE BEST AND THE REST! Whether you’re new to the world of manga-style graphic novels or a longtime reader on the lookout for the next hot series, here’s a comprehensive guide to the wide, wonderful world of Japanese comics! • Incisive, full-length reviews of stories and artwork • Titles rated from zero to four stars–skip the clunkers, but don’t miss the hidden gems • Guidelines for age-appropriateness–from strictly mature to kid-friendly • Profiles of the biggest names in manga, including CLAMP, Osamu Tezuka, Rumiko Takahashi, and many others • The facts on the many kinds of manga–know your shôjo from your shônen • An overview of the manga industry and its history • A detailed bibliography and a glossary of manga terms LOOK NO FURTHER, YOU’VE FOUND YOUR IDEAL MANGA COMPANION!
Okinawa, the only Japanese prefecture invaded by US forces in 1945, was forced to accommodate 146 “military comfort stations” from 1941–45. How did Okinawans view these intrusive spaces and their impact on regional society? Interviews, survivor testimonies, and archival documents show that the Japanese army manipulated comfort stations to isolate local communities, facilitate “spy hunts,” and foster a fear of rape by Americans that induced many Okinawans to choose death over survival. The politics of sex pursued by the US occupation (1945–72) perpetuated that fear of rape into the postwar era. This study of war, sexual violence, and postcolonial memory sees the comfort stations as discursive spaces of remembrance where differing war experiences can be articulated, exchanged, and mutually reassessed. Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Through cutting-edge analysis of contemporary style tribes, Japanese Fashion Cultures challenges widely held notions of gender relations and European style imitation in Japan.
Includes reviews, cultural commentary, insights into classic manga and anime titles, interviews and profiles of Japan's top creators, and insider stories from the anime trade.
The Trees. They arrived in the night: wrenching through the ground, thundering up into the air, and turning Adrien's suburban street into a shadowy forest. Shocked by the sight but determined to get some answers, he ventures out, passing destroyed buildings, felled power lines, and broken bodies still wrapped in tattered bed linens hanging from branches. It is soon apparent that no help is coming and that these trees, which seem the work of centuries rather than hours, span far beyond the town. As far, perhaps, as the coast, where across the sea in Ireland, Adrien's wife is away on a business trip and there is no way of knowing whether she is alive or dead. When Adrien meets Hannah, a woman who, unlike him, believes that the coming of the trees may signal renewal rather than destruction and Seb, her technology-obsessed son, they persuade him to join them. Together, they pack up what remains of the lives they once had and set out on a quest to find Hannah's forester brother and Adrien's wife--and to discover just how deep the forest goes. Their journey through the trees will take them into unimaginable territory: to a place of terrible beauty and violence, of deadly enemies and unexpected allies, to the dark heart of nature and the darkness--and also the power--inside themselves.
This is the first academic study of sneakers and the subculture that surrounds them. Since the 1980s, American sneaker enthusiasts, popularly known as “sneakerheads” or “sneakerholics”, have created a distinctive identity for themselves, while sneaker manufacturers such as Reebok, Puma and Nike have become global fashion brands. How have sneakers come to gain this status and what makes them fashionable? In what ways are sneaker subcultures bound up with gender identity and why are sneakerholics mostly young men? Based on the author's own ethnographic fieldwork in New York, where sneaker subculture is said to have originated, this unique study traces the transformation of sneakers from sportswear to fashion symbol. Sneakers explores the obsessions and idiosyncrasies surrounding the sneaker phenomenon, from competitive subcultures to sneaker painting and artwork. It is a valuable contribution to the growing study of footwear in fashion studies and will appeal to students of fashion theory, gender studies, sociology, and popular culture.
The history of Vietnam lies in this bowl, for it is in Hanoi, the Vietnamese heart, that pho was born, a combination of the rice noodles that predominated after a thousand years of Chinese occupation and the taste for beef the Vietnamese acquired under the French, who turned their cows away from ploughs and into bifteck and pot-au-feu. The name of their national soup is pronounced like this French word for fire, as Hung’s Uncle Chien explained to him long ago. “We’re clever people,” his uncle had said. “We took the best the occupiers had to offer and made it our own. Fish sauce is the key—in matters of soup and well beyond. Even romance, some people say.” —from The Beauty of Humanity Movement (p 5) by Camilla Gibb Old Man Hu’ng has been making and selling pho to hungry devotees for nearly 70 years, continually adapting his recipe and the location of his food cart to accommodate the terrible demands of poverty, war and oppression that have plagued Hanoi throughout his long life. Cherished least of all his mother’s ten children thanks to an inauspicious facial birthmark, Hu’ng was sent in 1933 to apprentice at his Uncle Chien’s restaurant where he achieved mastery over broth and noodles. Inheriting the business from his uncle, Hu’ng’s sublime cookery and willingness to barter made him a favourite in the 1950s with the Beauty of Humanity Movement, a group of artists and intellectuals who dared question Communist rule, at great peril. Heading the Movement was Dao, a poet whose young son Binh would shadow Hu’ng at the restaurant, hungry not for noodles but for the attention that his own revolutionary father was too distracted to provide. When Dao was inevitably arrested, Binh’s mother whisked the boy into hiding, blinding him in one eye to avoid conscription. Hu’ng was forced to close his restaurant, but not knowing any other life’s work, he persisted in making and selling pho by pushing a food cart through the city, even when forced to make his noodles with scavenged pond weeds. Fifty years later, Binh is a middle-class Hanoi carpenter who once again consumes daily bowls of Hu’ng’s pho, following the old man to whatever location he has moved to in order to evade police beatings. Binh tries valiantly to protect Hu’ng, the gentle old man who is as close to a father as he has ever known. By extension Hu’ng is also a grandfather to Binh’s son Tu’, a somewhat aimless Nike-shod tour guide who wears his clothes and hair in modern fashion, and yet whose spirited idealism reminds Hu’ng of his revolutionist grandfather. Then one day Hu’ng’s improvised pho stand is visited by a beautiful stranger, Maggie, a foreign-raised Vietnamese art curator who was spirited out of Hanoi as a child during the fall of Saigon. Her artist father disappeared in those tumultuous times, and Maggie has returned to the country of her birth to learn his fate. Hearing of Hu’ng’s reputation, she has come to plead for answers—did he know her father? Hu’ng’s memory is failing, but he dearly wants to help this young woman, whose beauty sends him back to a time long ago, when he loved a girl whose betrayal he has never forgiven. . . Steeped in rich and highly evocative language, Camilla Gibb’s The Beauty of Humanity Movement is a nuanced and gentle paean for Vietnam, a poignant testament to the strength and resiliency of love and art in overcoming terrible hardship.
