The hero Momotaro, the sun goddess Amaterasu, and the Buddha are important subjects of Japanese mythology. Japanese Gods, Heroes, and Mythology explores the gods, heroes, creatures, and stories of Japanese mythology, in addition to examining their influence today. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
This is a smart and succinct guide to the rich tradition of Japanese mythology, from the earliest recorded legends of Izanagi and Izanami, their divine offspring and the creation of Japan, to medieval tales of vengeful ghosts, through to the modern-day reincarnation of ancient deities as the heroes of mecha anime. While many around the world love Japans cultural exports, few are familiar with Japans unique mythology - enriched by Shinto, Buddhism and regional folklore. Mythology remains a living, evolving part of Japanese society, and the ways in which the people of Japan understand their myths are very different today even from a century ago, let alone over a millennium into the past. Offering much more than any competing overview of Japanese mythology, The Japanese Myths not only retells the ancient stories but also considers their place within the patterns of Japanese religions, culture and history, helping readers to understand the deep links between past and present in Japan, and the ways these myths live and grow. Joshua Frydman takes the very earliest written myths in the Kojiki and the Nihonshoki as his starting point, and from there traces Japans mythology through to post-war State Shinto, the rise of the manga industry in the 1960s, J-horror and modern-day myths. Reinventions and retellings of myth are present across all genres of contemporary Japanese culture, from its auteur cinema to renowned video games such as Okami. This book is for anyone interested in Japan, as knowing its myths allows readers to understand and appreciate its culture in a new light.
Gorgeous Collector's Edition. Legends of the Sea, Bells, Mirrors and Tea, Japanese mythology is delightful and enigmatic, full of spirits, gods and legendary creatures. It draws on Buddhist and Shinto traditions to explain the nature of the world of the island of Japan, the mystical Mount Fuji and the heavenly status of the long line of emperors. The warrior class of the imperial court, and the natural spirits of the countryside represent parallel and interdependent aspects of Japanese society, explored through ancient legend and folklore. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.
Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world. The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose. We hear a good deal about the New Japan to-day, and are too prone to forget the significance of the Old upon which the present régime has been founded. Japan learnt from England, Germany and America all the tactics of modern warfare. She established an efficient army and navy on Western lines; but it must be remembered that Japan's great heroes of to-day, Togo and Oyama, still have in their veins something of the old samurai spirit, still reflect through their modernity something of the meaning of Bushido. The Japanese character is still Japanese and not Western. Her greatness is to be found in her patriotism, in her loyalty and whole-hearted love of her country. Shintōism has taught her to revere the mighty dead; Buddhism, besides adding to her religious ideals, has contributed to her literature and art, and Christianity has had its effect in introducing all manner of beneficent social reforms. There are many conflicting theories in regard to the racial origin of the Japanese people, and we have no definite knowledge on the subject. The first inhabitants of Japan were probably the Ainu, an Aryan people who possibly came from North-Eastern Asia at a time when the distance separating the Islands from the mainland was not so great as it is to-day. The Ainu were followed by two distinct Mongol invasions, and these invaders had no difficulty in subduing their predecessors; but in course of time the Mongols were driven northward by Malays from the Philippines. "By the year A.D. 500 the Ainu, the Mongol, and the Malay elements in the population had become one nation by much the same process as took place in England after the Norman Conquest. To the national characteristics it may be inferred that the Ainu contributed the power of resistance, the Mongol the intellectual qualities, and the Malay that handiness and adaptability which are the heritage of sailor-men." Such authorities as Baelz and Rein are of the opinion that the Japanese are Mongols, and although they have intermarried with the Ainu, "the two nations," writes Professor B. H. Chamberlain, "are as distinct as the whites and reds in North America." In spite of the fact that the Ainu is looked down upon in Japan, and regarded as a hairy aboriginal of interest to the anthropologist and the showman, a poor despised creature, who worships the bear as the emblem of strength and fierceness, he has, nevertheless, left his mark upon Japan. Fuji was possibly a corruption of Huchi, or Fuchi, the Ainu Goddess of Fire, and there is no doubt that these aborigines originated a vast number of geographical names, particularly in the north of the main island, that are recognisable to this day. We can also trace Ainu influence in regard to certain Japanese superstitions, such as the belief in the Kappa, or river monster.
Meet the Original Superheroes. Before there was Batman, Wonder Woman, or Black Panther...there was Indra, Hindu king of gods, who battled a fearsome snake to save the world from drought. Athena, the powerful Greek goddess of wisdom who could decide the fate of battles before they even began. Okuninushi, the Japanese hero who defeated eighty brothers to become king and then traded it all for a chance at immortality. Featuring more than 70 characters from 23 cultures around the world, this A-to-Z encyclopedia of mythology is a who's who of powerful gods and goddesses, warriors and kings, enchanted creatures and earthshaking giants whose stories have been passed down since the beginning of time—and are now given fresh life for a new generation of young readers. Plus, You'll Learn All About: Dragons: The Hydra, St. George's Dragon, and the Australian Rainbow Snake Giants: Grendel, Balor of the Evuil Eye, Polyphemus, and the Purusha with the thousand heads Monsters: Manticore, Sphinx, Minotaur, Thunderbird, and Echidne, mother of the Nemean lion that nearly killed Heracles Underworlds: Travel to Hades, Valhalla, and the Elysian Fields
Suitable for those with an interest in mythology or Japanese culture, this title covers: the early Japanese deities who created the world and the later deities who protect it; Kami, the spirits of all aspects of the living world; animals and mythological creatures; demons and bogeymen; and, shrines and other sacred places.
Giant monsters. Tales of eternal love. The beginning of creation. Pint-sized warriors. Long voyages and insurmountable heroics are only a small piece of the classic myths that have helped shape Japan
Ink is in their blood. On the heels of a family tragedy, Katie Greene must move halfway across the world. Stuck with her aunt in Shizuoka, Japan, Katie feels lost. Alone. She doesn't know the language, she can barely hold a pair of chopsticks and she can't seem to get the hang of taking her shoes off whenever she enters a building. When Katie meets aloof but gorgeous Tomohiro, the star of the school's kendo team, she is intrigued by him…and a little scared. His tough attitude seems meant to keep her at a distance, and when they're near each other, strange things happen. Pens explode. Ink drips from nowhere. And unless Katie is seeing things, drawings come to life. Somehow Tomo is connected to the kami, powerful ancient beings who once ruled Japan—and as feelings develop between Katie and Tomo, things begin to spiral out of control. The wrong people are starting to ask questions, and if they discover the truth, no one will be safe.
Have you ever heard of Anansi, the shape-shifting West African spider? Or of Tanuki, the sweet but troublesome raccoon-dog of Japanese folklore? With this encyclopedia as your guide, begin a magical tour of creatures from myths and legends around the world.
Japan's mythology is alive with gods, spirits and monsters. It draws on Buddhist and Shinto traditions to explain the nature of the world of the island of Japan, and the heavenly status of the long line of emperors. The warrior class of the imperial court, and the natural spirits of the countryside represent parallel and interdependent aspects of Japanese society, explored through ancient legend and folklore in this fascinating new book in the Flame Tree Myths and Legend series. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.
