Japanese Cinema Encyclopedia
Japanese Cinema Encyclopedia

Author: Thomas Weisser

Publisher:

Published: 1997

Total Pages: 0

ISBN-13: 9781889288512

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Those familiar with the author's previous forays into the world of Hong Kong Cinema and Spaghetti Westerns will know pretty much what to expect here, and it falls far short of any dictionary definition of "essential". Short, cursory capsule reviews, short on insight, style and cultural context and high on typographical and factual errors, accompanied by an arbitrary star rating from one to four. The main virtue of Weisser's self-published book is its rigorously completist approach. Even though it states that it is not the aim to include every single film from Japan ever released, with separate editions available for a more complete look at Horror, Science Fiction and Fantasy, and Sex Films, and one planned for animation ("pleae check our subsiquent books" [sic], Weisser writes in the intro for the fourth edition), this initial volume certainly covers a lot of films and does give quite a good indication as to how much is actually out there.

The Encyclopedia of Japanese Horror Films
The Encyclopedia of Japanese Horror Films

Author: Salvador Jiménez Murguía

Publisher: Rowman & Littlefield

Published: 2016-07-29

Total Pages: 423

ISBN-13: 1442261676

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Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.

Eros Plus Massacre
Eros Plus Massacre

Author: David Desser

Publisher: Indiana University Press

Published: 1988-05-22

Total Pages: 260

ISBN-13: 9780253204691

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The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

Contemporary Japanese Film
Contemporary Japanese Film

Author: Mark Schilling

Publisher: Shambhala Publications

Published: 1999-11-01

Total Pages: 401

ISBN-13: 0834804158

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This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium.

Historical Dictionary of Japanese Cinema
Historical Dictionary of Japanese Cinema

Author: Jasper Sharp

Publisher: Scarecrow Press

Published: 2011-10-13

Total Pages: 565

ISBN-13: 0810875411

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The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai. The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.

Routledge Handbook of Japanese Cinema
Routledge Handbook of Japanese Cinema

Author: Joanne Bernardi

Publisher: Routledge

Published: 2020-08-09

Total Pages: 776

ISBN-13: 1315534355

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The Routledge Handbook of Japanese Cinema provides a timely and expansive overview of Japanese cinema today, through cutting-edge scholarship that reflects the hybridity of approaches defining the field. The volume’s twenty-one chapters represent work by authors with diverse backgrounds and expertise, recasting traditional questions of authorship, genre, and industry in broad conceptual frameworks such as gender, media theory, archive studies, and neoliberalism. The volume is divided into four parts, each representing an emergent area of inquiry: "Decentring Classical Cinema" "Questions of Industry" "Intermedia as an Approach" "The Object Life of Film" This is the first anthology of Japanese cinema scholarship to span the temporal framework of 200 years, from the vibrant magic lantern culture of the nineteenth century, through to the formation of the film industry in the twentieth century, and culminating in cinema’s migration to gaming, surveillance video, and other new media platforms of the twenty-first century. This handbook will prove a useful resource to students and scholars of Japanese studies, film studies, and cultural studies more broadly.

The Penguin Encyclopedia of Horror and the Supernatural
The Penguin Encyclopedia of Horror and the Supernatural

Author: Jack Sullivan

Publisher: Viking Adult

Published: 1986

Total Pages: 524

ISBN-13:

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For the first time ever, in a single volume, a comprehensive guide to horror and the supernatural in all the arts ... More than 50 essays and 600 entries covering authors, composers, visual artists, directors, actors, and movies that are connected in some way to horror tales or the supernatural. Also defines terms used with the supernatural.

SF
SF

Author: Kevin Derendorf

Publisher: Independently Published

Published: 2021-01-19

Total Pages: 464

ISBN-13:

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Informed by its disaster-prone history, Japan's science fiction cinema is distinctive. SF covers a wide variety of these films across six decades; from the aftermath of Hiroshima to the COVID-19 pandemic. Included are monster classics like GODZILLA, MOTHRA and GAMERA, apocalyptic epics like SUBMERSION OF JAPAN and VIRUS and offbeat works like THE FACE OF ANOTHER and TETSUO: THE IRON MAN. This book features eye-opening analyses of dozens of Japanese sci-fi films along with insightful capsule reviews for many more. SF will appeal to casual fans looking to learn more and obsessed initiates alike.This book also contains informative articles by Carrozza and others including Patrick Galvan, Kevin Derendorf and John LeMay. Read insider information on the filmmakers who brought the films to life. Find out about amazing luminaries of the genre such as lshiro Honda, Eiji Tsuburaya, Kobo Abe, Sakyo Komatsu, Kinji Fukasaku, Hideaki Anno and many others. Discover the artisan techniques of the old school Japanese film industry. Learn about everything from home video releases to English dubbing to the genre's influence on other East Asian countries.SF: THE JAPANESE SCIENCE FICTION FILM ENCYCLOPEDIA promises to enlighten you on an underappreciated genre from a culture that has tasted the apocalypse and lived to tell about it.

Gun and Sword
Gun and Sword

Author: Chris D.

Publisher:

Published: 2013-04-17

Total Pages: 822

ISBN-13: 9780615798806

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"Complete with the original 2002 foreword by Kinji Fukasaku"--Cover.

Outlaw Masters of Japanese Film
Outlaw Masters of Japanese Film

Author: Chris Desjardins

Publisher:

Published: 2005

Total Pages: 273

ISBN-13: 9780755695515

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"Outlaw Masters of Japanese Film" offers an extraordinary close-up of the hitherto overlooked golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present day. Having unique access to the top maverick filmmakers and Japanese genre film icons, Chris D. brings together interviews with, and original writings on, the lives and films of such transgressive directors as Kinji Fukasaku ("Battles Without Honour and Humanity"), Seijun Suzuki ("Branded to Kill") and Koji Wakamatsu ("Ecstasy of the Ange."