This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
This pioneering collection of 15 essays argues that Japan's medieval age began in the 14th century rather than the 12th, and marks the beginning of a fundamentally new debate about how Japan's lengthy classical period finally ended.
First published in 1981, Japan's Renaissance is a detailed and exhaustively researched account of the regime of Japan's second shogunate, and also an agile comparative analysis of the political economy of the period with other Renaissance systems. The book argues that the development of shogunal power in fourteenth- and fifteenth-century Japan was similar to the evolution of monarchic power in France and England during the same period. Contrary to the received wisdom that the government of the Ashikaga shoguns was the low point of premodern Japan, this book demonstrates that it was the incubator for many developments and the administrative technology which reached their maturity in the Tokugawa period. Applying the ideas of political economy to medieval Japanese history makes this book an essential companion for all Japan and East Asia specialists, students of comparative feudalism and monarchical development, as well as educated generalists who are interested in premodern Japan. The book is illustrated with antique maps and Japanese paintings of the period which add to the reader's understanding of this dramatic age in Japan's history.
"Japan's Medieval Population will be required reading for specialists in pre-modern Japanese history, who will appreciate it not only for its thought-provoking arguments, but also for its methodology and use of sources. It will be of interest as well to modern Japan historians and scholars and students of comparative social and economic development."--BOOK JACKET.
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
"Today Yoshimasa is remembered primarily as the builder of the Temple of the Silver Pavilion and as the ruler at the time of the Onin War (1467-1477), after which the authority of the shogun all but disappeared. Unable to control the daimyos - provincial military governors - he abandoned politics and devoted himself to the quest for beauty. It was then, after Yoshimasa resigned as shogun and made his home in the mountain retreat now known as the Silver Pavilion, that his aesthetic taste came to define that of the Japanese: the no theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukua-i architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry.
First published in 1997. This book is addressed to two kinds of readers: to social theorists, on the grounds that the Japanese experience is or should be of particular relevance to their problems, and to scholars working on Japanese history, culture and society, in the hope that the theoretical interpretations outlined below may be of some interest to them.
