Through her own life experiences, Reverend Douglas presents the unaltered truth of humanity from Creation to the present as provided by Archangel Gabriel from 1987 to 1999. Jesus the Christ also channeled wisdom about the Holy Bible for our enlightenment from 1995 to 1999. May this eternal wisdom bring comfort, solace, and joy to all who accept it and live by it.
In "The Modern Janus", Nairn argued for the democratic necessity of nationalism in the modern world. In this work, he addresses the subsequent upheavals caused by nationalism.
Spencer and Wollman seek to challenge fixed notions of national identity, ethnicity and culture to more fully explore and understand the contemporary complexities of citizenship and the genuine potential for a cosmopolitan democracy.
Worlds Within tracks the changing forms of novels and nations against a long, postcolonial twentieth century. While globalization has sometimes been understood to supersede national borders, this book distances itself from before-and-after sequences in order to trace the intersection between national and global politics. Drawing from psychoanalytic and deconstructive accounts of identity, difference, and desire, Worlds Within explores the making and unmaking of ideas of nation, globe, race, and gender in the late imperialism of Joseph Conrad, the anticolonial nationalism and nascent Third-Worldism of W. E. B. Du Bois and Frantz Fanon, and the decolonizing nationalisms and postcolonial cosmopolitanisms of novelistic descendants, such as the Indian and Indo-Caribbean writers Salman Rushdie, Amitav Ghosh, V.S. Naipaul, and David Dabydeen, the anglophone and francophone African writers Chinua Achebe, Nggi wa Thiong'o, Assia Djebar, and Tsitsi Dangarembga, and the Cuban postmodern novelist and theorist Severo Sarduy. Across this global field, national identity is subtended by transnational affiliations and expressed through diverse and intersecting literary forms.
Critically deploying the idea of uneven and combined development this book provides a novel non-Eurocentric account of Iran’s experience of modernity and revolution. Recasting Iranian Modernity presents the argument that Eurocentrism can be decisively overcome through a social theory that has international relations at its ontological core. This will enable a conception of history in which there is an intrinsic international dimension to social change that prevents historical repetition. This hitherto under-theorized international dimension is, the book argues, manifest in combined patterns of development, which incorporate both foreign and native forms. It is the tension-prone and unstable nature of these hybrid developmental patterns that mark Iranian modernity, and fuelled the socio-political dynamics of the 1979 revolution and the rise of political Islam. Challenging solely comparative approaches to the Iranian Revolution that explain it away as either a deviation from, or a reaction to, modernity on the grounds of its religious form, this book will be valuable to those interested in an alternative theoretical approach to the Iranian Revolution, modern Iran and political Islam, working in the fields of International Relations, Middle East and Islamic Studies, History, Political Science, Political Sociology, Postcolonialism, and Comparative Politics.
In the aftermath of World War II, twelve million German expellees lost their homes in Central and Eastern Europe. The overwhelming majority came to occupied Germany. However, expellees found themselves also stranded in Western Europe, Africa and the Americas, which is often overlooked by researchers and the public. Going beyond the standard narratives of flight, vigilante evictions and transfers, this book follows expellees in West Germany and Canada and shows, for example, how German prisoners-of-war, exilees or immigrants experienced the expulsions in distant Canada. As the author illustrates making extensive use of oral histories, their experiences were an integral part of the multi-faceted expellee story even though they were physically absent from their homes. Juxtaposing the record of two countries with disparate public discourses on immigration, the author also reveals how in both countries expellees eventually adopted national identities which, based on their ethno-regional heritage, reflected their experience of extreme nationalism, war and expulsion as well as the initially difficult settlement into a new political, social and cultural environment.
This book explores the many reasons why nationalism still matters and the dangers posed by an overly hasty attempt to turn post national ideals into political practice.
The world is witnessing a media revolution similar to the birth of the film industry from the early 20th Century. New forms of media are expanding the human experience from passive viewership to active participants, surrounding and enveloping us in ways film or television never could. New immersive media forms include virtual reality (VR), augmented reality (AR), mixed reality (XR), fulldome, CAVEs, holographic characters, projection mapping, and mixed experimental combinations of old and new, live, and generated media. With the continued expansion beyond the traditional frame, practitioners are crafting these new media to see how they can influence and shape the world. The Handbook of Research on the Global Impacts and Roles of Immersive Media is a collection of innovative research that provides insights on the latest in existing and emerging immersive technologies through descriptions of case studies, new business models, philosophical viewpoints, and scientific findings. While highlighting topics including augmented reality, interactive media, and spatial computing, this book is ideally designed for media technologists, storytellers, artists, journalists, designers, programmers, developers, manufacturers, entertainment executives, content creators, industry professionals, academicians, researchers, and media students.
The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.
After the War of 1812, Americans belatedly realized that they lacked national identity. The subsequent campaign to articulate nationality transformed every facet of culture from architecture to painting, and in the realm of letters, literary jingoism embroiled American authors in the heated politics of nationalism. The age demanded stirring images of U.S. virtue, often achieved by contriving myths and obscuring brutalities. Between these sanitized narratives of the nation and U.S. social reality lay a grotesque discontinuity: vehement conflicts over slavery, Indian removal, immigration, and territorial expansion divided the country. Authors such as Washington Irving, James Fenimore Cooper, Catharine M. Sedgwick, William Gilmore Simms, Nathaniel Hawthorne, and Lydia Maria Child wrestled uneasily with the imperative to revise history to produce national fable. Counter-narratives by fugitive slaves, Native Americans, and defiant women subverted literary nationalism by exposing the plight of the unfree and dispossessed. And with them all, Edgar Allan Poe openly mocked literary nationalism and deplored the celebration of "stupid" books appealing to provincial self-congratulation. More than any other author, he personifies the contrary, alien perspective that discerns the weird operations at work behind the facade of American nation-building.
