James Dean Transfigured

James Dean Transfigured

Author: Claudia Springer

Publisher: University of Texas Press

Published: 2013-05-17

Total Pages: 261

ISBN-13: 0292752881

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After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways. The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs. In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.


Acting

Acting

Author: Claudia Springer

Publisher: Rutgers University Press

Published: 2015-08-18

Total Pages: 230

ISBN-13: 0813564344

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Screen performances entertain and delight us but we rarely stop to consider actors’ reliance on their craft to create memorable characters. Although film acting may appear effortless, a host of techniques, artistic conventions, and social factors shape the construction of each role. The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, Wild West stars, and athletes captured in motion, to the present when audiences marvel at the seamless blend of human actors with CGI. Experts in the field take readers behind the silver screen to learn about the craft of film acting in six eras: the silent screen (1895–1928), classical Hollywood (1928–1946), postwar Hollywood (1947–1967), the auteur renaissance (1968–1980), the New Hollywood (1981–1999), and the modern entertainment marketplace (2000–present). The contributors pay special attention to definitive performances by notable film stars, including Lillian Gish, Dick Powell, Ginger Rogers, Beulah Bondi, Marilyn Monroe, Marlon Brando, Jack Nicholson, Robert De Niro, Nicholas Cage, Denzel Washington, and Andy Serkis. In six original essays, the contributors to this volume illuminate the dynamic role of acting in the creation and evolving practices of the American film industry. Acting is a volume in the Behind the Silver Screen series—other titles in the series include Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special/Visual Effects; Producing; Screenwriting; and Sound.


Giant

Giant

Author: Don Graham

Publisher: St. Martin's Press

Published: 2018-04-10

Total Pages: 336

ISBN-13: 1250061903

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"Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson's promiscuity, Taylor's high diva-dom, and Dean's egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham's Giant is a comprehensive depiction of the film's production showing readers how reality became fiction and fiction became cinema. "--Adapted from dust jacket.


Scoring the Hollywood Actor in the 1950s

Scoring the Hollywood Actor in the 1950s

Author: Gregory Camp

Publisher: Routledge

Published: 2020-12-30

Total Pages: 210

ISBN-13: 1000293602

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Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s. This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.


Imagining the Method

Imagining the Method

Author: Justin Owen Rawlins

Publisher: University of Texas Press

Published: 2024-01-16

Total Pages: 265

ISBN-13: 1477328505

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"From James Dean to Jared Leto, only one acting style has entered the lexicon of the casual moviegoer: "Method acting." In this manuscript, Justin Rawlins offers the first reception-based analysis of acting, investigating how the concept of "the Method" entered popular film discourse and became part of the establishment of a "serious actor" brand--one reserved for white, male actors and yet associated with rebellion and marginalization. Drawing on extensive archival research, Rawlins traces the construction of mainstream understandings of Method acting, using well-known actors and Hollywood figures (e.g., Marlon Brando, Hedda Hopper, and James Dean) while also bringing forgotten names to the fore"--


Larger Than Life

Larger Than Life

Author: R. Barton Palmer

Publisher: Rutgers University Press

Published: 2010-06-30

Total Pages: 295

ISBN-13: 0813549949

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The constellation of Hollywood stars burned brightly in the 1950s, even as the industry fell on hard economic times. Major artists of the 1940s--James Stewart, Jerry Lewis, and Gregory Peck--continued to exert a magical appeal but the younger generation of moviegoers was soon enthralled by an emerging cast, led by James Dean and Marlon Brando. They, among others, ushered in a provocative acting style, "the Method," bringing hard-edged, realistic performances to the screen. Adult-oriented small-budget dramas were ideal showcases for Method actors, startlingly realized when Brando seized the screen in On the Waterfront. But, with competition from television looming, Hollywood also featured film-making of epic proportion--Ben-Hur and other cinema wonders rode onto the screen with amazing spectacle, making stars of physically impressive performers such as Charlton Heston. Larger Than Life offers a comprehensive view of the star system in 1950s Hollywood and also in-depth discussions of the decade's major stars, including Montgomery Clift, Judy Holliday, Jerry Lewis, James Mason, Marilyn Monroe, Kim Novak, Bing Crosby, Gene Kelly, Jayne Mansfield, and Audrey Hepburn.


The Passion of Montgomery Clift

The Passion of Montgomery Clift

Author: Amy Lawrence

Publisher: Univ of California Press

Published: 2010-05-27

Total Pages: 353

ISBN-13: 0520945824

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From his 1948 film debut in Red River through such classics as The Heiress, A Place in the Sun, and From Here to Eternity, Montgomery Clift exemplified a new masculinity and—leading the way for a generation of actors, including Marlon Brando and James Dean—epitomized the new naturalistic style of acting. Clift’s impact was such that, both during his troubled life and after his untimely death, fans described the actor in religious terms, characterizing Clift as a vision, acolyte, and martyr. In The Passion of Montgomery Clift, Amy Lawrence challenges the myth of Clift as tragic victim by examining Clift’s participation in the manipulation of his image, his collaborations with directors, his relationships with costars, and his interactions with writers.


Rethinking the Hollywood Teen Movie

Rethinking the Hollywood Teen Movie

Author: Frances Smith

Publisher: Edinburgh University Press

Published: 2018-06-30

Total Pages: 343

ISBN-13: 1474413110

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An analysis of novelistic explorations of modernism in mathematics and its cultural interrelations.


The Horse who Drank the Sky

The Horse who Drank the Sky

Author: Murray Pomerance

Publisher: Rutgers University Press

Published: 2008

Total Pages: 278

ISBN-13: 0813543282

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The author argues in this book that what is most important for cinema is that we are alive with it and that for all its dramatic, literary, political, sociological, and philosophical weight, film is ultimately an art that provokes, touches, and riddles the viewer through an image that transcends narrative and theory.


Cinematic Appeals

Cinematic Appeals

Author: Ariel Rogers

Publisher: Columbia University Press

Published: 2013-11-19

Total Pages: 353

ISBN-13: 0231535783

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Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.