In the context of two hundred years of American colonial control in the Pacific, Katherine Irwin and Karen Umemoto shed light on the experiences of today’s inner city and rural girls and boys in Hawai‘i who face racism, sexism, poverty, and political neglect. Basing their book on nine years of ethnographic research, the authors highlight how legacies of injustice endure, prompting teens to fight for dignity and the chance to thrive in America, a nation that the youth describe as inherently “jacked up”—rigged—and “unjust.” While the story begins with the youth battling multiple contingencies, it ends on a hopeful note with many of the teens overcoming numerous hardships, often with the guidance of steadfast, caring adults.
Political constitutions are compromises with injustice. What makes the U.S. Constitution legitimate is Americans’ faith that the constitutional system can be made “a more perfect union.” Balkin argues that the American constitutional project is based in hope and a narrative of shared redemption, and its destiny is still over the horizon.
In this important new work, two respected criminologists challenge the characterization of the new 'bad girl' arguing that it is only a new attempt to punish girls who are not the stereotypical depiction of good. Through interviews with young women, educators and people in the criminal justice system, Beyond Bad Girls exposes the formal and informal systems of socio-cultural control imposed on girls.
From hip-hop artists in the Marshall Islands to innovative multimedia producers in Vanuatu to racial justice writers in Utah, Pacific Islander youth are using radical expression to transform their communities. Exploring multiple perspectives about Pacific Islander youth cultures in such locations as Aotearoa New Zealand, Australia, Hawai‘i, and Tonga, this cross-disciplinary volume foregrounds social justice methodologies and programs that confront the ongoing legacies of colonization, incarceration, and militarization. The ten essays in this collection also highlight the ways in which youth throughout Oceania and the diaspora have embraced digital technologies to communicate across national boundaries, mobilize sites of political resistance, and remix popular media. By centering Indigenous peoples’ creativity and self-determination, Reppin’ vividly illuminates the dynamic power of Pacific Islander youth to reshape the present and future of settler cities and other urban spaces in Oceania and beyond.
In All of Us or None, Monisha Das Gupta tells the story of contemporary antideportation organizing in the United States by migrants and refugees labeled as criminal aliens. These activists, who live daily with criminalization, work against forms of deportation that Das Gupta calls settler carcerality—the United States’ use of deportation to exert territorial control in the face of Indigenous self-determination. Drawing on fieldwork with antideportation organizing groups in New York, Los Angeles, Long Beach, and Honolulu, Das Gupta documents the inventive methods of struggle against settler carcerality. Das Gupta shows how the organizers’ actions and visions depart from the settler colonial nature of the mainstream demands for a pathway to citizenship and civil rights. Through direct action, storytelling, political education, and youth and queer leadership, these organizations and collectives conceptualize an abolitionist vision of migration justice that rejects the settler state and encompasses all those who are disavowed. By highlighting this work, Das Gupta demonstrates the transformative promise offered by a dissident migrant-led politics working toward dismantling settler structures and logics.
A thrilling ethnography of big wave surfing in Hawaii that explores the sociology of fun. Straight from the beaches of Hawaii comes an exciting new ethnography of a community of big-wave surfers. Oahu’s Waimea Bay attracts the world’s best big wave surfers—men and women who come to test their physical strength, courage, style, knowledge of the water, and love of the ocean. Sociologist Ugo Corte sees their fun as the outcome of social interaction within a community. Both as participant and observer, he examines how mentors, novices, and peers interact to create episodes of collective fun in a dangerous setting; how they push one another’s limits, nourish a lifestyle, advance the sport and, in some cases, make a living based on their passion for the sport. In Dangerous Fun, Corte traces how surfers earn and maintain a reputation within the field, and how, as innovations are introduced, and as they progress, establish themselves and age, they modify their strategies for maximizing performance and limiting chances of failure. Corte argues that fun is a social phenomenon, a pathway to solidarity rooted in the delight in actualizing the self within a social world. It is a form of group cohesion achieved through shared participation in risky interactions with uncertain outcomes. Ultimately, Corte provides an understanding of collective effervescence, emotional energy, and the interaction rituals leading to fateful moments—moments of decision that, once made, transform one’s self-concept irrevocably.
Building on the success of the bestselling The SAGE Handbook of Grounded Theory (2007), this title provides a much-needed and up-to-date overview, integrating some revised and updated chapters with new ones exploring recent developments in grounded theory and research methods in general. The highly-acclaimed editors have once again brought together a team of leading academics from a wide range of disciplines, perspectives and countries. This is a method-defining resource for advanced students and researchers across the social sciences. Part One: The Grounded Theory Method: 50 Years On Part Two: Theories and Theorizing in Grounded Theory Part Three: Grounded Theory in Practice Part Four: Reflections on Using and Teaching Grounded Theory Part Five: GTM and Qualitative Research Practice Part Six: GT Researchers and Methods in Local and Global Worlds
As Katie Oliver checked her reflection in the mirror she felt attractive, confident and happy. She was viewing the dress that she had designed for her entry into her school's last event for the 6th form girls. She didn't know that a few hours' later her life would be interfered with in the cruellest way for a teenager who believed that she had everything to live for. A kidnapping starts a journey of revenge that challenges Dan Turner, DSI of the MET's Special Crimes Division and Grace Fletcher, profiler and psychoanalyst, due to the absence of any evidence. Someone is ensuring that the Oliver family never go to bed at night without thinking about the past and struggling to rebuild the present.
It is time that "We the People" act and return our country to its righteous path. Unjust is just one example of how injustice goes unchecked. Ultimately, there will be very few winners and an entire nation that loses. Unjust starts with a case in Oklahoma and discusses how the case in Oklahoma is much larger than just Oklahoma and includes the entire United States.
From Ali Standish, award-winning author of The Ethan I Was Before, August Isle, How to Disappear Completely, and The Mending Summer, comes a captivating historical fiction middle grade novel about a boy on the home front in World War II who must solve the mystery of the disappearance of his best friend. Perfect for fans of Alan Gratz and Lauren Wolk, this riveting adventure explores what true heroism means. "Multilayered, moving, and tremendously powerful.” —Kirkus Reviews (starred review) “Standish’s uplifting mystery tackles big themes of abuse, bullying, heroism, mental health, and prejudice.”—Publishers Weekly (starred review) “A heartfelt tale about what it means to be a hero and take a stand against injustice.”—Booklist (starred review) Danny Timmons has looked up to Jack Bailey ever since Jack saved two small children from drowning during the Great Flood of 1940. Now, with his father away fighting in World War II and his mother about to have a new baby, Danny relies on Jack’s friendship and guidance more than ever. So when Jack goes missing without a trace from their small Appalachian town, Danny is determined to find him. He wonders if Jack’s abusive father could be behind his disappearance, or if it has anything to do with Yonder—a hidden magical town Jack once spoke of, where flocks of rainbow birds fly through the sky and they’ve never heard of war. As answers elude him, Danny begins to fear that he didn’t know Jack as well as he thought. Ultimately, Danny’s investigation forces him to reckon with even larger questions: What is America fighting for in this war? What role do each of us play in stopping injustices, big and small? And is there such thing as a true hero? A Junior Library Guild Gold Standard Selection “Both timely and historical. An exploration of what it means to be brave and do good.” —Tae Keller, Newbery Medal–winning author of When You Trap a Tiger "A thoughtful, eloquent, and honest examination of prejudice, loyalty, and what it means to be brave." —Alan Gratz, New York Times bestselling author of Refugee and Ground Zero “A beautiful and important novel that explores what it means to be a hero and the role of each of us to stand up for what’s right.” —Karina Yan Glaser, New York Times bestselling author of The Vanderbeekers series
