Poets on Paintings

Poets on Paintings

Author: Robert D. Denham

Publisher: McFarland

Published: 2010-03-10

Total Pages: 342

ISBN-13: 0786456582

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Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.


Agnes Bernauer

Agnes Bernauer

Author: Friedrich Hebbel

Publisher: BoD – Books on Demand

Published: 2020-07-16

Total Pages: 85

ISBN-13: 375230037X

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Reproduction of the original: Agnes Bernauer by Friedrich Hebbel


Die Aufgeregten

Die Aufgeregten

Author: Johann Wolfgang von Goethe

Publisher: Library of Alexandria

Published: 2020-09-28

Total Pages: 91

ISBN-13: 1465591095

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Luise (einen eben vollendeten gestrickten Strumpf in die Hšhe haltend). Wieder ein Strumpf! Nun wollt' ich, der Onkel kŠme nach Hause; denn ich habe nicht Lust, einen andern anzufangen. (Sie steht auf und geht ans Fenster.) Er bleibt heut' ungewšhnlich lange weg, sonst kommt er doch gegen elf Uhr, und es ist jetzt schon Mitternacht. (Sie tritt wieder an den Tisch.) Was die franzšsische Revolution Gutes oder Bšses stiftet, kann ich nicht beurteilen; so viel wei§ ich, dass sie mir diesen Winter einige Paar StrŸmpfe mehr einbringt. Die Stunden, die ich jetzt wachen und warten muss, bis Herr Breme nach Hause kommt, hŠtt' ich verschlafen, wie ich sie jetzt verstricke, und er verplaudert sie, wie er sie sonst verschlief.


Bauhaus

Bauhaus

Author: Michael Siebenbrodt

Publisher: Parkstone International

Published: 2015-09-15

Total Pages: 552

ISBN-13: 1783107057

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The Bauhaus movement (meaning the “house of building”) developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art.


The German Lesson

The German Lesson

Author: Siegfried Lenz

Publisher: New Directions Publishing

Published: 2021-03-30

Total Pages: 480

ISBN-13: 0811222268

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In this quiet and devastating novel about the rise of fascism, Siggi Jepsen, incarcerated as a juvenile delinquent, is assigned to write a routine German lesson on the “The Joys of Duty.” Overfamiliar with these joys, Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, a constable, doggedly carry out orders from Berlin to stop a well-known Expressionist artist from painting and to seize all his “degenerate” work. Soon Siggi is stealing the paintings to keep them safe from his father. “I was trying to find out,” Lenz says, “where the joys of duty could lead a people.” Translated from the German by Ernst Kaiser and Eithne Wilkins