Seventeen beautiful songs transcribed for guitar and ukulele exactly as played by IZ including his breathtaking version of "Over the Rainbow" as heard on the soundtracks to Finding Forester, 50 First Dates, and "ER." There are also four pages of color photos featuring Israel Kamakawiwo'Ole, the Hawaiian singer with an unparalleled voice. This folio includes: * Hawai'i '78 * White Sandy Beach * 'Opae E * Kaleohano * Na Ka Pueo * Hi'ilawe * N Dis Life (In This Life) * Ka Pua U'i * Kuhio Bay * Henehene Kou 'Aka * Panini Puakea * Wind Beneath My Wings/He Hawai'i Au * Starting All Over Again * Over the Rainbow/What a Wonderful World * Kamalani
(Piano Solo Personality). If you love the violin music of Lindsey Stirling but your instrument of choice is the piano, this is the songbook for you! This collection of piano solo arrangements features 15 of Lindsey's most popular original works: Beyond the Veil * Crystallize * Electric Daisy Violin * Elements * First Light * Moon Trance * Prism * Roundtable Rival * Shatter Me * Something Wild * Song of the Caged Bird * Spontaneous Me * Stampede * Sun Skip * Zi-Zi's Journey.
(Ukulele Transcriptions). Deemed "the Hendrix of the ukulele," Hawaii native Jake Shimabukuro is a uke virtuoso whose music has revolutionized the world's perception of this tiny instrument. Showcasing his complex finger work, his songs combine elements of jazz, rock, classical and traditional music. Our sought-after songbook features note-for-note transcriptions with ukulele tablature of Jake's masterful playing on all the CD tracks: Bohemian Rhapsody * Boy Meets Girl * Bring Your Adz * Hallelujah * Pianoforte 2010 * Variation on a Dance 2010 * and more. Also includes two bonus songs that are not on the CD: "While My Guitar Gently Weeps" a Shimabukuro sensation on YouTube, and his hit song "Hula Girl."
(Ukulele). Ya mon! 20 Marley favorites to strum on your uke, including: Buffalo Soldier * Could You Be Loved * Exodus * Get up Stand Up * I Shot the Sheriff * Jamming * Lively up Yourself * No Woman No Cry * One Love * Redemption Song * Stir It Up * Three Little Birds * and more.
Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.
A piano man in 1960s New York keeps to himself and away from his father's mob ties until his hit collaboration with Esther Mine thrusts him into a national spotlight that also stirs up issues with his father's associates.
The Eva Cassidy Songbook for Guitar features five pages of full-color photos with an introduction by father Hugh Cassidy, as well as black and white photos and original artwork. Titles include: Ain't No Sunshine * Anniversary Song * At Last * Autumn Leaves * Fields of Gold * I Wandered by a Brookside * Nightbird * Over the Rainbow * Penny to My Name * Say Goodbye * Songbird * Time After Time * Wade in the Water * Way Beyond the Blue * Wayfaring Stranger * What a Wonderful World.
Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines music—its songs, makers, instruments, aurality, aesthetics, and images—as it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawai‘i, Asia, and the Pacific as “making waves”—that is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawai‘i-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as “the wave maker.” The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawai‘i, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors.
