Game of Thrones superstar EMILIA CLARKE debuts an EXTRA-LENGTH, THREE-ISSUE MINISERIES! The mayhem begins with Maya, under-the-weather scientist by day, over-the-top superhero by night, and badass single mom 24/7. Deadpool action and Fleabag comedy collide when Maya activates her freakish superpowers to take on a secret sect of human traffickers. Mature readers only! Comedy and chaos await in the first of three 40-page issues by the glamorous artist of Horde, LEILA LEIZ!
This enlightening volume provides first-hand perspectives and ethnographic research on communication at the end of life, a topic that has gone largely understudied in communication literature. Author Elissa Foster’s own experiences as a volunteer hospice caregiver form the basis of the book. Communicating at the End of Life recounts the stories of Foster and six other volunteers and their communicative experiences with dying patients, using communication theory and research findings to identify insights on the relationships they form throughout the process. What unfolds is a scholarly examination of a subject that is significant to every individual at some point in the life process. Organized chronologically to follow the course of Foster’s involvement with hospice and the phases of the study, the book opens with Part 1, providing background and contextual information to help readers understand subsequent stories about communication between volunteers and patients. Part 2 of the volume emphasizes the adjustments required by the volunteers as they entered the world of hospice and the worlds of the patients. Part 3 underscores the importance of improvisation and finding balance within the role of volunteer—in particular how to be fully present for patients as well as their family members. The volume concludes with Part 4, which addresses how volunteers coped with the death of their patients and what they learned from the experience of volunteering. Communicating at the End of Life is appropriate for scholars and advanced students studying personal relationships, health communication, gerontology, interpersonal communication, lifespan communication, and communication & aging. Its unique content offers precious and meaningful insights on the communication processes at a critical point in the life process.
In this compulsively readable debut, set between London and Sicily over one blood-drenched week in the dead of summer, an identical twin reveals the crazy lies and twists she'll go through to not only steal her sister's perfect life, but to keep on living it. Alvie Knightly is a trainwreck: aimless, haphazard, and pretty much constantly drunk. Alvie's existence is made even more futile in contrast to that of her identical and perfect twin sister, Beth. Alvie lives on social media, eats kebabs for breakfast, and gets stopped at security when the sex toy in her carry-on starts buzzing. Beth is married to a hot, rich Italian, dotes on her beautiful baby boy, and has always been their mother's favorite. The twins' days of having anything in common besides their looks are long gone. When Beth sends Alvie a first-class plane ticket to visit her in Italy, Alvie is reluctant to go. But when she gets fired from the job she hates and her flatmates kick her out on the streets, a luxury villa in glitzy Taormina suddenly sounds more appealing. Beth asks Alvie to swap places with her for just a few hours so she can go out unnoticed by her husband. Alvie jumps at the chance to take over her sister's life--if only temporarily. But when the night ends with Beth dead at the bottom of the pool, Alvie realizes that this is her chance to change her life. Alvie quickly discovers that living Beth's life is harder than she thought. What was her sister hiding from her husband? And why did Beth invite her to Italy at all? As Alvie digs deeper, she uncovers Mafia connections, secret lovers, attractive hitmen, and one extremely corrupt priest, all of whom are starting to catch on to her charade. Now Alvie has to rely on all the skills that made her unemployable--a turned-to-11 sex drive, a love of guns, lying to her mother--if she wants to keep her million-dollar prize. She is uncensored, unhinged, and unforgettable.
Miss Kitty Farrow is under no illusion that her guardian cares anything about her, but when she finds out he wagered her in a gentleman’s bet, she’s in a state of complete shock. Not only has her choice in picking her own husband been taken away from her, but the earl her guardian is going to have her marry hates the very idea of having a wife at all. Aaron Henry, Earl of Northton, doesn’t trust ladies. Any of them. From a young age, his mother taught him that all a lady is good for is an heir. If they’re sweet, it’s only to trick the gentleman into doing what they want, and once they get it, they’re on to the next gentleman. So when he discovers the money he expected to win in a wager turns out to be the dowry of his future bride, he wants nothing to do with her. But whether Kitty or Aaron want the marriage or not, it’s going to happen. And heaven help anyone who tries to make the marriage a love match.
Description'My Self, The Enemy' follows the story of Melanie, an isolated young woman struggling to cope with a world she does not understand and people she cannot relate to. As we experience life through Melanie's eyes, we feel first hand the power of her insecurities.This book provides a valuable insight into the various difficulties associated with mental illness in general and borderline personality disorder in particular, and the subsequent problems associated with coping with diagnosis. If you are able to relate to her emotional plight, then you are not alone. About the AuthorDeborah Espect is a London-based playwright. Her work has been performed at 'The Old Red Lion Theatre' in Angel and 'The Soho Theatre'. She is currently preparing a critically acclaimed full-length play called 'Calling', which follows the tale of three institutionalised young people, to be performed at The Old Red Lion Theatre from 10th to 30th July 2007. She also had a short film commissioned and a short story published in American magazine 'Suspect Thoughts.'
