Italian Painting in the Age of Unification
Italian Painting in the Age of Unification

Author: Laura L. Watts

Publisher: Routledge

Published: 2021

Total Pages: 0

ISBN-13: 9780367637460

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Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists--Tommaso Minardi, Francesco Hayez, and Gioacchino Toma--from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.

Italian Painting in the Age of Unification
Italian Painting in the Age of Unification

Author: Laura L. Watts

Publisher: Routledge

Published: 2021-06-15

Total Pages: 332

ISBN-13: 1000400565

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Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.

Ottocento
Ottocento

Author: Roberta J.M. Olson

Publisher: Philip Wilson Publishers

Published: 2001-12-11

Total Pages: 0

ISBN-13: 9780812232073

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This is the first major book to present a panorama of Italian painting from 1797 to 1900, placing it firmly in the mainstream of art history of the nineteenth century. Ottocento reveals the historical context for nineteenth-century Italian painting and presents major works by important Italian artists who are little known outside their native land.

Italian Modern Art in the Age of Fascism
Italian Modern Art in the Age of Fascism

Author: Anthony White

Publisher: Routledge

Published: 2019-07-30

Total Pages: 252

ISBN-13: 0429515448

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This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.

Colonial Philippines in Italian Travel Writing
Colonial Philippines in Italian Travel Writing

Author: Jillian Loise Melchor

Publisher: Taylor & Francis

Published: 2024-06-11

Total Pages: 86

ISBN-13: 1040107745

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The first comprehensive review of all extant "Italian" chronicles set in the Philippine Islands, this book juxtaposes "Filipino" Otherness with the unique condition of "Italian" ambivalence and alterity within Europe. This book's contribution to the critical studies of travel is the opening of an analytical middle ground, highlighting the ambivalence of Italian chroniclers while acknowledging their participation in epistemological practices subsumed within the broader enterprise of conquest. Beyond the role of travel writing in colonial episteme, the book also situates the act of writing about one’s travels in instances of national character building (in Italy’s case) and in attempts of constructing a national historiography (in the Philippines' case). This manner of nuancing literary productions by the West while navigating its implications in the East, specifically, how pre-Unification “Italian” travel informed nationalist constructions in the Revolutionary Philippines, could enrich our understanding of and refract monolithic conceptions of metropole−periphery relations.

The Renaissance Perfected
The Renaissance Perfected

Author: D. Medina Lasansky

Publisher: Penn State Press

Published: 2004

Total Pages: 432

ISBN-13: 9780271023663

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Mussolini&’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation&’s medieval and Renaissance heritage to satisfy the regime&’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today&’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed Palio of Siena) were all &“restored&” to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture. The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky&’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.

The Complete Idiot's Guide to Classical Mythology
The Complete Idiot's Guide to Classical Mythology

Author: Kevin Osborn

Publisher: Penguin

Published: 1998-07-01

Total Pages: 428

ISBN-13: 1101191465

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You're no idiot, of course. You can find Greece on a map, know that Kevin Sorbo stars as Hercules on TV, and have heard of Freud's Oedipus theory. But when it comes to classical mythology, you feel like you've been foiled by the gods. Don't curse Zeus yet! The Complete Idiot's Guide® to Classical Mythology has all you need for a working knowledge of the timeless world of Greek and Roman myths.

The Art of the Macchia and the Risorgimento
The Art of the Macchia and the Risorgimento

Author: Albert Boime

Publisher: University of Chicago Press

Published: 1993-05-15

Total Pages: 374

ISBN-13: 9780226063300

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During the 1860s and '70s, more than a decade before the development of French Impressionism, Italy produced a group of avant-garde artists whose fervently nationalist paintings anticipated some of Impressionism's theoretical concerns. These artists were called "Macchiaioli" because they based their technique on a quickly rendered macchia, or sketch. In the first extended sociopolitical interpretation in English of this important group, Albert Boime places the Macchiaioli in the cultural context of the Risorgimento—the political movement that unified Italy, freed from foreign rule, under a secular, constitutional government. Anglo-American art criticism has generally neglected these painters (probably because of their overt political affiliation and nationalist expression), but Boime shows that these artists, while deeply political, nevertheless created aesthetically superior work. Boime's study departs from previous research on the Macchiaioli by systematically investigating the group's writings, sources, and patronage in relation to the Risogimento. The book also examines both contemporary and later critical responses, revealing how French art criticism has obscured the achievements of Macchiaioli art. Richly illustrated, The Art of the Macchia and the Risorgimento will appeal to anyone interested in nineteenth-century European art or the history of Italy.

Images-within-Images in Italian Painting (1250-1350)
Images-within-Images in Italian Painting (1250-1350)

Author: P?r Bokody

Publisher: Routledge

Published: 2017-07-05

Total Pages: 264

ISBN-13: 1351563262

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The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.