Italian Americans in Film

Italian Americans in Film

Author: Daniele Fioretti

Publisher: Springer Nature

Published: 2022-11-30

Total Pages: 300

ISBN-13: 3031064658

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This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (Big Night) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.


Italian Americans on Screen

Italian Americans on Screen

Author: Ryan Calabretta-Sajder

Publisher: Rowman & Littlefield

Published: 2021-02-04

Total Pages: 254

ISBN-13: 1793611556

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Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo’s definition of Italian-American cinema as “appl[ying] to works by Italian-American directors who treat Italian-American subjects” to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.


Mediated Ethnicity

Mediated Ethnicity

Author: Giuliana Muscio

Publisher: John D. Calandra Italian American Institute Queens College C

Published: 2010

Total Pages: 299

ISBN-13: 9780970340368

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This collection offers a fresh re-reading and re-imagining of Italian Americans in film, from actors to directors, from subject to agency. The trans-Atlantic discourse that emerges from these keenly insightful essays offers a guidepost for future analyses. As we come to understand the evolving paradigm of Italian Americans, whose cinematic representation has long been object of discussion and debate, Mediated Ethnicity constitutes a prismatic lens through which the contemporary viewer/reader may re-discover the cultural positioning of Italians in America. - John Tintori Associate Arts Professor and Chair, Graduate Film Program New York University Tisch School of the Arts


Hollywood's Italian American Filmmakers

Hollywood's Italian American Filmmakers

Author: Jonathan J. Cavallero

Publisher: University of Illinois Press

Published: 2011-05-17

Total Pages: 234

ISBN-13: 025203614X

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"[This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American 'imagined community,' others have ignored or even denied their background . . . Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola,and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural instituion that works to assimlate, has also served as a forum where assimilation was resisted." -- Book cover.


The Godfather Effect

The Godfather Effect

Author: Tom Santopietro

Publisher: Rowman & Littlefield

Published: 2022-03-01

Total Pages: 337

ISBN-13: 1493068865

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Fifty years and one billion dollars in gross box-office receipts after the initial release of The Godfather, Francis Ford Coppola's masterful trilogy continues to fascinate viewers old and new. The Godfather Effect skillfully analyzes the reasons behind this ongoing global phenomenon. Packed with behind-the-scenes anecdotes from all three Godfather films, Tom Santopietro explores the historical origins of the Mob and why they thrived in America, how Italian-Americans are portrayed in the media, and how a saga of murderous gangsters captivated audiences around the globe. Laced with stories about Brando, Pacino, and Sinatra, and interwoven with a funny and poignant memoir about the author's own experiences growing up with an Italian name in an Anglo world of private schools and country clubs, The Godfather Effect is a book for film lovers, observers of American life, and Italians of all nationalities.


Gangster Priest

Gangster Priest

Author: Robert Casillo

Publisher: University of Toronto Press

Published: 2006-01-01

Total Pages: 641

ISBN-13: 080209113X

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Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be fully appreciated either thematically or formally without understanding the various facets of Italian American ethnicity, as well as the nature of Italian American cinema and the difficulties facing assimilating third-generation artists. Forming a unified whole, Scorsese's Italian American films offer what Casillo views as a prolonged meditation on the immigrant experience, the relationship between Italian America and Southern Italy, the conflicts between the ethnic generations, and the formation and development of Italian American ethnicity (and thus identity) on American soil through the generations. Raised as a Catholic and deeply imbued with Catholic values, Scorsese also deals with certain forms of Southern Italian vernacular religion, which have left their imprint not only on Scorsese himself but also on the spiritually tormented characters of his Italian American films. Casillo also shows how Scorsese interrogates the Southern Italian code of masculine honour in his exploration of the Italian American underworld or Mafia, and through his implicitly Catholic optic, discloses its thoroughgoing and longstanding opposition to Christianity. Bringing a wealth of scholarship and insight into Scorsese's work, Casillo's study will captivate readers interested in the director's magisterial artistry, the rich social history of Southern Italy, Italian American ethnicity, and the sociology and history of the Mafia in both Sicily and the United States.


Screening Ethnicity

Screening Ethnicity

Author: Anna Camaiti Hostert

Publisher:

Published: 2002

Total Pages: 410

ISBN-13:

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Literary Nonfiction. Film Studies. Remarkable for the variety and sophistication of the approaches that it brings to its subject matter, SCREENING ETHNICITY makes a powerful argument for the validity, indeed the necessity, of Italian American cinema as an object of study. By including the concepts of race, gender, and social class along with the more obvious themes of identity and ethnicity, this collection sheds new light on the careers of Frank Capra, Francis Ford Coppola, Michael Cimino, Martin Scorsese, Quentin Tarantino, and the recently canonized David Chase, while calling attention to the achievements of such lesser known figures as Abel Ferrara, Stanley Tucci, Mariarosy Calleri, and Nancy Savoca. "It comes as no suprise that there is so much smart thinking and writing contained in this book" Bill Tonelli, Rolling Stone."


The Italian-americans

The Italian-americans

Author: Maria Laurino

Publisher: National Geographic Books

Published: 2014-12-02

Total Pages: 0

ISBN-13: 0393241297

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This richly researched, beautifully illustrated volume illuminates an important, overlooked part of American history. From extensive archival materials and interviews with well-known Italian Americans, Maria Laurino strips away stereotypes and nostalgia to tell the complicated, centuries-long story of the true Italian-American experience. Looking beyond the familiar Little Italys and stereotypes fostered by The Godfather and The Sopranos, Laurino reveals surprising, fascinating lives: Italian-Americans working on sugar-cane plantations in Louisiana to those who were lynched in New Orleans; the banker who helped rebuild San Francisco after the great earthquake; families interned as “enemy aliens” in World War II. From anarchist radicals to “Rosie the Riveter” to Nancy Pelosi, Andrew Cuomo, and Bill de Blasio; from traditional artisans to rebel songsters like Frank Sinatra, Dion, Madonna, and Lady Gaga, this book is both exploration and celebration of the rich legacy of Italian-American life. Readers can discover the history chronologically, chapter by chapter, or serendipitously by exploring the trove of supplemental materials. These include interviews, newspaper clippings, period documents, and photographs that bring the history to life.