In the wake of a horrific and unimaginable tragedy, Bambi Müller and her younger brother, Joseph, set out on a quest for justice. After they've lost everything, they're determined to find their new selves and what it means to have a home, again. Their parents, prominent winemakers in Walla Walla, Wash., are murdered in cold blood by a U.S. Military Police Officer. With nothing left but the foreign idea of revenge, they embark on a monumental journey through a world that is falling apart, a nightmarish world stranger than anything they've ever experienced before. Sprawling across time and geography, and featuring hundreds of characters-spies and drunk delegates representing the League of Nations, murderous twin brothers, winemakers and potheads, anarchists and assassins, faux-patriots, Nihilists, philosophers, pimps, cowboys and Native Americans, veterans and pacifists, many finding out that the American Dream was a Lie-they are all connected by the shared paranoia of the United States entering World War II. In Brian Nisun's It Was Called a Home we confront the realization that the greatest evil can reside within those who swear to protect the innocent, and that there is no place like home.
In the Spring of 2006 I was called to homeschool. It was never my intention or my plan, but God clearly showed me this was a calling. It was a hard step to take, but the Lord directed my steps... I have not looked back since. Although the homeschooling journey is difficult at times, if God has put you on this path and called you here, He will lead you through each day. We simply need to stop chasing things, and start chasing Him. This book will encourage you to keep your focus on the One who has called you here. Through my personal story and experience, you will see what happens when we take our eyes off of Him, and how each day can look when we regain our focus, fix our eyes on Him and on the true goals of homeschooling... "Maybe you are just starting out, or maybe you have been doing this awhile. Either way, there is most likely some amount of fear. Fear of the major responsibility that homeschooling is, or fear that you aren't doing it "right." Perhaps you are tired. Burnt out. Running on empty. Maybe you are up to your eyeballs in curriculum catalogs, reviews, planners, highlighters, label makers, and resources. Meanwhile the laundry calls, the dishes pile up, and the kids are tired. You are tired. You are trying to decide how on earth you are going to do it all. Or maybe you just are ready to throw in the towel altogether. Well, take a deep breath. Relax. The One who created the universe in a breath, the One who called you to this journey, is in control. Yes, He is in control of your homeschool. Is anything too hard for Him?" Karen DeBeus, Called Home
Call Me Home has an epic scope in the tradition of Louise Erdrich’s The Plague of Doves or Marilynne Robinson’s Housekeeping and braids the stories of a family in three distinct voices: Amy, who leaves her Texas home at 19 to start a new life with a man she barely knows, and her two children, Jackson and Lydia, who are rocked by their parents’ abusive relationship. When Amy is forced to bargain for the safety of one child over the other, she must retrace the steps in the life she has chosen. Jackson, 18 and made visible by his sexuality, leaves home and eventually finds work on a construction crew in the Idaho mountains, where he begins a potentially ruinous affair with Don, the married foreman of his crew. Lydia, his 12-year-old sister, returns with her mother to Texas, struggling to understand what she perceives to be her mother’s selfishness. At its heart, this is a novel about family, our choices and how we come to live with them, what it means to be queer in the rural West, and the changing idea of home.
From award-winning author Sara Zarr comes a story of the small moments that show us who we are, and how family is not just something you’re part of, but something you make. Lou and her family don’t have much, but for Lou it's enough. Mom. Her sister, Casey. Their apartment in the city. Her best friend, Beth. It would be better if Dad could stop drinking and be there for her and Casey, and if they didn't have to worry about money all the time. But Lou doesn’t need better—she only needs enough. What’s enough for Lou, however, is not enough for Mom. Steve, Mom's boyfriend, isn’t a bad guy, he's just…not what Lou is used to. And now, he and Mom are getting married, and that means moving. Packing up life as they’ve known it and storing it in Steve’s garage. Lou will be separated from everything in her small but predictable life, farther from Dad than ever. Their last night in the city, Lou receives a mysterious birthday gift: A guitar, left for her by their front door. There’s nothing saying who left it, but it must be from Dad. And as she leaves the only place she’s ever known, she starts to believe that if she can learn how to play it, maybe she can bring a piece of him, and of her old life, home.
“Here is a life story so unbelievable, it could only be true.” —Sandra Cisneros, bestselling author of The House on Mango Street From bestselling author of the remarkable memoir The Distance Between Us comes an inspiring account of one woman’s quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. As an immigrant in an unfamiliar country, with an indifferent mother and abusive father, Reyna had few resources at her disposal. Taking refuge in words, Reyna’s love of reading and writing propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist whose “power is growing with every book” (Luis Alberto Urrea, Pultizer Prize finalist); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.
For award-winning architect Gil Schafer, the most successful houses are the ones that celebrate the small moments of life—houses with timeless charm that are imbued with memory and anchored in a distinct sense of place. Essentially, Schafer believes a house is truly successful when the people who live there consider it home. It’s this belief—and Schafer’s rare ability to translate his clients’ deeply personal visions of how they want to live into a physical home that reflects those dreams—that has established him as one of the most sought-after, highly-regarded architects of our time. In his new book, A Place to Call Home Schafer follows up his bestselling The Great American House, by pulling the curtain back on his distinctive approach, sharing his process (complete with unexpected, accessible ideas readers can work into their own projects) and taking readers on a detailed tour of seven beautifully realized houses in a range of styles located around the country—each in a unique place, and each with a character all its own. 250 lush, full color photographs of these seven houses and other never-before-seen projects, including exterior, interior, and landscape details, invite readers into Schafer’s world of comfortable classicism. Opening with memories of the childhood homes and experiences that have shaped Schafer’s own history, A Place to Call Home gives the reader the sense that for Schafer, architecture is not just a career but a way of life, a calling. He describes how the many varied houses of his youth were informed as much by their style as by their sense of place, and how these experiences of home informed his idea of classicism as a set of values that he applies to many different kinds of architecture in places as varied as the ones he grew up in. Because while Schafer is absolutely a classical architect, he is in fact a modern traditionalist, and A Place to Call Home showcases how he effortlessly interprets traditional principles for a multiplicity of architectural styles within contemporary ways of living. Sections in Part I include the delicate balance of modern and traditional aesthetics, the juxtaposition of fancy and simple, and the details that make each project special and livable. Schafer also delves into what he refers to as “the spaces in between,” those often overlooked spaces like closets, mudrooms, and laundry rooms, explaining their underappreciated value in the broader context of a home. Part of Schafer’s skill lies in the way he gives the minutiae of a project as much attention as the grand aesthetic gestures, and ultimately, it’s this combination that brings his homes to life. Part II of the book is the story of seven houses and the places they inhabit—each with a completely different character and soul: a charming cottage completely rebuilt into a casual but gracious house for a young family in bucolic Mill Valley, California; a reconstructed historic 1930s Colonial house and gardens set in lush woodlands in Connecticut; a new, Adirondack camp-inspired house for an active family perched on the edge of Lake Placid with stunning views of nearby Whiteface Mountain; an elegant but family-friendly Fifth Avenue apartment with a panoramic view of Central Park; a new timber frame and stone barn situated to take advantage of the summer sun on a lovely, rambling property in New England; a new residence and outbuildings on a 6,000 acre hunting preserve in Georgia, inspired by the historic 1920s and 1930s hunting plantation houses in the region; and Schafer’s own, deeply personal, newly-renovated and surprisingly modern house located just a few feet from the Atlantic Ocean in coastal Maine. In Schafer’s hands, the stories of these houses are irresistibly readable. He guides the reader through each of the design decisions, sharing anecdotes about the process and fascinating historical background and contextual influences of the settings. Ultimately, the houses featured in A Place to Call Home are more than just beautiful buildings in beautiful places. In each of them, Schafer has created a dialogue between past and present, a personalized world that people can inhabit gracefully, in sync with their own notions of home. Because, as Schafer writes in the book, he designs houses “not for an architect’s ego, but [for] the beauty of life, the joys of family, and, not least, a heartfelt celebration of place.”
A deep and intimate look at the lives of LGBTQ youth in foster care, vividly chronicling their struggles, fears and hardships, and revealing the force that allows them to carry on: the irrepressible power of hope. In this lyrical debut, Ryan Berg immerses readers in the gritty, dangerous, and shockingly underreported world of homeless LGBTQ teens in New York. As a caseworker in a group home for disowned LGBTQ teenagers, Berg witnessed the struggles, fears, and ambitions of these disconnected youth as they resisted the pull of the street, tottering between destruction and survival. Focusing on the lives and loves of eight unforgettable youth, No House to Call My Home traces their efforts to break away from dangerous sex work and cycles of drug and alcohol abuse, and, in the process, to heal from years of trauma. From Bella's fervent desire for stability to Christina's irrepressible dreams of stardom to Benny's continuing efforts to find someone to love him, Berg uncovers the real lives behind the harrowing statistics: over 4,000 youth are homeless in New York City -- 43 percent of them identify as LGBTQ. Through these stories, Berg compels us to rethink the way we define privilege, identity, love, and family. Beyond the tears, bluster, and bravado, he reveals the force that allows them to carry on -- the irrepressible hope of youth.
Let acclaimed stylist and blogger Jason Grant show you how to become your own stylist and transform your house into a beautiful home. Jason Grant doesn't believe in creating perfect homes. Instead, he encourages people to create a space that says something about who they are and their style of living. Creating personality is important; it's not just about how a home looks but more about how it feels. In his first book, Jason Grant shares insider information on how to decorate your home just like a stylist. Filled with clever tricks and fun ideas as well as information on where to source things from, A Place Called Home is a highly illustrated, creative guide to making beautiful spaces. Learn where to find inspiration and how to get started using mood boards, and then begin working your way through each room as Jason details everything you need to consider when styling. And it's not just about the rooms: Jason also addresses storage solutions, small spaces, outdoor areas, working with color, recycling, and finishing touches, topping it off with a directory of his favorite places to shop, including online and international addresses.
We Call It Home begins in the 19th century, when the private sector failed to provide affordable housing for the poor. This led the Liberal government to build the first state houses in 1905: workers' dwellings. It moves on to examine the state house styles -- the archetypal state house of the first Labour Government is well known, but this wasn't the only kind of state house. Schrader asks why the government seemed so keen on housing nuclear families at the expense of other family groups, and through his interviews finds out who did the chores, what they ate, and what they did together, and charts the changing structure of state house families. Finally, Schrader looks at the changing public perceptions of state housing. In the 1930s securing a state house was viewed as a 'step up', but by the 1970s it had come to be seen as a 'step down'. Why the change? It is the author's hope that We Call It Home " ... will give readers a greater understanding of the ways in which state housing has affected the lives of generations of Kiwis, and of the important role it has played in shaping New Zealand society."
